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  • 1
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    UID:
    almahu_BV047122691
    Format: 1 Online-Ressource (258 Seiten, 8 ungezählte Seiten Tafeln) : , Illustrationen.
    ISBN: 978-1-5013-4465-7 , 978-1-5013-4464-0
    Series Statement: Contextualizing art markets
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-4463-3
    Language: English
    Subjects: Art History
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    Keywords: Kunstsammlerin ; Kunsthandel ; Kunst ; 1823-1898 Ennery, Clémence d' ; 1861-1958 Langweil, Florine ; Musée d'Ennery ; History
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    UID:
    gbv_1683369319
    Format: xvi, 258 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 23 cm
    ISBN: 9781501344633 , 1501344633
    Series Statement: Contextualizing art markets
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: ISBN 9781501344640
    Additional Edition: ISBN 9781501344664
    Language: English
    Subjects: Art History
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    Keywords: Frankreich ; Kunstsammlerin ; Kunsthandel ; Japan ; Kunst ; Geschichte 1853-1914 ; Musée National des Arts Asiatiques Guimet Musée d'Ennery ; Geschichte 1893-1908 ; Ennery, Clémence d' 1823-1898 ; Langweil, Florine 1861-1958 ; Chinoiserie ; Japonismus ; Geschichte 1853-1914
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  • 3
    Online Resource
    Online Resource
    London :Bloomsbury Publishing,
    UID:
    edocfu_9961565997602883
    Format: 1 online resource (289 pages) : , illustrations
    ISBN: 1-5013-4466-8 , 1-5013-4465-X , 1-5013-4464-1
    Series Statement: Contextualizing art markets
    Content: "Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums. The stories of women collectors and shopkeepers rarely appear in memoirs left by those associated with the japoniste movement. The present volume thus brings to light the culturally important, yet largely forgotten artistic activities of women such as Clèmence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built a house for them in the 1870s, and bequeathed the 'Musèe d'Ennery' to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the japonisme of other women of her day, from dealers of Japanese art (Madame Desoye, Florine Langweil), salon hostesses (Princesse Mathilde, Louise Cahen d'Anvers), and writers and actresses (Judith Gautier, Sarah Bernhardt), to travellers (Isabella Stewart Gardner, Louisine Havemeyer), and artists (Mary Cassatt, Marie Nordlinger). Largely absent from the history of japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musèe Guimet, the Musèe Cernuschi, the Musèe Unterlinden, and the Metropolitan Museum of Art"--Abstract.
    Note: Introduction -- 1. "Come on up and see my Monsters": Chinoiseries, Japonaiseries, and the Musée d'Ennery -- 2. The Market for Asian Collectibles in Nineteenth-Century Paris: From Department Store to Museum -- 3. Vitrines: From Drawing Room to Exhibit Hall and Museum -- 4. The Musée d'Ennery: The Reception of a Woman's Museum in the Parisian Press (1893-1908) -- Conclusion -- Bibliography -- Index.
    Additional Edition: ISBN 1-350-28276-6
    Additional Edition: ISBN 1-5013-4463-3
    Language: English
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