UID:
almafu_9961282430502883
Format:
1 online resource (xvi, 261 pages) :
,
digital, PDF file(s).
ISBN:
1-282-08006-7
,
9786612080067
,
1-84615-420-0
Content:
Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.
Note:
Title from publisher's bibliographic system (viewed on 27 Oct 2023).
,
CONTENTS; LIST OF ILLUSTRATIONS; CONTRIBUTORS; ACKNOWLEDGEMENTS; Introduction; Part I. MEDIEVAL PERFORMERS OF NARRATIVE AND THEIR ART; "He was the best teller of tales in the world": Performing Medieval Welsh Narrative; The Complaint of the Makers: Wynnere and Wastoure and the "Misperformance Topos" in Medieval England; Dioneo's Repertory: Performance and Writing in Boccaccio's Decameron; Part II. MEDIEVAL PERFORMANCE AND THE BOOK; Mise en texte as Indicator of Oral Performance in Old French Verse Narrative; Erotic Reading in the Middle Ages: Performance and Re-performance of Romance
,
Oral Performance of Written Narrative in the Medieval French Romance Ysaÿe le TristePerforming Romance: Arthurian Interludes in Sarrasin's Le roman du Hem (1278); Part III. PERFORMABILITY AND MEDIEVAL NARRATIVE GENRES; Performing Fabliaux; Preaching, Storytelling, and the Performance of Short Pious Narratives; Reading, Reciting, and Performing the Renart; Turkic Bard and Medieval Entertainer: What a Living Epic Tradition Can Tell Us about Oral Performance of Narrative in the Middle Ages; Part IV. PERSPECTIVES FROM CONTEMPORARY PERFORMERS
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Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed "Singer of Tales"The Weddynge of Sir Gawen and Dame Ragnell: Performance and Intertextuality in Middle English Popular Romance; "Une aventure vous dirai": Performing Medieval Narrative; AFTERWORD; INDEX
,
English
Additional Edition:
ISBN 1-84384-039-1
Language:
English
DOI:
10.1515/9781846154201
URL:
https://www.cambridge.org/core/product/identifier/9781846154201/type/BOOK
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