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  • 1
    Online-Ressource
    Online-Ressource
    Cham, Switzerland :Palgrave Macmillan,
    UID:
    almafu_BV047553130
    Umfang: 1 Online-Ressource.
    Ausgabe: 2nd ed.
    ISBN: 978-3-030-78724-0
    Serie: Palgrave pivot
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-78723-3
    Sprache: Englisch
    Fachgebiete: Allgemeines , Philosophie
    RVK:
    RVK:
    Schlagwort(e): Digital Humanities ; Erkenntnistheorie
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Cham :Springer International Publishing AG,
    UID:
    almahu_9949319972902882
    Umfang: 1 online resource (150 pages)
    Ausgabe: 2nd ed.
    ISBN: 9783030787240
    Anmerkung: Intro -- Foreword -- The Digital Switch: From Causality to Relationships -- References -- Preface and Acknowledgments -- Contents -- List of Figures -- Chapter 1: Digital Epistemology: An Introduction -- 1.1 Digital/Analog -- 1.2 Liu/Lindhé/O'Gorman -- 1.3 Epistemology and Early Modern Modes of Thought -- 1.3.1 The Emblem -- 1.3.2 The Cabinets of Curiosity -- 1.3.3 Epistemology Engines and Recursive Historiography -- 1.4 Media Archaeology -- 1.5 The Book -- References -- Chapter 2: Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 2.1 The Past and the Contemporary -- 2.2 McLuhan, Media Archaeology and Historiography -- 2.3 Strategies and Juxtapositions -- 2.3.1 Salon Culture versus Social Media -- 2.3.2 The Principle of Pertinence and the Mosaic of McLuhan -- 2.3.3 Electronic Literature versus the Renaissance Emblem -- 2.4 Interface. Mosaic -- 2.5 Hegnhøj and Essvik. Materiality and Analog Nostalgia -- References -- Chapter 3: CCC versus WWW: Digital Epistemology and Literary Text -- 3.1 The Mechanical Hand -- 3.2 The Literary Text: Operation CCC -- 3.3 Postdigitality and Analog Nostalgia -- 3.4 Digital. Tactile. Cabinet -- 3.5 The Principle of Pertinence -- 3.6 Imri Sandström: Language and the Principle of Pertinence -- 3.7 Kunstkammer Poetics -- 3.8 Babbage. Again -- References -- Chapter 4: "Books Are Machines": Materiality and Agency from the 1960s to the 2010s -- 4.1 Digitization as a Lens -- 4.2 Digital History and Threats -- 4.3 Without Us: UKON -- 4.4 Ubiquitous Viruses -- 4.5 The Number of the Beast -- 4.6 Torsten Ekbom 1965 -- 4.7 Johannes Heldén 2010 -- 4.8 On Digital Humanities -- References -- Chapter 5: Towards a Twenty-First-Century Pedagogy for the Humanities -- 5.1 Introduction -- 5.2 The Two Cultures 2.0 -- 5.2.1 Counter-culture -- 5.2.2 Correspondence -- 5.3 Digital Expressions?. , 5.3.1 Digital Practices -- 5.3.2 Digital-Born Works -- 5.4 From Mode of Expression to Mode of Thought -- 5.5 Media Archaeology, Digital Epistemology and Pedagogical Challenges -- 5.6 Conclusions and Challenges -- References -- Index.
    Weitere Ausg.: Print version: Ingvarsson, Jonas Towards a Digital Epistemology Cham : Springer International Publishing AG,c2021 ISBN 9783030787233
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    almahu_9949139220502882
    Umfang: XVI, 136 p. 10 illus. , online resource.
    Ausgabe: 2nd ed. 2021.
    ISBN: 9783030787240
    Inhalt: This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
    Anmerkung: 1. Digital Epistemology - An Introduction -- 2. CCC Vs WWW: Digital Epistemology and Literary Text -- 3. Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic -- 4. "Books are Machines": Materiality and Agency from the 1960s to the 2010s -- 5. Towards a 21st Century Pedagogy for the Humanities.
    In: Springer Nature eBook
    Weitere Ausg.: Printed edition: ISBN 9783030787233
    Weitere Ausg.: Printed edition: ISBN 9783030787257
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Springer Nature
    UID:
    gbv_177840572X
    Umfang: 1 Online-Ressource (136 p.)
    ISBN: 9783030787240
    Inhalt: This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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