UID:
almahu_9949481524602882
Format:
1 online resource (380 p.)
ISBN:
9783110295290
,
9783110238570
Series Statement:
Applications of Cognitive Linguistics [ACL] , 21
Content:
Creativity is a highly-prized quality in any modern endeavor, whether artistic, scientific or professional. Though a much-studied subject, and the topic of a great many case-studies, the field of creativity research is still very much an open one. Creativity remains a field where absolute definitions hold very little water, and where true insight can only emerge when we properly appreciate - from a nuanced, multi-disciplinary perspective - the crucial distinction between the producer's perspective and the consumer's perspective. Theories that afford us a critical appreciation of a creative work do not similarly afford a explanatory insight into the origins and development of the work. As researchers, we must approach creativity both as producers - to consider the vast search-spaces that a producer encounters, and to appreciate the need for heuristic strategies for negotiating this space - and as consumers, to appreciate the levels of shared knowledge (foreground and background) that is exploited by the producer to achieve a knowingly creative effect in the mind of the consumer. This volume thus brings together both producers and consumers in a cross-disciplinary exploration of this complex, many-faceted phenomenon.
Note:
Frontmatter --
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Contents --
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Part I: Introduction --
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1. Creativity and the Agile Mind --
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2. E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound --
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Part II: Computers and Creativity --
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3. Computers and Creativity --
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4. Gravital: natural language processing for computer graphics --
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5. Talking Points in Linguistic Creativity --
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Part III: Verbal Communication --
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6. Creatively Exploiting Linguistic Norms --
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7. Online semantic creativity in parliamentary debates --
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8. Yo, who be the main gangsta in our phat gang? - Linguistic creativity and the construction of hyperpersonal identity --
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9. Resonating humour - A corpus-based approach to creative parallelism in dialogue --
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10. A Cognitive Grammar of Creativity --
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Part IV: Visual Communication --
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11. Creativity in the forms and functions of spontaneous gestures with speech --
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12. Creative visual duality in comics balloons --
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13. Creativity in Comics. Exploring the Frontiers of the Medium by Respecting Explicit Self- Imposed Constraints --
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14. On verbal irony, images and creativity: A corpus-analytic approach --
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Part V: Musical Performance --
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15. Multimodal blending and musical creativity. Dualities in the quixotry of Richard Strauss, Jan Sandström and Christian Lindberg --
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16. The Agile Musical Mind: mapping the musician's act of creation --
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17. Timbre Networks: An approach to Composition and Performance in Computer Music --
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Index
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Issued also in print.
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Mode of access: Internet via World Wide Web.
,
In English.
In:
DGBA Backlist Complete English Language 2000-2014 PART1, De Gruyter, 9783110238570
In:
DGBA Backlist Linguistics and Semiotics 2000-2014 (EN), De Gruyter, 9783110238457
In:
DGBA Linguistics and Semiotics 2000 - 2014, De Gruyter, 9783110636970
In:
De Gruyter Mouton Backlist 2000-2015, De Gruyter, 9783110742961
In:
E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2013, De Gruyter, 9783110317350
In:
E-BOOK PACKAGE ENGLISH LINGUISTICS 2013, De Gruyter, 9783110317244
In:
E-BOOK PAKET LINGUISTIK 2013, De Gruyter, 9783110317237
Additional Edition:
ISBN 9783110293487
Language:
English
Keywords:
Aufsatzsammlung
DOI:
10.1515/9783110295290
URL:
https://doi.org/10.1515/9783110295290
URL:
https://www.degruyter.com/isbn/9783110295290
URL:
Volltext
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