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  • 1
    Online-Ressource
    Online-Ressource
    Cham : Palgrave Macmillan
    UID:
    gbv_1890982687
    Umfang: 1 Online-Ressource (xix, 242 pages) , illustrations
    ISBN: 9783031496042 , 3031496043
    Serie: Bernard Shaw and his contemporaries
    Inhalt: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women’s rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors may be considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process
    Anmerkung: Includes bibliographical references and index , Chapter 1 : Introduction -- Chapter 2: The Novels of Bernard Shaw -- Chapter 3: The Plays of Bernard Shaw -- Chapter 4: Transition to Virginia Woolf -- Chapter 5: The Novels of Virginia Woolf -- Chapter 6: Conclusion.
    Weitere Ausg.: ISBN 9783031496035
    Weitere Ausg.: Erscheint auch als ISBN 3031496035
    Weitere Ausg.: ISBN 9783031496035
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Cham :Springer International Publishing :
    UID:
    almafu_9961535665702883
    Umfang: 1 online resource (xix, 242 pages) : , illustrations
    Ausgabe: 1st ed. 2024.
    ISBN: 9783031496042 , 3031496043
    Serie: Bernard Shaw and His Contemporaries,
    Inhalt: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women's rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors may be considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process. Lagretta Tallent Lenker, Ph.D., retired from the University of South Florida, University College, USA, where she served as founding director of the Graduate Certificate Program, the Bachelor of General Studies, and other adult and professional programs. She has taught in the USF English Department where she specialized in early modern, modern, late Victorian, and American drama. She has written or edited eight books and numerous articles, primarily on the works of Christopher Marlowe, William Shakespeare and Bernard Shaw, including Fathers and Daughters in Shakespeare and Shaw (2001). She was guest editor of SHAW 28: Shaw and War. Five of Lenker's books were co-edited with Dr. Sara M. Deats and focus on literature and social issues, including Aging and Identity: A Humanities Perspective (1999). .
    Anmerkung: Chapter 1 : Introduction -- Chapter 2: The Novels of Bernard Shaw -- Chapter 3: The Plays of Bernard Shaw -- Chapter 4: Transition to Virginia Woolf -- Chapter 5: The Novels of Virginia Woolf -- Chapter 6: Conclusion.
    Weitere Ausg.: ISBN 3031496035
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Cham :Springer International Publishing :
    UID:
    almahu_9949744218502882
    Umfang: XIX, 242 p. 3 illus. , online resource.
    Ausgabe: 1st ed. 2024.
    ISBN: 9783031496042
    Serie: Bernard Shaw and His Contemporaries,
    Inhalt: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women's rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors may be considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process. Lagretta Tallent Lenker, Ph.D., retired from the University of South Florida, University College, USA, where she served as founding director of the Graduate Certificate Program, the Bachelor of General Studies, and other adult and professional programs. She has taught in the USF English Department where she specialized in early modern, modern, late Victorian, and American drama. She has written or edited eight books and numerous articles, primarily on the works of Christopher Marlowe, William Shakespeare and Bernard Shaw, including Fathers and Daughters in Shakespeare and Shaw (2001). She was guest editor of SHAW 28: Shaw and War. Five of Lenker's books were co-edited with Dr. Sara M. Deats and focus on literature and social issues, including Aging and Identity: A Humanities Perspective (1999). .
    Anmerkung: Chapter 1 : Introduction -- Chapter 2: The Novels of Bernard Shaw -- Chapter 3: The Plays of Bernard Shaw -- Chapter 4: Transition to Virginia Woolf -- Chapter 5: The Novels of Virginia Woolf -- Chapter 6: Conclusion.
    In: Springer Nature eBook
    Weitere Ausg.: Printed edition: ISBN 9783031496035
    Weitere Ausg.: Printed edition: ISBN 9783031496059
    Weitere Ausg.: Printed edition: ISBN 9783031496066
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Cham, Switzerland :Springer Nature Switzerland AG,
    UID:
    edoccha_9961535665702883
    Umfang: 1 online resource (xix, 242 pages) : , illustrations
    Ausgabe: First edition.
    ISBN: 3-031-49604-3
    Serie: Bernard Shaw and His Contemporaries Series
    Inhalt: Virginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women's rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors may be considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process.
    Anmerkung: Chapter 1: Introduction -- Introduction -- A Lover's Part -- The Period -- Shaw and Censorship -- Woolf and Censorship -- Shaw as Modern -- Woolf as Modern -- The Interior Author -- Chapter 2: Bernard Shaw's Novels-Emergent Interior Authors -- Introduction -- Exterior Authors -- Immaturity (1879) -- The Irrational Knot (1880) -- An Unsocial Socialist (1883) -- Interior Authors -- Immaturity (1879) -- The Irrational Knot (1880) -- Chapter 3: Shaw's Novels-Dramatic Narratives -- Cashel Byron's Profession (1883) -- An Unsocial Socialist (1883) -- Chapter 4: Bernard Shaw's Plays-Not in This Family -- Exterior Authors -- Candida (1894) -- Caesar and Cleopatra (1898) -- The Doctor's Dilemma (1906) -- Pygmalion (1914) -- Interior Authors -- You Never Can Tell (1895-96) -- Man and Superman (1903) -- Minor Characters Who Write -- Revolutionist's Handbook -- Modern -- Fanny's First Play (1911) -- Fanny's Play -- Easy or Complex? -- Censorship -- Chapter 5: Shaw's Plays: Putting Faith in Faith -- Shaw, War, and Religion: Putting Faith in Faith -- Back to Methuselah (1921) -- Censorship -- Modern -- Saint Joan (1923) -- Censorship -- Modern -- Epilogue -- Chapter 6: Reflections on Plays and Novels -- Chapter 7: The Janus Face of War -- Virginia Woolf -- The Novels of Virginia Woolf -- The Janus Face of War -- Jacob's Room (1922) -- War -- Modernism -- Characters Who Write -- Censorship -- Mrs. Dalloway (1925) -- War -- Structure -- The Medical Profession -- Modernism -- Writing -- Reception -- Censorship -- Chapter 8: Novels of Great Women -- Orlando 1928 -- Modernism -- Vita -- Characters Who Write -- Letters -- Woolf on Writing -- Nicholas Greene -- The New Biography -- Interior Biographer -- Orlando as Interior Author -- Censorship -- Reception. , Orlando as Modernist Writer -- Biographer as Modernist Writer -- Conclusion -- Between the Acts 1941 -- An Illusive Shadow -- Introduction -- Between the Acts, Modernism, and Postmodernism -- Characters Who Write -- Isa Oliver -- Anon and Miss LaTrobe -- Pageant -- Audience Reaction -- Censorship -- Doubt and Self-Doubt -- Failure of Words -- War -- Critical Reception -- Conclusion -- Chapter 9: Conclusion.
    Weitere Ausg.: ISBN 3-031-49603-5
    Weitere Ausg.: Print version: ISBN 3031496035
    Weitere Ausg.: ISBN 9783031496035
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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