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  • 1
    Book
    Book
    Berlin [u.a.] :De Gruyter,
    UID:
    almahu_BV041236665
    Format: VIII, 286 S. ; , 24 cm.
    ISBN: 3-11-031509-2 , 978-3-11-031509-7
    Series Statement: Monographien und Texte zur Nietzsche-Forschung 61
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-11-031523-3
    Language: English
    Subjects: German Studies , Musicology , Philosophy
    RVK:
    RVK:
    RVK:
    Keywords: 1844-1900 Nietzsche, Friedrich ; 1813-1883 Wagner, Richard
    Author information: Prange, Martine 1969-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Berlin ; : De Gruyter,
    UID:
    almahu_9948318134802882
    Format: 1 online resource (296 pages)
    ISBN: 9783110315233 (e-book)
    Series Statement: Monographien und Texte zur Nietzsche-Forschung ; Band 61
    Additional Edition: Print version: Prange, Martine, 1969- Nietzsche, Wagner, Europe. Berlin : De Gruyter, c2013 ISBN 9783110315097
    Language: English
    Keywords: Electronic books.
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  • 3
    Online Resource
    Online Resource
    Berlin [u.a.] : De Gruyter
    UID:
    gbv_769135382
    Edition: Online-Ausg. Online-Ressource De Gruyter eBook-Paket Philosophie
    ISBN: 9783110315097
    Series Statement: Monographien und Texte zur Nietzsche-Forschung 61
    Content: Main description: Most of Nietzsche’s works are concerned with the present state and future of European culture and humanity, thereby resisting the “nationalist nonsense.” Prange analyzes the development of his ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. One focus is on Nietzsche’s relation to Wagner’s “German” music.
    Content: Most of Nietzsche’s works are concerned with the present state and future of European culture and humanity, thereby resisting the “nationalist nonsense.” Prange analyzes the development of his ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. One focus is on Nietzsche’s relation to Wagner’s “German” music.
    Additional Edition: ISBN 9783110315233
    Additional Edition: ISBN 9783110315240
    Additional Edition: ISBN 9783110315097
    Additional Edition: ISBN 9783110315240
    Additional Edition: Erscheint auch als Druck-Ausgabe Prange, Martine, 1969 - Nietzsche, Wagner, Europe Berlin [u.a.] : de Gruyter, 2013 ISBN 3110315092
    Additional Edition: ISBN 9783110315097
    Language: English
    Subjects: German Studies , Musicology , Philosophy
    RVK:
    RVK:
    RVK:
    Keywords: Nietzsche, Friedrich 1844-1900 ; Wagner, Richard 1813-1883
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    Author information: Prange, Martine 1969-
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  • 4
    Book
    Book
    Berlin [u.a.] : Walter de Gruyter GmbH & Co. KG
    UID:
    kobvindex_ZLB15696309
    Format: VIII, 286 Seiten
    ISBN: 9783110315097 , 3110315092
    Series Statement: Monographien und Texte zur Nietzsche-Forschung : MTNF 61
    Language: English
    Keywords: Nietzsche, Friedrich ; Wagner, Richard
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  • 5
    Online Resource
    Online Resource
    Berlin/Boston :De Gruyter,
    UID:
    edocfu_9958354024802883
    Format: 1 online resource(ix,286p.) : , illustrations.
    Edition: Electronic reproduction. Berlin/Boston : De Gruyter. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9783110315233
    Series Statement: Monographien und Texte zur Nietzsche-Forschung; 61
    Content: Most of Nietzsche’s works are concerned with the present state and future of European culture and humanity, thereby resisting the "nationalist nonsense." Prange analyzes the development of his ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe’s economic-political union. One focus is on Nietzsche’s relation to Wagner’s "German" music.
    Note: Frontmatter -- , Abbreviations and translations -- , Contents -- , General introduction -- , Chapter 1 Was Nietzsche ever a true Wagnerian? -- , Chapter 2 Germanizing music and culture: Richard Wagner’s ‘Beethoven’ essay -- , Chapter 3 Nietzsche’s reception of Wagner’s ‘Beethoven’ essay in the spirit of Weimar Classicism -- , Chapter 4 The Birth of Tragedy out of Nietzsche’s concern for Wagner’s ‘Graecization’ -- , Chapter 5 Nietzsche’s anti-Wagnerism in the light of his increasing cosmopolitanism -- , Chapter 6 ‘La Gaya Scienza’ in music: Nietzsche’s new musical aesthetics -- , Chapter 7 Goethe as model of the ‘Good European’ -- , Epilogue -- , Bibliography -- , Index. , Also available in print edition. , In English.
    Additional Edition: ISBN 9783110315097
    Additional Edition: ISBN 9783110315240
    Language: English
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  • 6
    Online Resource
    Online Resource
    Berlin ; : De Gruyter,
    UID:
    almahu_9949474107902882
    Format: 1 online resource (286 p.)
    ISBN: 9783110315233 , 9783110238570
    Series Statement: Monographien und Texte zur Nietzsche-Forschung , 61
    Content: Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations."Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism."
    Note: Frontmatter -- , Abbreviations and translations -- , Contents -- , General introduction -- , Part I Aestheticization: Germany as saviour of Europe -- , Chapter 1 Was Nietzsche ever a true Wagnerian? -- , Chapter 2 Germanizing music and culture: Richard Wagner's 'Beethoven' essay -- , Chapter 3 Nietzsche's reception of Wagner's 'Beethoven' essay in the spirit of Weimar Classicism -- , Chapter 4 The Birth of Tragedy out of Nietzsche's concern for Wagner's 'Graecization' -- , Part II Dynamic interculturalism: De-Germanization and the 'Good European' -- , Chapter 5 Nietzsche's anti-Wagnerism in the light of his increasing cosmopolitanism -- , Chapter 6 'La Gaya Scienza' in music: Nietzsche's new musical aesthetics -- , Chapter 7 Goethe as model of the 'Good European' -- , Epilogue -- , Bibliography -- , Index , Issued also in print. , Mode of access: Internet via World Wide Web. , In English.
    In: DGBA Backlist Complete English Language 2000-2014 PART1, De Gruyter, 9783110238570
    In: DGBA Backlist Philosophy 2000-2014 (EN), De Gruyter, 9783110238488
    In: DGBA Philosophy 2000 - 2014, De Gruyter, 9783110636949
    In: E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2013, De Gruyter, 9783110317350
    In: E-BOOK PACKAGE PHILOSOPHY 2013, De Gruyter, 9783110317329
    In: E-BOOK PAKET PHILOSOPHIE 2013, De Gruyter, 9783110317312
    Additional Edition: ISBN 9783110315097
    Language: English
    URL: Cover
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