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  • 1
    Online Resource
    Online Resource
    Heidelberg : arthistoricum.net | Berlin : Humboldt-Universität zu Berlin ; 2001,1; 2002 -
    Show associated volumes
    UID:
    gbv_338073302
    Format: Online-Ressource
    ISSN: 1618-8101
    Note: Gesehen am 09.02.23
    Language: German
    Keywords: Bildwissenschaft ; Zeitschrift
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  • 2
    Online Resource
    Online Resource
    Heidelberg : arthistoricum.net | Berlin : Humboldt-Universität zu Berlin ; 2001,1; 2002 -
    Show associated volumes
    UID:
    b3kat_BV014034525
    Format: Online-Ressource
    ISSN: 1618-8101
    Note: Titelzusatz früher: kritische Texte und Bilder zur Geschichte der Kunst , Abweichender Titelzusatz: E-Journal für Kunst- und Bildgeschichte , Nebent.: Fachzeitschrift für Kunstgeschichte im Netz , Gesehen am 09.02.23
    Language: German
    Keywords: Zeitschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    Berlin :Kunsttexte.de ; Began with 1/2001.
    UID:
    almahu_9947370482002882
    Format: 1 online resource
    Note: "Kritische Texte und Bilder zur Geschichte der Kunst."
    Additional Edition: ISSN 1618-8101
    Language: German
    Keywords: History. ; Periodicals.
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  • 4
    Online Resource
    Online Resource
    Berlin :Kunsttexte.de ; Began with 1/2001.
    UID:
    edoccha_9958097229702883
    Format: 1 online resource
    Note: "Kritische Texte und Bilder zur Geschichte der Kunst."
    Additional Edition: ISSN 1618-8101
    Language: German
    Keywords: History. ; Periodicals.
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  • 5
    Online Resource
    Online Resource
    Berlin :Kunsttexte.de ; Began with 1/2001.
    UID:
    edocfu_9958097229702883
    Format: 1 online resource
    Note: "Kritische Texte und Bilder zur Geschichte der Kunst."
    Additional Edition: ISSN 1618-8101
    Language: German
    Keywords: History. ; Periodicals.
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  • 6
    Online Resource
    Online Resource
    Berlin :Kunsttexte.de ; Began with 1/2001.
    UID:
    almafu_9958097229702883
    Format: 1 online resource
    Note: "Kritische Texte und Bilder zur Geschichte der Kunst."
    Additional Edition: ISSN 1618-8101
    Language: German
    Keywords: History. ; Periodicals.
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  • 7
    UID:
    gbv_1923996606
    Format: Illustrationen
    ISSN: 1618-8101
    Content: The article provides a concise overview of the Russian invaders’ interactions with war memorials in the occupied parts of Ukraine. Since the first days of the fullscale invasion of Ukraine, the Russian forces and proxy administrators have focused significant attention on war memorials in the newly occupied territories. They have claimed that World War II memorials in Ukraine have been either completely destroyed or left to decay. In reality, local residents in the northern, eastern and southern regions of Ukraine have often integrated Soviet-era memorials into the new Ukrainian national memorial canon and folk religious memorial practices in recent decades. Local residents have domesticated Soviet-era war memorials by installing additional, personal memorial signs and plaques, or by bringing religious symbols and objects to the sites. Since the beginning of the aggression in 2022, the most prevalent way in which the occupiers have interacted with war memorials has been by lighting eternal flames or marking existing memorials with Russian or Soviet symbols. In addition, they have engaged in iconoclastic practices, such as removing Ukrainian national symbols from the memorials. At the same time, World War II memorials have frequently served as venues for a variety of public events since 2022, ranging from legitimising the ongoing war to showcasing the commemorative efforts of diverse activists, including collaborators and political parties. As the Armed Forces of Ukraine have entered liberated territories, they have frequently singled out such monuments to install Ukrainian symbols, signifying the de-occupation of both these monuments and the lands. The comparatively few Ukrainian initiatives to have war memorials removed have been responses to Russia’s use of such memorials as pretexts for invasion.
    Note: Literaturangaben
    In: Kunsttexte.de, Heidelberg : arthistoricum.net, 2001, (2024), 1, Seite 1-10, 1618-8101
    In: year:2024
    In: number:1
    In: pages:1-10
    Language: English
    URL: Volltext  (kostenfrei)
    Author information: Gabowitsch, Mischa 1977-
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  • 8
    UID:
    edochu_18452_19473
    Format: 1 Online-Ressource (5 Seiten)
    ISSN: 1618-8101 , 1618-8101
    Content: Künstler in naturwissenschaftliche Museen einzuladen, wird immer beliebter. Neben Sonderausstellungen im Medizinhistorischen Museum in Berlin oder dem Humboldt-Lab im Ethnologischen Museum, prischt insbesondere das Museum für Naturkunde in Berlin mit dem Pilotprojekt Kunst / Natur – künstlerische Interventionen im Museum für Naturkunde vor, das seit 2014 läuft. Das gemeinsam mit der Bundeskulturstiftung durchgeführte Projekt ist unterteilt in vier Runden und läuft noch bis 2018. Aus Anlass der Tagung Art / Nature. Contemporary Art in Natural History Museums and Collection, das das Museum am 26./27.6.2017 veranstaltete, und bei der internationale Wissenschaftler, Museumsmitarbeiter und Künstler eingeladen waren, sprach ich mit Petra Lange-Berndt, die die Keynote Lecture hielt – über die Anfänge der künstlerischen Interventionen in Naturkundemuseen, über die Herausforderungen für Kurator und Künstler und die Ängste der Naturwissenschaftler, dass die Künstler*innen nun das Haus übernehmen.
    In: 2017,4, 1618-8101
    Language: German
    URL: Volltext  (kostenfrei)
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  • 9
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin
    UID:
    edochu_18452_19720
    Format: 1 Online-Ressource (5 Seiten)
    ISSN: 1618-8101 , 1618-8101
    Content: The paper presents the question how we navigate through complex environments in contemporary culture, make decisions in times when knowledge, concepts and meaning are constantly "updated". The underlying concept contemporary, with the literal translation "with time" underlines the argument that environments (abstract and concrete) are changing and constantly moving. The argument about knowledge acquisition in a contemporary flow is presented in comparison between a Google Search and how collectors of contemporary art make decisions about the inscriptions of art objects into collections. The linearity of a Google Search from words without syntax to the decision of entering the complex universe of discourses is applied in this paper to describe how actors navigate a complex network of knowledge and information in contemporary culture.
    Content: Peer Reviewed
    In: Berlin, 2018,1, 1618-8101
    Language: English
    URL: Volltext  (kostenfrei)
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  • 10
    UID:
    edochu_18452_22579
    Format: 1 Online-Ressource (13 Seiten)
    ISSN: 1618 - 8101 , 1618 - 8101
    Content: The library of the Joseph Schedel (1856-1943) a pharmacist, born in Bamberg, who lived for 13 years in Yokohama gives a good insight in the way how Europeans learned more about an exotic country, which was opened for foreigners just some decades before. In contrast to other regions of the world, colonialised by europeans in the 19th century, Europeans were confronted with a long and rich tradition of pictorial representation of landscapes and places. Together with new techniques like photography a coevolution of a pictorial tradition can be traced. The old trails to Edo like the Tokaido or the Nakasendo and lists oft he most beautiful landscapes of Japan are examples for this phenomenon. An important second part of a visualisation of the country for foreigners are represented by maps and atlases. One very famous but relatively unknown example is the Atlas von Japan, drawn by the Cartographer Bruno Hassenstein and published by the famous map publisher Justus Perthes in Gotha in 1887. Both tools, photographies and maps are infuential parts in forming of an iconoscape which means a visual representation of Japan not only for foreigners. In analysing the tradition and representation of landscapes, places and whole regions it is quite clear that only a short list of small sections are quoted as typical for Japan.
    Content: Peer Reviewed
    In: 2020,2, 1618 - 8101
    Language: German
    URL: Volltext  (kostenfrei)
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