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  • 1
    Online-Ressource
    Online-Ressource
    The financial image : finance, philosophy and contemporary film (2024)
    Cham : Palgrave Macmillan
    Details
    UID:
    gbv_1903380596
    Umfang: 1 Online-Ressource (xii, 329 Seiten)
    ISBN: 9783031406546 , 3031406540
    Serie: Palgrave studies in literature, culture and economics
    Inhalt: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007)
    Anmerkung: Includes bibliographical references and index , 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Weitere Ausg.: ISBN 9783031406539
    Weitere Ausg.: ISBN 3031406532
    Weitere Ausg.: Erscheint auch als ISBN 3031406532
    Weitere Ausg.: ISBN 9783031406539
    Sprache: Englisch
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Stabi Berlin
  • 2
    Online-Ressource
    Online-Ressource
    The Financial Image : Finance, Philosophy and Contemporary Film (2024)
    Cham :Springer International Publishing :
    Details
    UID:
    almafu_9961418080402883
    Umfang: 1 online resource (336 pages)
    Ausgabe: 1st ed. 2024.
    ISBN: 9783031406546 , 3031406540
    Serie: Palgrave Studies in Literature, Culture and Economics,
    Inhalt: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
    Anmerkung: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    Weitere Ausg.: ISBN 9783031406539
    Sprache: Englisch
    DOI: 10.1007/978-3-031-40654-6
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Open Access Wunsch
    Charité
  • 3
    Online-Ressource
    Online-Ressource
    The Financial Image : Finance, Philosophy and Contemporary Film. (2024)
    Cham :Springer International Publishing AG,
    Details
    UID:
    edoccha_9961418080402883
    Umfang: 1 online resource (336 pages)
    Ausgabe: 1st ed.
    ISBN: 3-031-40654-0
    Serie: Palgrave Studies in Literature, Culture and Economics Series
    Anmerkung: Intro -- Acknowledgements -- Praise for The Financial Image -- Contents -- Chapter 1: Introduction -- Locating the Image -- Defining Financial -- The Financial Image in Film Studies -- Culture and Finance Capital -- Money: The Obverse of Every Image That Cinema Screens -- Bibliography -- Chapter 2: The Financial Regime and the Financial Image -- The 'Mutation of Capitalism': The Financial Regime and Control Society -- Case Study I: Foucault, Frankfurt, and the Birth of the Financial Aesthetic: The Girl Rosemarie -- Mixed Semiotics in the Financial Regime -- Case Study 2: Hito Steryerl's Liquidity Inc. -- Bibliography -- Chapter 3: Film and the Financial Gaze -- Imaging Value: Harun Farocki's Nothing Ventured (2004) -- Constituting the Female Financial Gaze: Equity (Meera Menon Broad Street Pictures, 2016) -- Complicity and Delusion: The Wolf of Wall Street (Martin Scorsese, Red Granite Pictures, 2013) -- Bibliography -- Chapter 4: Film and Financial Time -- Film and Financial Time: Zachary Formwalt's Three Exchanges (2009, 2011, 2014) -- Carnival of Financial Souls: Yella (Christian Petzold, Schramm Körner, and Weber, 2007) -- Bibliography -- Chapter 5: Film and Financial Space -- The Spaces of Financial Labour: Nightcleaning in the City of London -- The Spaces of Financial Labour: Nightcleaning in the Financial Zone of Dubai -- 'There'll be a Commotion': Financial Turbulence in The City Below (Christoph Hochhäusler, Wdr/Arte, 2010) -- Moment One -- Moment Two -- Moment Three -- Moment Four -- Moment Five -- Bibliography -- Chapter 6: Film and Financial Performativity -- Introduction -- Documenting Financial Performativity: Master of the Universe (Marc Bauder, Bauderfilm, 2013) -- Possibilities for Collective Struggle: Melanie Gilligan and Financial Performativity -- Bibliography -- Bibliography -- Index.
    Weitere Ausg.: ISBN 9783031406539
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Charité
  • 4
    Online-Ressource
    Online-Ressource
    The Financial Image : Finance, Philosophy and Contemporary Film (2024)
    Cham :Springer International Publishing :
    Details
    UID:
    almahu_9949657553602882
    Umfang: XII, 329 p. , online resource.
    Ausgabe: 1st ed. 2024.
    ISBN: 9783031406546
    Serie: Palgrave Studies in Literature, Culture and Economics,
    Inhalt: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
    Anmerkung: 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
    In: Springer Nature eBook
    Weitere Ausg.: Printed edition: ISBN 9783031406539
    Weitere Ausg.: Printed edition: ISBN 9783031406553
    Weitere Ausg.: Printed edition: ISBN 9783031406560
    Sprache: Englisch
    DOI: 10.1007/978-3-031-40654-6
    URL: https://doi.org/10.1007/978-3-031-40654-6
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Open Access Wunsch
    HU Berlin
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