UID:
almahu_9949386116502882
Format:
1 online resource (xiv, 257 pages) :
,
illustrations
ISBN:
9781003025825
,
100302582X
,
9781000077483
,
1000077489
Content:
"Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training offers a comprehensive analysis of the Sanford Meisner Acting Technique in comparison to the Michael Chekhov Acting Technique. This compilation reveals the connections as well as the contradictions between these two very different approaches, while highlighting meaningful bridges and offering in-depth essays from a variety of sources including master teachers with years of experience to new and rising stars in the field. Authors provide philosophical arguments on actor training, innovative approaches to methodology, explorations into integration as well as practical methods of application for the classroom, rehearsal room, or scaffolded into a curriculum. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training is an excellent resource for professors teaching Introductory, Intermediate or Advanced Acting Technique as well as Acting Program Directors and Department Chairs seeking new impactful research on Actor Training"--
Note:
Includes index.
,
Introduction: The case for a new sacred in actor training / Anjalee Hutchinson -- The Meisner approach : "be simple and rediscover the world"- Dostoyevsky / Susan Coromel -- The relevance of the Meisner technique in today's actor training / Tom Prior -- Michael Chekhov's inspiration for actors / Dawn Arnold -- Meisner in the undergraduate setting / Greg Ramos -- Teaching the Michael Chekhov technique in an undergraduate program; the problem and the arrival / Mark Monday -- Reality VS pretend : how to surmount collisions in search of truth / Lisa Dalton -- We are not historians / Kimon Fioretos -- The evolution of a studio by the artistic director Liz Shipman -- How the Michael Chekhov technique influences and supports the elements of the Sanford Meisner approach / Susan Coromel -- Meisner in the classroom, Chekhov in rehearsal -- pairing complementary methods in smaller liberal arts programs / Anjalee Hutchinson -- Studio work with Meisner as foundation and Chekhov as advanced study / Robb Maus -- Activating Meisner and Chekhov in the secondary acting classroom / Eric Young -- Sculpting the energetic action : taking us "beyond the verb" / Alexis Black -- Sensations in place of emotional preparation for the students that say "I can't" and mean it! / Kimon Fioretos -- Re-discovering the joy / Wil Kilroy -- Warming up to repetition and adding physicality with Chekhov's psychological gesture / James Savage -- Listening and responding with the body; how Chekhov technique can enhance Meisner's repetition exercise / David Haugen -- Finding an emotional connection through PGs, POV's and the ghost exercise / James Savage -- A psychophysical path to moment to moment-the gift of a lifetime. Chekhov's repetition exercise 12-13 / Lisa Loving Dalton -- Bringing Meisner and Chekhov techniques into the rehearsal room, sort of... / David Haugen -- Conclusion: The case for non-erasure in actor training / Anjalee Hutchinson.
Additional Edition:
Print version: Michael Chekhov and Sanford Meisner New York, NY : Routledge, 2020. ISBN 9780367458638
Language:
English
Keywords:
Electronic books.
;
Electronic books.
;
Criticism, interpretation, etc.
URL:
https://www.taylorfrancis.com/books/9781003025825
Bookmarklink
