Format:
vi, 252 Seiten
ISBN:
9781032308272
Series Statement:
Children's literature and culture
Content:
Publishing for children between 1930 and 1960 has been denigrated as a relatively fallow period for creativity and quality, certainly in comparison with the golden ages' of children's literature that preceded and succeeded it. This book questions this perception by using archival evidence to argue that the work of what was predominantly a female group of editors, illustrators, authors and librarians (collectively referred to as bookwomen) resulted in many titles which are still considered as classics' today. The bookwomen reframed ideas about how children's publishing should be approached and valued and, in doing so, laid the foundations for a subsequent generation of children's authors and publishers who were to achieve far greater prominence. The key to the success of the bookwomen was their willingness to experiment, the strength of their relationships and their comprehensive understanding of the book production process. By focusing on a selection of women working across all aspects of the book production process, this book demonstrates that, both individually and collectively, women capitalised on their position as other' to the existing male institutions
Note:
Index S. 248-252
,
Introduction: Children's Literature: the 'Brass Age' -- The influence of progressive education -- Good books for children -- Publishing as a career for women – The position of children's literature within the publishing industry in the interwar period. - Chapter 1, 'Brain, hand and heart': the joint endeavours of UK and US bookwomen in the development of children's publishing: American and British bookwomen -- The children's publishing scene in America -- American influences in Britain -- Bookwomen as mediators between the US and UK -- Ideological and political differences -- Bookwomen crossing boundaries -- The beginning and end of an era. - Chapter 2, From Bumpus to Puffin: Biographical background -- Eleanor Graham and the 'good children's book' -- Improving the quality of books for children -- The Children who Lived in a Barn -- Eleanor Graham's reputation and legacy. - Chapter 3, Panning for Gold: How libraries stimulated the demand for the best books for children: Eileen Colwell and the development of children's librarianship -- The Junior Bookshelf: Communicating the need for quality -- How to select a good book for children -- Two Case Studies -- The Picts and the Martyrs -- Dream Gold -- 'Sweeping away the cobwebs'. - Chapter 4, Creating a classic children's book: The contribution of British bookwomen: Ursula Moray Williams' life and career -- Moray Williams and the publishing industry -- Classics, value and canonicity – Conclusion. - Chapter 5, 'Building the Book Beautiful': Children's books as material objects: The design and production of children's books -- Puffin Story Books -- Illustrations -- The pivotal role of the bookwomen. - Chapter 6, Pioneering picture books: Kathleen Hale and photolithography: Mid-twentieth century children's book design -- Advances in British photolithographed picture books: where craft intersected with modernism -- Kathleen Hale: artist, illustrator an
Additional Edition:
Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-00-330687-0
Language:
English
Keywords:
Englisch
;
USA
;
Großbritannien
;
Kinderliteratur
;
Geschichte 1930-1960
;
Buchproduktion
;
Kinderbuchverlag
;
Kinderbibliothek
;
Weibliche Buchsachverständige
;
Autorin
;
Illustratorin
;
Lektorin
;
Bibliothekarin
;
Feministische Literaturwissenschaft
Bookmarklink
