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  • 1
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949385740502882
    Format: 1 online resource
    ISBN: 9781000584226 , 1000584224 , 9781003170310 , 1003170315 , 9781000584240 , 1000584240
    Content: Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person's story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, oering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.
    Additional Edition: Print version: ISBN 9780367772208
    Additional Edition: ISBN 0367772205
    Additional Edition: Print version: King, Jess, 1972- Inclusive screenwriting for film and television. Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9781003170310
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949568464302882
    Format: 1 online resource
    ISBN: 9781000584226 , 1000584224 , 9781003170310 , 1003170315 , 1000584240 , 9781000584240
    Content: Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person's story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, oering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.
    Note: Screenplay manuals and the homogenization of the imagination -- Reimagining character -- Rethinking the role of conflict -- Changing the narrative (structure) -- On world-building -- From Killing Eve to an Eve who kills -- Queer and trans world-building in Sense8 -- The explicit and specific politics of Vida -- The generative power of paradigm destruction in I may destroy you -- Conclusion : a way forward.
    Additional Edition: Print version: ISBN 9780367772208
    Additional Edition: ISBN 0367772205
    Additional Edition: Print version: King, Jess, 1972- Inclusive screenwriting for film and television. Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9781003170310
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Abingdon, Oxon : Routledge
    UID:
    gbv_1795027487
    Format: pages cm
    ISBN: 9780367772208 , 9780367772185
    Content: Screenplay manuals and the homogenization of the imagination -- Reimagining character -- Rethinking the role of conflict -- Changing the narrative (structure) -- On world-building -- From Killing Eve to an Eve who kills -- Queer and trans world-building in Sense8 -- The explicit and specific politics of Vida -- The generative power of paradigm destruction in I may destroy you -- Conclusion : a way forward.
    Content: "Breaking down the traditional structures of screenplays in an innovative and progressive way, whilst also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person's story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as gender-variant, LGBTQIA , and differently-abled individuals. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting and aspiring screenwriters alike"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781003170310
    Additional Edition: ISBN 9781003170310
    Additional Edition: Erscheint auch als Online-Ausgabe King, Jess, 1972- Inclusive screenwriting for film and television Abingdon, Oxon ; New York, NY : Routledge, 2022
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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