Format:
1 Online-Ressource (xi, 307 pages)
,
illustrations (chiefly color)
ISBN:
9783031134098
,
3031134095
Content:
Intro -- Contents -- Abbreviations -- List of Figures -- List of Tables -- 1 Introduction -- Evolution of the Notion of Arts -- Arts, Culture and Tradition in Northern Ireland -- Building a Gaelic Ireland -- Unionist Identity -- Cultural Policy -- Main Questions -- Notes -- Part I CEMA, from a Temporary Wartime Measure to a Permanent Institution (1939-1951) -- 2 Arts and Culture in Northern Ireland Before the Second World War -- Culture and the Authorities -- Ulster Culture, Ulster Identity -- Ulster Drama20 -- A Cultural Desert?: The Arts in the 1930s in Northern Ireland -- Notes
Content:
3 Creating CEMA -- Institutional Beginning of CEMA (NI) -- 1940-1943: False Start -- 1943-1945: CEMA (Northern Ireland) -- The Arts During the War -- CEMA's Policy: Being Part of the War Effort -- A New Artistic Buoyancy -- Rise of Regionalism -- Notes -- 4 Establishing CEMA in the Political and Cultural Landscape of Northern Ireland -- CEMA (NI), Its Incorporation and the Arm's-Length Principle -- CEMA's First Steps -- The Festival of Britain -- Notes -- Part II The Evolution of CEMA/ACNI: Politics, Culture and the Arts (1950s-1960s) -- 5 The Artistic Policy of CEMA/ACNI: Educating the People
Content:
"Increase Accessibility"1 -- Touring -- New Partnerships: Local Arts Committees -- New Partnerships: Local Authorities -- Social Outreach -- Criticism and Challenges -- "Improve the Standard of Execution"63 -- Declining Support for Amateur Arts -- Direct Provision of the Arts -- The Ulster Orchestra (UO) -- The Grand Opera Society (GOS) -- The Visual Arts -- The Project of a National Theatre112 -- Notes -- 6 Politics, Sectarianism and CEMA/ACNI -- The 1950s: Political Encroachment and the Arts -- The Question of the National Anthem -- The Bonefire -- Over the Bridge
Content:
From CEMA (NI) to ACNI: Criticism of the Council -- The 1960s: The Arts and the O'Neill Government -- Greater Interest in the Arts -- The End of the "Cultural Border"77 -- Notes -- 7 A Regionalist Agenda in Northern Ireland? -- The Ulster Folk and Transport Museum -- The Ulster Museum -- Ulster Arts and CEMA/ACNI -- Notes -- 8 1968-1972, A Transition -- The Beginning of the Troubles and the Arts -- Consequences of the Crisis on Art Performances -- Arts as Community Relations: Literature and Traditional Arts -- 'Ulster 71' -- The Reform of the Arts Council -- Notes
Content:
Part III Artistic Policy in a Violent Political Context (1970s-1990s) -- 9 In Times of War: A New Role for the Arts -- Conflict Resolution Theory -- Peacemaking and Peacebuilding -- Community Relations -- A New Community Relations Framework in Northern Ireland -- First and Failed Attempts at Peacebuilding -- Community Relations (1969-1975) -- Lord Melchett -- Culture and Peacebuilding -- Multiculturalism, the Anglo-Irish Agreement and Education -- From Two Traditions to Cultural Diversity -- The Community Relations Council (CRC) -- Notes -- 10 Isolationism of ACNI
Content:
This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Peace Process in the 1990s, the ACNI evolved through a period of conflict and change, and therefore this book argues that there was an undeniable link between the changing political environment and the management of the arts in Northern Ireland. The arms length principle is analysed in relation to ACNI, examining the influence that the state had upon its management and governance. Offering a unique historical overview of the arts in Northern Ireland, this interdisciplinary book fills a gap in Irish history and presents insights into cultural policy, conflict resolution and political history. Lara Cuny is Associate Professor at Aix-Marseille University, France. Previously she taught classes on Irish and British history at Sorbonne Nouvelle University, Paris
Note:
Includes index
Additional Edition:
ISBN 9783031134081
Additional Edition:
ISBN 3031134087
Additional Edition:
Erscheint auch als Druck-Ausgabe Cuny, Lara The history of the Arts Council of Northern Ireland, 1943-2016 Cham, Switzerland : Palgrave Macmillan, 2022 ISBN 9783031134081
Language:
English
Keywords:
Electronic books
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