Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (xxv, 638 pages) : , illustrations

ISBN: 9781118322802 , 1118322800 , 9781118322765 , 1118322762 , 9781118322796 , 1118322797

Content: "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema's cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a "national" cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research "--

Content: "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives"--

Note: A Companion to Spanish Cinema; Copyright; Contents; Acknowledgments; List of Figures; List of Contributors; 1 Introduction; Part I Reframing the National; 2 Transnational Frameworks; Introduction (Marvin D'Lugo and Gerard Dapena); Transnational Beginnings (Gerard Dapena); Breaking the Sound Barrier (Gerard Dapena); War, Isolation, and New Transnational Openings (Gerard Dapena); The Golden Age of Popular Coproductions (Gerard Dapena); The Politics of the Transnational Auteur (Marvin D'Lugo); The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo). , The Latin American Connection (Alberto Elena)Cinematic Relations with the Arab World (Alberto Elena); Spanish Cinema by Immigrant Directors (Alberto Elena); References; Further Reading; 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia; Other Voices, Other Scripts: Language, Imagery, and Censorship; Spectacular (Dis)locations: Art, Business, and Morality; Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond; Notes; References; Further Reading; 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia. , Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro)On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo); Galician Cinema: Making the Invisible Visible (José Colmeiro); References; Further Reading; Part II The Construction of the Auteur; 5 Auteurism and the Construction of the Canon; Auteurism and Spain (Marvin D'Lugo); Luis Buñuel (Marvin D'Lugo); Carlos Saura (Marvin D'Lugo); Pedro Almodóvar (Paul Julian Smith); Víctor Erice (Paul Julian Smith); Julio Medem (Paul Julian Smith); Alejandro Amenábar (Paul Julian Smith); References. , Further Reading6 Strategic Auteurism; Introduction (Susan Martin-Márquez); Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh); Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui); Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll); Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui); Editing in the Woman Auteur (Susan Martin-Márquez); Notes; References; Further Reading; Part III Genre; 7 Comedy and Musicals; Comedy in Spanish Cinema: An Overview (Steven Marsh). , Queridos cómicos: Actors and Entertainment (Santos Zunzunegui)The Heyday of the Musical Film (Eva Woods Peiró); Contemporary Musical Comedy, Sex, and Gender (Chris Perriam); Conclusion (Chris Perriam); Notes; References; Further Reading; 8 Melodrama and Historical Film; Melodrama: Modernity's Rebellious Genre (Annabel Martín); The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega); The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi).

Additional Edition: Print version: ISBN 9781405194389

Language: English

Keywords: Electronic books. ; Electronic books. ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Electronic books.

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118322765

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118322765

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118322765

UID:

Format: XXV, 638 S. , Ill. , 26 cm

ISBN: 1405194383 , 9781405194389

Series Statement: Wiley-Blackwell companions to national cinemas

Content: "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives"--

Content: "A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema's cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a "national" cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research "--

Note: Formerly CIP Uk. - Includes bibliographical references and index

Additional Edition: Online-Ausg. A companion to Spanish Cinema Malden, Mass. [u.a.] : Wiley-Blackwell, 2013 ISBN 9781118322765

Additional Edition: ISBN 1118322797

Additional Edition: ISBN 9781118322796

Additional Edition: Erscheint auch als Online-Ausgabe A companion to Spanish cinema Chichester, West Sussex, UK : Wiley-Blackwell, 2013 ISBN 9781118322796

Language: English

Subjects: General works

Keywords: Spanien ; Film ; Geschichte ; Aufsatzsammlung ; Bibliografie

URL: Cover

URL: Klappentext

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (666 pages)

Edition: 1st ed.

ISBN: 9781118322796

Series Statement: Wiley Blackwell Companions to National Cinemas Series

Note: Intro -- A Companion to Spanish Cinema -- Copyright -- Contents -- Acknowledgments -- List of Figures -- List of Contributors -- 1 Introduction -- Part I Reframing the National -- 2 Transnational Frameworks -- Introduction (Marvin D'Lugo and Gerard Dapena) -- Transnational Beginnings (Gerard Dapena) -- Breaking the Sound Barrier (Gerard Dapena) -- War, Isolation, and New Transnational Openings (Gerard Dapena) -- The Golden Age of Popular Coproductions (Gerard Dapena) -- The Politics of the Transnational Auteur (Marvin D'Lugo) -- The Producer-Author as Transnational Entrepreneur (Marvin D'Lugo) -- The Latin American Connection (Alberto Elena) -- Cinematic Relations with the Arab World (Alberto Elena) -- Spanish Cinema by Immigrant Directors (Alberto Elena) -- References -- Further Reading -- 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia -- Other Voices, Other Scripts: Language, Imagery, and Censorship -- Spectacular (Dis)locations: Art, Business, and Morality -- Troubled Transitions: The "Talkies," the Republic, the Civil War, the Dictatorship, and Beyond -- Notes -- References -- Further Reading -- 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia -- Introduction: Fragmentation, Invisibility, and Political Devolution (José Colmeiro) -- On the Global Formation of Andalusian and Basque Cinemas (Joseba Gabilondo) -- Galician Cinema: Making the Invisible Visible (José Colmeiro) -- References -- Further Reading -- Part II The Construction of the Auteur -- 5 Auteurism and the Construction of the Canon -- Auteurism and Spain (Marvin D'Lugo) -- Luis Buñuel (Marvin D'Lugo) -- Carlos Saura (Marvin D'Lugo) -- Pedro Almodóvar (Paul Julian Smith) -- Víctor Erice (Paul Julian Smith) -- Julio Medem (Paul Julian Smith) -- Alejandro Amenábar (Paul Julian Smith) -- References -- Further Reading , 6 Strategic Auteurism -- Introduction (Susan Martin-Márquez) -- Neville, Berlanga, and de la Iglesia: A Strategically Disruptive Auteurism (Steven Marsh) -- Authorizing Screenwriting: Rafael Azcona and Pedro Beltrán (Santos Zunzunegui) -- Jesús Franco: From Pulp Auteur to Cult Auteur (Antonio Lázaro-Reboll) -- Pere Portabella: The Politics and Aesthetics of Auteurism (Santos Zunzunegui) -- Editing in the Woman Auteur (Susan Martin-Márquez) -- Notes -- References -- Further Reading -- Part III Genre -- 7 Comedy and Musicals -- Comedy in Spanish Cinema: An Overview (Steven Marsh) -- Queridos cómicos: Actors and Entertainment (Santos Zunzunegui) -- The Heyday of the Musical Film (Eva Woods Peiró) -- Contemporary Musical Comedy, Sex, and Gender (Chris Perriam) -- Conclusion (Chris Perriam) -- Notes -- References -- Further Reading -- 8 Melodrama and Historical Film -- Melodrama: Modernity's Rebellious Genre (Annabel Martín) -- The Historical Film: Genre and Legibility (Vicente Rodríguez Ortega) -- The Ambivalent Attractions of the Past: Historical Film of the Early Franco Period (Jo Labanyi) -- Between the National and the Global: The Historical Film from the 1960s to the Present (Vicente Rodríguez Ortega) -- References -- Further Reading -- 9 Film Noir, the Thriller, and Horror -- Introduction (Antonio Lázaro-Reboll) -- Film Noir (Jo Labanyi and Vicente Rodríguez Ortega) -- The Thriller (Vicente Rodríguez Ortega) -- The Horror Genre (Antonio Lázaro-Reboll) -- Notes -- References -- Further Reading -- Part IV Stars as Cultural Icons -- 10 The Construction of the Star System -- The 1920s and 1930s -- The 1940s and 1950s -- Notes -- References -- Further Reading -- 11 Stars, Modernity, and Celebrity Culture -- Introduction (Chris Perriam) -- Child Stars: Pablito Calvo, Joselito, Marisol, Pili and Mili, Rocío Dúrcal (Tatjana Pavlović) , From Patterns to Passion: Cinema-Going Prior to the 1960s (Kathleen M. Vernon) -- Spanish Cinema Audiences from the mid-1960s to the Present (Manuel Palacio) -- The Future of Film Audiences (Kathleen M. Vernon) -- Notes -- References -- Further Reading -- Part VII Relations with Other Media -- 17 Cinema, Popular Entertainment, Literature, and Television -- Cinema and Other Forms of Entertainment Prior to the Arrival of Television (Vicente Sánchez-Biosca) -- Literary Adaptations (Sally Faulkner) -- Film and Television (Paul Julian Smith) -- References -- Further Reading -- Part VIII Beyond the Fiction Film -- 18 Newsreels, Documentary, Experimental Film, Shorts, and Animation -- Introduction (Josetxo Cerdán) -- Non-Fiction Film during the Civil War (Vicente Sánchez-Biosca) -- NO-DO: The Francoist Newsreel (Vicente Sánchez-Biosca) -- Shorts, Documentary, Experimental Film, and Animation in Transhistorical Perspective (Josetxo Cerdán) -- References -- Further Reading -- Part IX Reading Films through Theory -- 19 Isabel Coixet's Engagement with Feminist Film Theory: From G (the Gaze) to H (the Haptic) -- Gaze Theory and Mira y verás -- Melodrama, the Woman's Film, and My Life without Me -- From Body Genres to the Haptic -- The Haptic and My Life without Me -- Notes -- References -- Further Reading -- 20 Becoming a Queer (M)Other in/and/through Film: Transsexuality, Trans-subjectivity, and Maternal Relationality in Almodóvar's Todo sobre mi madre -- Introduction -- Acting and Re-enacting the Loss of the Child -- Transsexuality -- Trans-subjectivity -- Maternal Relationality -- Conclusion -- Notes -- References -- Further Reading -- 21 The Space of the Vampire: Materiality and Disappearance in the Films of Iván Zulueta -- Notes -- References -- Further Reading -- Index , The Politics of Stardom and Celebrity (Chris Perriam and Nuria Triana Toribio) -- Notes -- References -- Further Reading -- Part V Image and Sound -- 12 Photography, Production Design, and Editing -- An Anomalous Cinema? -- A Cinema of Attractions -- Dialectics of the Avant-Garde -- Two Iconographies of the Popular -- From Propaganda Documentary to Plush Interiors -- Claustrophic Lighting -- Sets for a Cardboard Version of History -- Openings to Modernity: Realism and Editing -- Choreography and Musical Design: Something Different -- Holding the Image: The Aesthetics of the Static Shot -- A New Experimental Avant-Garde -- From Eccentricity to Designer Look -- Stylistic Diversification -- Conclusion -- References -- Further Reading -- 13 Soundtrack -- Introduction (Kathleen M. Vernon) -- The Transition from Silent to Sound Cinema (Román Gubern) -- Listening to Spanish Cinema (Kathleen M. Vernon) -- Notes -- References -- Further Reading -- Part VI The Film Apparatus: Production, Infrastructure, and Audiences -- 14 Censorship, Film Studios, and Production Companies -- Film Censorship (Román Gubern) -- Film Studios (Román Gubern) -- Filmófono (Steven Marsh) -- CIFESA (Jo Labanyi) -- Cesáreo González and Suevia Films (Josetxo Cerdán) -- Telecinco Cinema and El Deseo (Nuria Triana Toribio) -- Producciones La Iguana, Lamia Producciones, and Miss Wasabi Films (Tatjana Pavlović) -- References -- Further Reading -- 15 Film Clubs, Festivals, Archives, and Magazines -- Film Clubs (Román Gubern) -- Film Festivals (Román Gubern) -- Film Archives (Román Gubern) -- Film Preservation and Restoration (Ferran Alberich) -- Film Magazines from the 1930s to the 1960s (Román Gubern) -- Academic Film Journals since the 1980s (Vicente Sánchez-Biosca) -- References -- Further Reading -- 16 Audiences -- Introduction: Audiences and Audience Research (Kathleen M. Vernon)

Additional Edition: Print version Labanyi, Jo A Companion to Spanish Cinema Newark : John Wiley & Sons, Incorporated,c2012

Language: English

Keywords: Electronic books ; Electronic books

URL: FULL  ((OIS Credentials Required))

URL: FULL  ((OIS Credentials Required))

UID:

Format: xxv, 638 Seiten , Illustrationen , 25 cm

Edition: Paperback edition

ISBN: 9781119170136

Series Statement: Wiley-Blackwell companions to national cinemas

Note: Originally published: 2013

Additional Edition: Erscheint auch als Online-Ausgabe A companion to Spanish cinema Chichester, West Sussex, UK : Wiley-Blackwell, 2013 ISBN 9781118322796

Language: English

Subjects: General works

Keywords: Spanien ; Film ; Aufsatzsammlung