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  • 1
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949747637602882
    Format: 1 online resource.
    ISBN: 9781040021927 , 1040021921 , 9781032649474 , 103264947X , 9781040021897 , 1040021891
    Series Statement: Twenty-first century perspectives on British literature and society
    Content: This book offers a discussion of seven canonical novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive solutions of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of inclusive reading - an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical discussion, authorial comments and the context of the composition. Each reading demonstrates the metafictional structure of the texts, indicating that McEwan's works may be treated as invitations to roam within their worlds, examining the multiple frames of their structure and the meanings generated thereby. All the chapters attend to submerged, repressed, or deliberately masked voices. The Cement Garden is seen as a multi-layered dream, with a shifting hierarchy of dreamers; The Comfort of Strangers is viewed as an inverted metafiction, with insubstantial characters corrupting more complex heroes; The Child in Time is read as Stephen's book written for his dead daughter; The Innocent as a memory narrative of Leonard who refuses to notice Maria's role as a spy. In Black Dogs the over-exposure of unreliability is studied as a screen for personal trauma; in the analysis of Atonement Briony's claim to authorship is questioned and Cecilia is suggested as an alternative narrative agent. Finally, examining On Chesil Beach, both characters' voices are reconstructed in search of the superior narrative power, which in the end is seen to be elusive, as the text seeks to undermine the hierarchy of voices.
    Additional Edition: Print version: ISBN 9781032649450
    Additional Edition: ISBN 1032649453
    Additional Edition: ISBN 9781032649467
    Additional Edition: ISBN 1032649461
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY : Routledge
    UID:
    gbv_189887736X
    Format: 1 Online ressource (284 Seiten)
    ISBN: 9781040021927 , 1040021921 , 9781032649474 , 103264947X , 9781040021897 , 1040021891
    Series Statement: Twenty-first century perspectives on British literature and society
    Content: This book offers a discussion of seven canonical novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive solutions of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of inclusive reading - an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical discussion, authorial comments and the context of the composition. Each reading demonstrates the metafictional structure of the texts, indicating that McEwan's works may be treated as invitations to roam within their worlds, examining the multiple frames of their structure and the meanings generated thereby. All the chapters attend to submerged, repressed, or deliberately masked voices. The Cement Garden is seen as a multi-layered dream, with a shifting hierarchy of dreamers; The Comfort of Strangers is viewed as an inverted metafiction, with insubstantial characters corrupting more complex heroes; The Child in Time is read as Stephen's book written for his dead daughter; The Innocent as a memory narrative of Leonard who refuses to notice Maria's role as a spy. In Black Dogs the over-exposure of unreliability is studied as a screen for personal trauma; in the analysis of Atonement Briony's claim to authorship is questioned and Cecilia is suggested as an alternative narrative agent. Finally, examining On Chesil Beach, both characters' voices are reconstructed in search of the superior narrative power, which in the end is seen to be elusive, as the text seeks to undermine the hierarchy of voices
    Additional Edition: Erscheint auch als Druck-Ausgabe Ksiezopolska, Irena Ian McEwan New York : Routledge, Taylor & Francis Group, 2024 ISBN 9781032649450
    Additional Edition: ISBN 9781032649467
    Language: English
    Author information: Ksiezopolska, Irena
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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