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  • 1
    UID:
    gbv_1860683878
    Format: 1 online resource
    ISBN: 9781003144328 , 1003144322
    Series Statement: Routledge studies in the economics of business and industry
    Content: Who is a (Musical) Artist and Why -- Markets in Music -- The Economics of Music Copyright -- Political Economy of Music During the Covid Era: The Bowie Theory and Beyond -- Empirical Results.
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780367700355
    Additional Edition: ISBN 9780367700386
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780367700355
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949598846802882
    Format: 1 online resource.
    Edition: [1.].
    ISBN: 9781003144328 , 1003144322 , 9781000934205 , 1000934209 , 9781000934250 , 100093425X
    Series Statement: Routledge studies in the economics of business and industry
    Content: "This monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today. Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success. In particular this book deeply explores the mental health of musicians and "creative destruction" during the Covid era, copyrights in music markets, and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists. The monograph contributes empirical research to under-explored areas in the cultural economics of music such as the proposed musical production function in Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid-era. Readers will benefit from this easy-to-understand interdisciplinary exploration of music industry with a focus on the United States and the political economy of music during the covid-era. Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest. This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists. Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music"--
    Note: Who is a (Musical) Artist and Why -- Markets in Music -- The Economics of Music Copyright -- Political Economy of Music During the Covid Era: The Bowie Theory and Beyond -- Empirical Results.
    Additional Edition: Print version: Weber, Cameron M. Artists and markets in music Abingdon, Oxon ; New York, NY : Routledge, 2023 ISBN 9780367700355
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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