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  • 1
    Online Resource
    Online Resource
    London : Routledge, Taylor & Francis Group
    UID:
    gbv_1816458619
    Format: 1 Online-Ressource (viii, 199 Seiten) , Illustrationen
    ISBN: 9781003248446 , 9781000624199 , 9781000624137
    Series Statement: Routledge research in Museum studies
    Content: Part I Contextualizing: Introduction: Time; Chapter One: Frame; Part II Temporal Shapes: Introduction: Contours in Time; Chapter Two: Linearity; Chapter Three: Non-Linearity; Part III Temporal Atmospheres: Introduction: Time and Spirit; Chapter Four: Presence; Chapter Five: Absence; Chapter Six: Authenticity; Chapter Seven: Auracity; Part IV Consequences and Meanings: Conclusion: After-Words; Coda: In Extremis; Bibliography; Index.
    Additional Edition: ISBN 9781032164106
    Additional Edition: ISBN 9781032164069
    Additional Edition: Erscheint auch als Druck-Ausgabe Walklate, Jen Time and the museum London : Routledge, Taylor & Francis Group, 2022 ISBN 9781032164069
    Additional Edition: ISBN 9781032164106
    Language: English
    Keywords: Museum ; Zeit ; Wahrnehmung ; Zeitlichkeit ; Ashmolean Museum ; Pitt Rivers Museum ; Oxford University Museum of Natural History
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Place of publication not identified] :Routledge,
    UID:
    almahu_9949385833302882
    Format: 1 online resource (x, 200 pages).
    Edition: First edition.
    ISBN: 9781003248446 , 1003248446 , 9781000624199 , 1000624196 , 9781000624137 , 1000624137
    Series Statement: Routledge Research in Museum Studies
    Content: Time and the Museum: Literature, Phenomenology, and the Production of Radical Temporality, is the first explicit in-depth study of the nature of museum temporality. It argues as its departure point that the way in which museums have hitherto been understood as temporal in the scholarship - as spaces of death, othering, memory, and history - is too simplistic, and has resulted in museum temporality being reduced to a strange heterotopia (Foucault) - something peculiar, and thus black boxed. However, to understand the ways in which museum temporalities and timescapes are produced, and the consequences that these have upon display and visitor response, is crucial, because time is itself a political entity, with ethical consequence. Time and the Museum highlights something we all experience in some way - time - as a key ethical and political feature of the museum space. Utilizing the fields of literature and phenomenology, the book examines how time is experienced and performed in the public areas of three museum spaces within Oxford - the Ashmolean, Pitt Rivers, and Oxford University Museum of Natural History. Using concepts such as shape, structure, form, presence, absence, authenticity, and aura, the book argues for a reconsideration of museum time as something with radical potential and political weight. It will appeal to academics and postgraduate students, especially those engaged in the study of museums, culture, literature, and design.
    Note: Part I Contextualizing: Introduction: Time; Chapter One: Frame; Part II Temporal Shapes: Introduction: Contours in Time; Chapter Two: Linearity; Chapter Three: Non-Linearity; Part III Temporal Atmospheres: Introduction: Time and Spirit; Chapter Four: Presence; Chapter Five: Absence; Chapter Six: Authenticity; Chapter Seven: Auracity; Part IV Consequences and Meanings: Conclusion: After-Words; Coda: In Extremis; Bibliography; Index.
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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