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  • 1
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    UID:
    gbv_1745295119
    Format: x, 290 pages , illustrations (black and white, and colour) , 21 cm
    ISBN: 9783030414092 , 3030414094
    Content: 1. Introduction: Setting the Stage -- Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: 'Speaking in Tongues: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis -- Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship -- Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks.
    Content: This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Theater ; Performativität ; Subjektivität ; Weltbürgertum
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    edoccha_BV046878507
    Format: 1 Online-Ressource (X, 290 p. 2 illus).
    Edition: 1st ed. 2020
    ISBN: 978-3-030-41410-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-41409-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-41411-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-41412-2
    Language: English
    Subjects: General works
    RVK:
    Keywords: Theater ; Darstellende Kunst ; Subjektivität ; Weltbürgertum
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    edocfu_BV046878507
    Format: 1 Online-Ressource (X, 290 p. 2 illus).
    Edition: 1st ed. 2020
    ISBN: 978-3-030-41410-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-41409-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-41411-5
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-41412-2
    Language: English
    Subjects: General works
    RVK:
    Keywords: Theater ; Darstellende Kunst ; Subjektivität ; Weltbürgertum
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cham :Springer International Publishing :
    UID:
    almahu_9948564060902882
    Format: X, 290 p. 2 illus. , online resource.
    Edition: 1st ed. 2020.
    ISBN: 9783030414108
    Content: This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us. .
    Note: 1. Introduction: Setting the Stage - Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: 'Speaking in Tongues': Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis - Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship - Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks. .
    In: Springer Nature eBook
    Additional Edition: Printed edition: ISBN 9783030414092
    Additional Edition: Printed edition: ISBN 9783030414115
    Additional Edition: Printed edition: ISBN 9783030414122
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    UID:
    gbv_172847759X
    Format: 1 Online-Ressource(X, 290 p. 2 illus.)
    Edition: 1st ed. 2020.
    ISBN: 9783030414108
    Content: 1. Introduction: Setting the Stage - Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: ‘Speaking in Tongues’: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis - Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship – Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks. .
    Content: This book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us. .
    Additional Edition: ISBN 9783030414092
    Additional Edition: ISBN 9783030414115
    Additional Edition: ISBN 9783030414122
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030414092
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030414115
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030414122
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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