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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1778449026
    Format: 1 Online-Ressource (27 p.)
    ISBN: 9781003011408 , 9781032048208
    Content: Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca’s different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly’s Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two ‘human’ farces The Shoemaker’s Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of ‘impossible’ theater (The Public); his most explicitly political play, one that takes the violence to the spectators’ seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of ‘rural drama’ (Blood Wedding, Yerma and The House of Bernarda Alba)
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Milton :Routledge,
    UID:
    edoccha_9961426916502883
    Format: 1 online resource (171 pages)
    Edition: 1st ed.
    ISBN: 1-00-301140-3 , 1-000-76657-8 , 1-000-76625-X , 1-003-01140-3
    Series Statement: Routledge Studies in Twentieth-Century Literature
    Content: Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Caldern, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristbal) and the two human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimpln and Belisa in the Garden; the central piece in his project of impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba).
    Note: Description based upon print version of record. , Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Note on Translations; Introduction; 1 The Question of Allegory; 2 Of Human and Puppets; 3 Facing the Audience; 4 Revolution in the Playhouse; 5 Writing for the Stage; Epilogue; Work Cited; Index , English
    Additional Edition: ISBN 0-367-82009-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Milton :Routledge,
    UID:
    edocfu_9961426916502883
    Format: 1 online resource (171 pages)
    Edition: 1st ed.
    ISBN: 1-00-301140-3 , 1-000-76657-8 , 1-000-76625-X , 1-003-01140-3
    Series Statement: Routledge Studies in Twentieth-Century Literature
    Content: Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Caldern, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristbal) and the two human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimpln and Belisa in the Garden; the central piece in his project of impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba).
    Note: Description based upon print version of record. , Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Note on Translations; Introduction; 1 The Question of Allegory; 2 Of Human and Puppets; 3 Facing the Audience; 4 Revolution in the Playhouse; 5 Writing for the Stage; Epilogue; Work Cited; Index , English
    Additional Edition: ISBN 0-367-82009-9
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York : Routledge
    UID:
    gbv_1697905757
    Format: 1 online resource (171 p.).
    ISBN: 9781000766257 , 100076625X , 9781003011408 , 1003011403 , 9781000766417 , 1000766411 , 9781000766578 , 1000766578
    Series Statement: Routledge Studies in Twentieth-Century Literature
    Content: Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Note on Translations; Introduction; 1 The Question of Allegory; 2 Of Human and Puppets; 3 Facing the Audience; 4 Revolution in the Playhouse; 5 Writing for the Stage; Epilogue; Work Cited; Index
    Additional Edition: ISBN 0367820099
    Additional Edition: ISBN 9780367820091
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367820099
    Language: English
    Keywords: García Lorca, Federico 1898-1936 ; Drama ; Spanien ; Aufführung ; Theater ; Publikum ; Geschichte 1920-1936
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Milton :Routledge,
    UID:
    almahu_9949386073002882
    Format: 1 online resource (171 pages)
    ISBN: 9781000766257 , 100076625X , 9781003011408 , 1003011403 , 9781000766417 , 1000766411 , 9781000766578 , 1000766578
    Series Statement: Routledge Studies in Twentieth-Century Literature Ser.
    Content: Baroque Lorca: An Arcaist Playwright for the New Stage defines Federico Garca Lorca's trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Caldern, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca's different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly's Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristbal) and the two human' farces The Shoemaker's Prodigious Wife and The Love of Don Perlimpln and Belisa in the Garden; the central piece in his project of impossible' theater (The Public); his most explicitly political play, one that takes the violence to the spectators' seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of rural drama' (Blood Wedding, Yerma and The House of Bernarda Alba).
    Note: Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Note on Translations; Introduction; 1 The Question of Allegory; 2 Of Human and Puppets; 3 Facing the Audience; 4 Revolution in the Playhouse; 5 Writing for the Stage; Epilogue; Work Cited; Index
    Additional Edition: Print version: Pérez-Simón, Andrés. Baroque Lorca : An Arcaist Playwright for the New Stage. Milton : Routledge, ©2019 ISBN 9780367820091
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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