Format:
1 Online-Ressource (vi, 244 pages)
Edition:
Also published in print
ISBN:
9781501316777
,
9781501316753
,
1501316753
,
9781501316760
,
1501316761
,
9781501316746
,
1501316745
Series Statement:
Bloomsbury sound studies
Content:
Cover; Contents; List of Figures; Acknowledgements; Introduction: Musical Encounters with Deleuze and Guattari; PART ONE Elaborations; 1 Unfolding Non-Audist Methodologies in Music Research: Signing Hip Hop Artist Signmark and Becoming Deaf with Music; 2 A Micropolitics of Becoming-Woman and Moya Henderson's Rinse Cycle; 3 Mattering Black Life: Time, The Rhizome and a Gullah-Geechee Politics of Rhythm; PART Two Events; 4 Singing Non-Human-Centric Relational Futures -- The Algae Opera as an Assemblage; 5 Queer Transversal: The Spectacle Adam Lambert.
Content:
6 'A People to Come' in Himalayan Village Music -- A Deleuzian-Guattarian Study of Musical PerformancePART Three Experiments; 7 Experimental Music and the Question of What a Body Can Do; 8 Learning to Listen -- Inorganization of the Ear; 9 Listening Assemblages: Re-sounding Place and Mapping the Affects of Sound; 10 Forming Common Notions in a Kinetic Research Collaboration; Contributors; Index.
Content:
"This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject. The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari's philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound."--
Note:
Includes bibliographical references and index
,
Also published in print.
,
Mode of access: World Wide Web.
,
Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
Additional Edition:
ISBN 9781501316746
Additional Edition:
Erscheint auch als Druck-Ausgabe Musical encounters with Deleuze and Guattari New York : Bloomsbury Academic, 2017
Language:
English
Keywords:
Electronic books
DOI:
10.5040/9781501316777
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