X
feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
Subjects(RVK)
Keywords
Access
  • 1
    Book
    Book
    Signs of music : a guide to musical semiotics (2002)
    Berlin [u.a.] :Mouton de Gruyter,
    Details
    UID:
    almahu_BV014280039
    Format: VIII, 224 S. : Ill., graph. Darst., Notenbeisp.
    ISBN: 3-11-017226-7 , 3-11-017227-5
    Series Statement: Approaches to applied semiotics 3
    Language: English
    Subjects: Musicology
    RVK:
    LR 55520
    RVK:
    LR 56800
    RVK:
    LR 56820
    Keywords: Musikalische Semiotik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Stabi Berlin get availability status
    HU Berlin get availability status
    FU Berlin get availability status
    UB Potsdam get availability status
    Inst. f. Musikforschung get availability status
  • 2
    Online Resource
    Online Resource
    Signs of Music : A Guide to Musical Semiotics (2012)
    Berlin : De Gruyter
    Details
    UID:
    gbv_1655859331
    Format: Online-Ressource (VIII, 224 S.)
    ISBN: 9783110899870
    Series Statement: Approaches to Applied Semiotics [AAS] 3
    Content: Biographical note: Eero Tarasti is Professor at the University of Helsinki, Finland.
    Content: Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
    Content: Review text: "'Signs of music: a guide to musical semiotics' von Eero Tarasti ist ein Buch, das sein Versprechen erfüllt. Es ist eine motivierende Lektüre, sowohl für diejenigen, die zum ersten Mal mit dieser neuen Disziplin in Berührung kommen, als auch für die in diese Materie bereits eingeweihten. Das faszinierende hervortretende Feld Musiksemiotik ist ein vielfältiger und komplexer Diskurs und Metadiskurs über Musik und Zeichen in Bezug auf Ästhetik, Geschichte, Komposition, Interpretation, Kommunikation, Praxis, usw. Eero Tarasti verbindet wissenschaftliche Genauigkeit mit Offenheit und bietet hier eine Grundlage für weitere Entwicklungen."Paulo C. Chagas in: Forum Musikbibliothek, Kromsdorf/Weimar, 1/2003
    Additional Edition: ISBN 9783110172263
    Additional Edition: Erscheint auch als Druck-Ausgabe Tarasti, Eero, 1948 - Signs of music Berlin : Mouton de Gruyter, 2002 ISBN 3110172267
    Additional Edition: ISBN 3110172275
    Language: English
    Subjects: Musicology
    RVK:
    LR 56820
    Keywords: Musikalische Semiotik
    DOI: 10.1515/9783110899870
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Online Access
    Open Access Request
    UB Potsdam
  • 3
    Book
    Book
    Signs of music : a guide to musical semiotics (2002)
    Berlin [u.a.] : Mouton de Gruyter
    Details
    UID:
    b3kat_BV014280039
    Format: VIII, 224 S. , Ill., graph. Darst., Notenbeisp.
    ISBN: 3110172267 , 3110172275
    Series Statement: Approaches to applied semiotics 3
    Language: English
    Subjects: Musicology
    RVK:
    LR 55520
    RVK:
    LR 56800
    RVK:
    LR 56820
    Keywords: Musikalische Semiotik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    TU Berlin get availability status
  • 4
    Book
    Book
    Signs of music : a guide to musical semiotics (2002)
    Berlin [u.a.] : Mouton de Gruyter
    Details
    UID:
    kobvindex_ZLB13399999
    Format: VIII, 224 Seiten , Ill., graph. Darst., Noten , 24 cm
    ISBN: 3110172267 , 3110172275
    Series Statement: Approaches to applied semiotics 3
    Note: Literaturverz. S. 201 - 217 , Text engl.
    Language: English
    Keywords: Musikalische Semiotik
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Berlin VÖBB/ZLB get availability status
  • 5
    Online Resource
    Online Resource
    Signs of music : a guide to musical semiotics (2002)
    Berlin ; : Mouton de Gruyter,
    Details
    UID:
    almahu_9948322258402882
    Format: 1 online resource (232 pages) : , illustrations.
    ISBN: 9783110899870 (e-book)
    Series Statement: Approaches to applied semiotics ;
    Additional Edition: Print version: Tarasti, Eero. Signs of music. Berlin ; New York : Mouton de Gruyter, 2002. ISBN 9783110172263
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    HU Berlin
  • 6
    Online Resource
    Online Resource
    Signs of Music : A Guide to Musical Semiotics (2012)
    Berlin ;Boston :De Gruyter Mouton,
    Details
    UID:
    edocfu_9958355137102883
    Format: 1 online resource (232p.)
    Edition: Reprint 2012
    ISBN: 9783110899870
    Series Statement: Approaches to Applied Semiotics [AAS] ; 3
    Note: Frontmatter -- , Foreword -- , Contents -- , Part one: Music as sign -- , Chapter 1. Is music sign? -- , Chapter 2. Signs in music history, history of music semiotics -- , Chapter 3. Signs as acts and events: On musical situations -- , Part two: Gender, biology, and transcendence -- , Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- , Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- , Chapter 6. Body and transcendence in Chopin -- , Part three: Social and musical practices -- , Chapter 7. Voice and identity -- , Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- , Notes -- , References -- , Name index , In English.
    Additional Edition: ISBN 978-3-11-187623-8
    Additional Edition: ISBN 978-3-11-017226-3
    Language: English
    DOI: 10.1515/9783110899870
    URL: https://doi.org/10.1515/9783110899870
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 7
    Online Resource
    Online Resource
    Signs of music : a guide to musical semiotics (2002)
    Berlin ; : Mouton de Gruyter,
    Details
    UID:
    edocfu_9959229250702883
    Format: 1 online resource (232 p.)
    Edition: Reprint 2012
    ISBN: 3-11-089987-6
    Series Statement: Approaches to Applied Semiotics [AAS] ; 3
    Content: Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
    Note: Description based upon print version of record. , Front matter -- , Foreword -- , Contents -- , Part one: Music as sign -- , Chapter 1. Is music sign? -- , Chapter 2. Signs in music history, history of music semiotics -- , Chapter 3. Signs as acts and events: On musical situations -- , Part two: Gender, biology, and transcendence -- , Chapter 4. Metaphors of nature and organicism in music: A "biosemiotic" approach -- , Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- , Chapter 6. Body and transcendence in Chopin -- , Part three: Social and musical practices -- , Chapter 7. Voice and identity -- , Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- , Notes -- , References -- , Name index , Issued also in print. , English
    Additional Edition: ISBN 3-11-017227-5
    Additional Edition: ISBN 3-11-017226-7
    Language: English
    Subjects: Musicology
    RVK:
    LR 56820
    DOI: 10.1515/9783110899870
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 8
    Online Resource
    Online Resource
    Signs of Music : A Guide to Musical Semiotics (2012)
    Berlin ; : De Gruyter Mouton,
    Details
    UID:
    almahu_9949481407202882
    Format: 1 online resource (224 p.)
    Edition: Reprint 2012
    ISBN: 9783110899870 , 9783110238570
    Series Statement: Approaches to Applied Semiotics [AAS] , 3
    Content: Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
    Note: Frontmatter -- , Foreword -- , Contents -- , Part one: Music as sign -- , Chapter 1. Is music sign? -- , Chapter 2. Signs in music history, history of music semiotics -- , Chapter 3. Signs as acts and events: On musical situations -- , Part two: Gender, biology, and transcendence -- , Chapter 4. Metaphors of nature and organicism in music: A "biosemiotic" approach -- , Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- , Chapter 6. Body and transcendence in Chopin -- , Part three: Social and musical practices -- , Chapter 7. Voice and identity -- , Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- , Notes -- , References -- , Name index , Issued also in print. , Mode of access: Internet via World Wide Web. , In English.
    In: DGBA Backlist Complete English Language 2000-2014 PART1, De Gruyter, 9783110238570
    In: DGBA Backlist Linguistics and Semiotics 2000-2014 (EN), De Gruyter, 9783110238457
    In: DGBA Linguistics and Semiotics 2000 - 2014, De Gruyter, 9783110636970
    In: De Gruyter Mouton Backlist 2000-2015, De Gruyter, 9783110742961
    Additional Edition: ISBN 9783110172263
    Language: English
    Subjects: Musicology
    RVK:
    LR 56820
    DOI: 10.1515/9783110899870
    URL: https://doi.org/10.1515/9783110899870
    URL: https://www.degruyter.com/isbn/9783110899870
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    HU Berlin
Nothing or not found what you are looking for? Please check your search query or use the Interlibrary Loan Search.
Did you mean 311072267?
Did you mean 3110114267?
Did you mean 3110122677?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages