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  • 1
    UID:
    almahu_9949530694902882
    Format: 1 online resource , illustrations.
    ISBN: 9781000891485 , 1000891488 , 9781003271086 , 1003271081 , 9781000891461 , 1000891461
    Series Statement: Routledge advances in theatre & performance studies
    Content: This book explores stage conjuring during its golden age, from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the golden age and analyses them within their cultural and media-historical context: Pepper's Ghost, the archetypical mirror illusion; The Vanishing Lady, staging a teleportation in a time of a dizzying acceleration of transport; the levitation, simulating weightlessness with the help of an extended steel machinery; and The Second Sight, a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.
    Language: English
    Keywords: History.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_BV049300195
    Format: xv, 317 Seiten : , Illustrationen.
    ISBN: 978-1-032-22079-6 , 978-1-032-22080-2
    Series Statement: Routledge advances in theatre & performance studies
    Uniform Title: Techniken der Täuschung
    Content: This book explores stage conjuring during its “Golden Age”, from 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “Golden Age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost”, the archetypical mirror illusion; “The Vanishing Lady”, staging a teleportation in a time of a dizzying acceleration of transport; “the levitation”, simulating weightlessness with the help of an extended steel machinery; and “The Second Sigh”, a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-003-27108-6
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Theater ; Zauberkunst ; Illusion ; Bühnentechnik
    Author information: Rein, Katharina, 1986-,
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1853342351
    Format: 1 Online-Ressource
    ISBN: 9781003271086 , 9781032220796 , 9781032220802
    Content: This book explores stage conjuring during its “Golden Age”, from 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “Golden Age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost”, the archetypical mirror illusion; “The Vanishing Lady”, staging a teleportation in a time of a dizzying acceleration of transport; “the levitation”, simulating weightlessness with the help of an extended steel machinery; and “The Second Sigh”, a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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