UID:
almahu_9949385438102882
Format:
1 online resource (xiv, 273 pages) :
,
illustrations
ISBN:
9781003092629
,
1003092624
,
9781000537390
,
1000537390
,
9781000537383
,
1000537382
Content:
"In Hollywood, the goals of art and business are entangled. Directors, writers, actors and idealistic producers aspire to make the best films possible. These aspirations often interact with the dominant firms that control Hollywood film distribution. This control of distribution is crucial, as it enables the firms and other large businesses involved, like banks that offer financing, to effectively stand between film production and the market. This book analyses the power structure of the Hollywood film business and its general modes of behaviour. More specifically, the work analyses how the largest Hollywood firms attempt to control social creativity such that they can mitigate the financial risks inherent in the art of filmmaking. Controlling the ways people make or watch films, the book argues, is a key element of Hollywood's capitalist power. Capitalist power-the ability to control, modify and, sometimes, limit social creation through the rights of ownership-is the foundation of capital accumulation. For the Hollywood film business, capitalist power is about the ability of business concerns to set the terms that will shape the future of cinema. For the major film distributors of Hollywood, these terms include the types of films that will be distributed, the number of films that will be distributed, and the cinematic alternatives that will be made available to the individual moviegoer. Combining theoretical analysis with detailed empirical research on the financial performance of the major Hollywood film companies, the book details how Hollywood's capitalist goals have clashed with the aesthetic potentials of cinema and ultimately stymied creativity in the pursuit of limiting risk. This sharp critique of the Hollywood machine provides vital reading for students and scholars of political economy, political theory, film studies and cinema. James McMahon currently teaches at the University of Toronto, Canada. His main research interests are the Hollywood film business, New Hollywood cinema, social theories of mass culture, political economic theory, and the relationship between institutional power and cultural practices"--
Note:
1 IntroductionI 2 The economics-politics separation and Marxism3 Capital and the study of mass culture4 A power theory of mass cultureII5 Applying the capital-as-power approach to Hollywood 6 The risk of aesthetic overproduction7 The Rise of a Confident Hollywood8 The institution of high-concept cinema9 Conclusion
Additional Edition:
Print version: McMahon, James, 1981- Political economy of Hollywood New York : Routledge, 2022 ISBN 9780367552640
Language:
English
Keywords:
Electronic books.
DOI:
10.4324/9781003092629
URL:
https://www.taylorfrancis.com/books/9781003092629
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