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  • 1
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1742292216
    Format: 1 Online-Ressource
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781350141520 , 9781350141513 , 9781350141506 , 9781350141506 , 9781350189737 , 1350141518 , 135014150X , 9781350141490
    Content: 1. Textiles and Gender in Antiquity: An Introduction Mary Harlow (Leicester, UK), Cčile Michel (CNRS, ArScAn, Nanterre, France) and Louise Quillien (Paris 1 Panthǒn-Sorbonne, France) -- Gendered Textile Terminologies -- 2. Textiles and Gender during the Middle Babylonian Period (ca. 1500-1000 BCE): Texts from Syria and Babylonia Philippe Abrahami (Independent Scholar, France) and Brigitte Lion (Paris 1 Panthǒn-Sorbonne, France) -- 3. The Goddess Nanaja's New Clothes Francis Joanns̈ (Paris 1 Panthǒn-Sorbonne, France) -- 4. Textiles and Gender at Ugarit Valřie Matoïan (CNRS, Proclac, France) and Juan-Pablo Vita (Independent Scholar, Spain) -- 5. Towards Engendering Textile Production in Middle Bronze Age Crete Agata Ulanowska (Independent Scholar, Poland) -- Gendered Textile Activities -- 6. A Man's Business? Washing the Clothes in Ancient Egypt (Second and First Millennia BCE) Damien Agut-Labordr̈e (CNRS, France) -- 7. Women, Men, Girls and Boys: Gendered Textile Work at Late Bronze Age Knossos Hedvig Landenius Enegren (Independent Scholar, Uppsala) -- 8. Female Dues and the Production of Textiles in Ancient Greece -- Beate Wagner-Hasel (Independent Scholar, Germany) -- 9. Gender and Textile Production in Roman Society and Politics Lena Larsson Lovň (Independent Scholar, Germany) -- 10. Work Gendering Space? Roman Gender, Textile Work and Time in Shared Domestic Space Magdalena Ohrman (University of Wales, UK) -- Gendered Wardrobes -- 11. Some Remarks on Textiles and Gender in the Ebla Texts of the 3rd Millennium BCE Maria Giovanna Biga (Rome, La Sapienza, Italy) -- 12. A Visual Investigation of Feminine Garments at Mari During the Early Bronze Age Barbara Couturaud (Institut Français du Proche-Orient, Iraq) -- 13. Belts and Pins as Gendered Elements of Clothing in Third and Second Millennia Mesopotamia Cčile Michel (CNRS, ArScAn, France) -- 14. 'I made you put on garments, I made you dress in linen.' Gender Performance and Garments in Sumerian Literature.
    Content: Anne-Caroline Rendu Loisel (Unistra, Strasbourg, France) -- 15. The Gender of Garments in First Millennium BCE Mesopotamia: An Inquiry Through Texts and Iconography Louise Quillien (Paris 1 Panthǒn-Sorbonne, France) -- 16. White Men and Rainbow Women: Gendered Colour Coding in Roman Dress -- Cecilie Brøns (Ny Carlsberg Glyptotek, Denmark) and Mary Harlow (Leicester University, UK) -- 17. Garments for Potters? Textiles, Gender and Funerary Practices in Les Martres-de-Veyre, France (Roman Period) Catherine Breniquet (Clermont-Auvergne, France ), Marie Bc̈he-Wittman, Christine Bouilloc and Camille Gaumat (Musě Bargoin, Clermont-Ferrand, France) -- 18. Fashioning the Female in the Early North African Church Amy Place (Leicester University, UK) -- 19. Climate Change and Clothing Changes in Late Antique Male Dress Nikki K. Rollason (Leicester University, UK) -- Afterwords -- 20. A Note on Gender and French 'Haute Couture' in 1970: 'Les Sumřiennes' by Jacques Estřel Brigitte Lion (Paris 1 Panthǒn ? Sorbonne, France) -- 21. Concluding Remarks Eva Andersson Strand (Independent Scholar, Denmark) -- Notes -- Bibliography -- Index.
    Content: "This volume looks at how the issues of textiles and gender intertwine across three millennia in antiquity and examines continuities and differences across time and space - with surprising resonances for the modern world. The interplay of gender, identity, textile production and use is notable on many levels, from the question of who was involved in the transformation of raw materials into fabric at one end, to the wearing of garments and the construction of identity at the other. Textile production has often been considered to follow a linear trajectory from a domestic (female) activity to a more 'commercial' or 'industrial' (male-centred) mode of production. In reality, many modes of production co-existed and the making of textiles is not so easily grafted onto the labour of one sex or the other. Similarly, textiles once transformed into garments are often of 'unisex' shape but worn to express the gender of the wearer. As shown by the detailed textual source material and the rich illustrations in this volume, dress and gender are intimately linked in the visual and written records of antiquity. The contributors show how it is common practice in both art and literature not only to use particular garments to characterize one sex or the other, but also to undermine characterizations by suggesting that they display features usually associated with the opposite gender"--
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350141490
    Additional Edition: Erscheint auch als Druck-Ausgabe Textiles and gender in antiquity London ; New York, NY : Bloomsbury Academic, 2021
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almafu_BV047193446
    Format: xix 308 Seiten, 16 ungezählte Seiten Tafeln : , Illustrationen (teilweise farbig).
    ISBN: 978-1-350-14149-0
    Series Statement: Bloomsbury classical studies monographs
    Content: "This volume looks at how the issues of textiles and gender intertwine across three millennia in antiquity and examines continuities and differences across time and space - with surprising resonances for the modern world. The interplay of gender, identity, textile production and use is notable on many levels, from the question of who was involved in the transformation of raw materials into fabric at one end, to the wearing of garments and the construction of identity at the other. Textile production has often been considered to follow a linear trajectory from a domestic (female) activity to a more 'commercial' or 'industrial' (male-centred) mode of production. In reality, many modes of production co-existed and the making of textiles is not so easily grafted onto the labour of one sex or the other. Similarly, textiles once transformed into garments are often of 'unisex' shape but worn to express the gender of the wearer. As shown by the detailed textual source material and the rich illustrations in this volume, dress and gender are intimately linked in the visual and written records of antiquity. The contributors show how it is common practice in both art and literature not only to use particular garments to characterize one sex or the other, but also to undermine characterizations by suggesting that they display features usually associated with the opposite gender"--
    Additional Edition: Online version Textiles and gender in antiquity London ; New York, NY : Bloomsbury Academic, 2021 ISBN 9781350141506
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-3501-4151-3
    Language: English
    Keywords: Textilien ; Kleidung ; Geschlechterrolle ; Altertum ; Aufsatzsammlung ; History
    Library Location Call Number Volume/Issue/Year Availability
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