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  • 1
    UID:
    almahu_9949386438702882
    Format: 1 online resource.
    ISBN: 9781317028833 , 131702883X , 9781315557175 , 1315557177 , 9781317028840 , 1317028848 , 9781317028826 , 1317028821
    Series Statement: Ashgate popular and folk music series
    Content: To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism--that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968-84).
    Additional Edition: Print version: The history of live music in Britain. London : Routledge, Taylor & Francis Group, 2019. ISBN 1409425894
    Language: English
    Keywords: Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949386845902882
    Format: 1 online resource
    ISBN: 9781409425922 , 1409425924 , 9781317028819 , 1317028813 , 9781315557168 , 1315557169 , 9781317028796 , 1317028791 , 9781317028802 , 1317028805
    Series Statement: Ashgate popular and folk music series
    Content: To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism--that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy; and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non- academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The third volume covers the period from Live Aid to Live Nation (1985- 2015).
    Additional Edition: Print version: History of live music in Britain. London : Routledge, Taylor & Francis Group, 2013-2019 ISBN 1409425894
    Language: English
    Keywords: Electronic books. ; Criticism, interpretation, etc. ; History.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1676798625
    Format: 1 Online-Ressource (ix, 232 Seiten)
    ISBN: 9781315557175
    Series Statement: Ashgate popular and folk music series
    Content: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- General editor's preface -- Acknowledgements -- 1 The age of rock -- 2 Classical music -- 3 Clubland -- A snapshot of Bristol in October-November 1976 -- 4 Live music business -- 5 Live music and the state -- A snapshot of Glasgow in October-November 1976 -- 6 From DIY to indie -- 7 Soul, disco, DJs and the new club scene -- A snapshot of Sheffield in October-November 1976 -- 8 Rock musicians and their discontents -- 9 The ideology of live music: violence and video -- The Rolling Stones, Earls Court, May 21-23 and 25-27, 1976 -- 10 Conclusion -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781409425892
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781409425892
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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