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  • 1
    Online-Ressource
    Online-Ressource
    Farewell to Shulamit : Spatial and Social Diversity in the Song of Songs. (2017)
    Berlin/Boston :De Gruyter, Inc.,
    Details
    UID:
    almahu_9949301211502882
    Umfang: 1 online resource (178 pages)
    ISBN: 9783110500882
    Serie: Jewish Thought, Philosophy and Religion Ser. ; v.2
    Anmerkung: Intro -- Contents -- 1. Space and Gender in the Song of Songs -- Space as Allegory: Premodern Readings -- Space as Scenery: Nineteenth-Century Readings -- Space as Travesty: Twentieth-Century Readings -- Space as Agonizing Metaphor: A Twenty-First Century Trend -- Space as Life-World: Preliminary Considerations for a Pluralistic Reading -- 2. A Sociospatial Approach to the Song of Song's Structure -- The Twenty Idylls -- Evidence from Versification -- Spatial Discontinuity and Formal Cohesion in Song of Songs 1:9-2:7 -- The Four Cycles -- Court (idylls 1, 4, 10, 13, and 15) -- City (idylls 6, 8, 14, 17, and 19) -- Vineyard (idylls 2, 7, 11, 16, and 20) -- Wilderness (idylls 3, 5, 9, 12, and 18) -- The Macrostructure of the Song of Songs -- Ten Speakers in Four Landscapes: The Tetractys Pattern -- Three-Idyll Sequences -- Symmetries inside the Cycles -- Symmetries across the Cycles -- 3. The Poetics of Social Diversity -- Greek Literary and Visual Models -- Production and Consumption -- Geographical Horizons -- Social Gender and the Exchange of Fantasies -- 4. Ptolemy IV Philopator and his Religious Policy -- Women -- Banquets -- Horse Races -- Bacchanals -- Dionysian Politics -- Tattoos -- Negotiating Religion -- 5. Was the Song of Songs Composed in Amman? -- "Jewish Sheikhs" of Transjordan -- One Thousand Cleruchs between Arabia and Judaea -- Warfare in a Love Poem -- A Judaean Garrison and a Greek City -- Peasants, Nomads, and Slaves -- A Skeptical Anthropology -- 6. Conclusion -- Appendix -- Images -- Structural Hypothesis for the Song of Songs -- Translation of the Song of Songs -- Bibliography -- Sources, 1: Classics -- Sources, 2: Papyri -- Studies -- Index of Biblical References -- Index of Names.
    Weitere Ausg.: Print version: Wilke, Carsten Farewell to Shulamit Berlin/Boston : De Gruyter, Inc.,c2017 ISBN 9783110500547
    Sprache: Englisch
    Fachgebiete: Theologie/Religionswissenschaften
    RVK:
    BC 4320
    Schlagwort(e): Electronic books.
    URL: Click to View
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
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    HU Berlin
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    EUV Frankfurt
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    BTU Cottbus
    Alice Salomon HS
  • 2
    Online-Ressource
    Online-Ressource
    Farewell to Shulamit : Spatial and Social Diversity in the Song of Songs (2017)
    De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    almafu_9958267957702883
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    Fachgebiete: Theologie/Religionswissenschaften
    RVK:
    BC 4320
    DOI: 10.1515/9783110500882
    URL: Volltext  (Open Access)
    URL: Open Access
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    URL: http://nbn-resolving.org/urn:nbn:de:101:1-2018053017405041447312
    URL: http://d-nb.info/1160337632/34
    URL: http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110498875&searchTitles=true
    URL: https://www.degruyter.com/doc/cover/9783110498875.jpg
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    Stabi Berlin
    FU Berlin
    UB Potsdam
    Charité
    Jüdisches Museum
  • 3
    Online-Ressource
    Online-Ressource
    Farewell to Shulamit : spatial and social diversity in the Song of Songs (2017)
    [Berlin] ; : De Gruyter,
    Details
    UID:
    kobvindex_HPB984547066
    Umfang: 1 online resource (viii, 170 pages).
    ISBN: 9783110500882 , 3110500884 , 311050054X , 3110498871 , 9783110500547 , 9783110498875
    Serie: Jewish thought, philosophy and religion, volume 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Space and Gender in the Song of Songs -- A , Sociospatial Approach to the Song of Song's Structure -- The , Poetics of Social Diversity -- , Ptolemy IV Philopator and his Religious Policy -- , Was the Song of Songs Composed in Amman? -- Conclusion -- Index of Biblical References. , In English.
    Weitere Ausg.: Print version: Wilke, Carsten, 1962-. Farewell to Shulamit : spatial and social diversity in the Song of Songs. [Berlin] ; [Boston] : De Gruyter, [2017] 9783110500547
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc. ; History.
    DOI: 10.1515/9783110500882
    URL: https://doi.org/10.1515/9783110500882
    URL: De Gruyter
    URL: De Gruyter
    URL: De Gruyter
    URL: ProQuest Ebook Central
    URL: VLeBooks
    URL: http://VH7QX3XE2P.search.serialssolutions.com/?V=1.0&L=VH7QX3XE2P&S=JCs&C=TC0001916313&T=marc&tab=BOOKS
    URL: De Gruyter
    URL: De Gruyter, Cover
    URL: Volltext
    URL: EBSCOhost
    URL: https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9783110498875
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  • 4
    Buch
    Buch
    Farewell to Shulamit : spatial and social diversity in the Song of Songs. (2017)
    Berlin ; Boston :de Gruyter,
    Details
    UID:
    almahu_BV044325049
    ISBN: 978-3-11-050054-7
    Serie: Jewish thought, philosophy, and religion Volume 2
    Weitere Ausg.: Erscheint auch ISBN 978-3-11-050088-2
    Weitere Ausg.: Erscheint auch ISBN 978-3-11-049887-5
    Sprache: Englisch
    Schlagwort(e): Bibel Hoheslied ; Zeithintergrund ; Bibel Hoheslied ; Sozialgeschichtliche Exegese
    Mehr zum Autor: Wilke, Carsten, 1962-,
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    HU Berlin get availability status
  • 5
    Online-Ressource
    Online-Ressource
    Farewell to Shulamit : Spatial and Social Diversity in the Song of Songs (2017)
    De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    almahu_9947910750202882
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    DOI: 10.1515/9783110500882
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    HU Berlin
  • 6
    Online-Ressource
    Online-Ressource
    Farewell to Shulamit : Spatial and Social Diversity in the Song of Songs (2017)
    De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    edoccha_9958267957702883
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    DOI: 10.1515/9783110500882
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Open Access Wunsch
    Charité
  • 7
    Online-Ressource
    Online-Ressource
    Farewell to Shulamit : Spatial and Social Diversity in the Song of Songs (2017)
    De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    edocfu_9958267957702883
    Umfang: 1 online resource (178 p.)
    ISBN: 3-11-049887-1 , 3-11-050088-4
    Serie: Jewish Thought, Philosophy and Religion ; 2
    Inhalt: The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible's most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song's voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text's strophic patterns and its references to historical realia, explores the poem's artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.
    Anmerkung: Frontmatter -- , Contents -- , 1. Space and Gender in the Song of Songs -- , 2. A Sociospatial Approach to the Song of Song's Structure -- , 3. The Poetics of Social Diversity -- , 4. Ptolemy IV Philopator and his Religious Policy -- , 5. Was the Song of Songs Composed in Amman? -- , 6. Conclusion -- , Appendix -- , Bibliography -- , Index of Biblical References -- , Index of Names , Issued also in print. , In English.
    Weitere Ausg.: ISBN 3-11-050054-X
    Sprache: Englisch
    DOI: 10.1515/9783110500882
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    FU Berlin
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