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  • 1
    Online-Ressource
    Online-Ressource
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV045002041
    Umfang: 1 Online-Ressource (viii, 214 Seiten) , Illustrationen
    ISBN: 9781350003309 , 9781350003293 , 9781350003286
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-3500-0327-9
    Sprache: Englisch
    Schlagwort(e): Scorsese, Martin 1942- ; Film ; Religion
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic | Berlin : Knowledge Unlatched
    UID:
    gbv_896612856
    Umfang: 1 Online-Ressource (viii, 214 Seiten) , Illustrationen
    ISBN: 9781350003293 , 9781350003286
    Weitere Ausg.: ISBN 1350003271
    Weitere Ausg.: ISBN 9781350003279
    Sprache: Englisch
    Schlagwort(e): Scorsese, Martin 1942- ; Film ; Religion
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic,
    UID:
    edoccha_9959648836902883
    Umfang: 1 online resource (viii, 214 pages) : , illustrations
    ISBN: 9781350003309 , 1350003301 , 9781350003293 , 1350003298 , 9781350003286 , 135000328X , 9781350003279 , 1350003271
    Inhalt: "Catherine O'Brien draws on the structure of Dante Alighieri's Divine Comedy to explore Martin Scorsese's feature films from Who's That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: 'My whole life has been movies and religion. That's it. Nothing else.' Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street. In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese's work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife."--Bloomsbury Publishing.
    Anmerkung: Introduction -- Inferno: visions of hell. Hell on Earth -- Sympathy for the devil -- Treachery -- Purgatory: the three story mountain. Misdirected love -- Insufficient love -- Excessive love -- Paradise: (lost or found?). Encountering Jesus -- The compassion connection -- The mystery of God's love -- Conclusion.
    Sprache: Englisch
    URL: OAPEN
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic,
    UID:
    edocfu_9959648836902883
    Umfang: 1 online resource (viii, 214 pages) : , illustrations
    ISBN: 9781350003309 , 1350003301 , 9781350003293 , 1350003298 , 9781350003286 , 135000328X , 9781350003279 , 1350003271
    Inhalt: "Catherine O'Brien draws on the structure of Dante Alighieri's Divine Comedy to explore Martin Scorsese's feature films from Who's That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: 'My whole life has been movies and religion. That's it. Nothing else.' Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street. In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese's work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife."--Bloomsbury Publishing.
    Anmerkung: Introduction -- Inferno: visions of hell. Hell on Earth -- Sympathy for the devil -- Treachery -- Purgatory: the three story mountain. Misdirected love -- Insufficient love -- Excessive love -- Paradise: (lost or found?). Encountering Jesus -- The compassion connection -- The mystery of God's love -- Conclusion.
    Sprache: Englisch
    URL: OAPEN
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic,
    UID:
    edoccha_9958872866702883
    Umfang: 1 online resource (223 pages)
    ISBN: 1-350-00328-X , 1-350-00330-1 , 1-350-00329-8
    Inhalt: "Catherine O'Brien draws on the structure of Dante Alighieri's Divine Comedy to explore Martin Scorsese's feature films from Who's That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: 'My whole life has been movies and religion. That's it. Nothing else.' Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street. In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese's work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife."--Bloomsbury Publishing.
    Anmerkung: Acknowledgments -- Introduction -- Part One. Inferno: Visions of Hell. 1. Hell on Earth ; 2. Sympathy for the Devil ; 3. Treachery -- Part Two. Purgatory: The Three Story Mountain. 4. Misdirected love ; 5. Insufficient love ; 6. Excessive love -- Part Three. Paradise: (Lost or Found?). 7. Encountering Jesus ; 8. The compassion connection ; 9. The mystery of God's love -- Conclusion -- Bibliography -- Filmography -- Index. , Also issued in print. , English
    Weitere Ausg.: ISBN 1-350-14160-7
    Weitere Ausg.: ISBN 1-350-00327-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    London ; : Bloomsbury Academic,
    UID:
    edocfu_9958872866702883
    Umfang: 1 online resource (223 pages)
    ISBN: 1-350-00328-X , 1-350-00330-1 , 1-350-00329-8
    Inhalt: "Catherine O'Brien draws on the structure of Dante Alighieri's Divine Comedy to explore Martin Scorsese's feature films from Who's That Knocking at My Door (1967-69) to Silence (2016). This is the first full-length study to focus on the trajectory of faith and doubt during this period, taking very seriously the oft-quoted words of the director himself: 'My whole life has been movies and religion. That's it. Nothing else.' Films discussed include GoodFellas, The Last Temptation of Christ, Taxi Driver and Mean Streets, as well as the more recent The Wolf of Wall Street. In Dante's poem in 100 cantos, the Pilgrim is guided by the poet Virgil down through the circles of Hell in Inferno; he then climbs the steep Mountain of the Seven Deadly Sins in Purgatory; and he finally encounters God in Paradise. Embracing this popular analogy, this study envisions Scorsese as a contemporary Dante, with his filmic oeuvre offering the dimensions of a cinematic Divine Comedy. Drawing on debates at the heart of religious studies, theology, literature and film, this book goes beyond existing explorations of religion in Scorsese's work to address issues of sin and salvation within the context of wider debates in eschatology and the afterlife."--Bloomsbury Publishing.
    Anmerkung: Acknowledgments -- Introduction -- Part One. Inferno: Visions of Hell. 1. Hell on Earth ; 2. Sympathy for the Devil ; 3. Treachery -- Part Two. Purgatory: The Three Story Mountain. 4. Misdirected love ; 5. Insufficient love ; 6. Excessive love -- Part Three. Paradise: (Lost or Found?). 7. Encountering Jesus ; 8. The compassion connection ; 9. The mystery of God's love -- Conclusion -- Bibliography -- Filmography -- Index. , Also issued in print. , English
    Weitere Ausg.: ISBN 1-350-14160-7
    Weitere Ausg.: ISBN 1-350-00327-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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