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  • 1
    UID:
    almafu_9959063780902883
    Format: 1 online resource (302 p.)
    ISBN: 9783110612301
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein’s Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky’s Novels -- , 3. The Visibility of Pain in W. G. Sebald’s Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , In English.
    Additional Edition: ISBN 9783110610567
    Additional Edition: ISBN 9783110610338
    Language: English
    Subjects: Philosophy
    RVK:
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_ZLB34278940
    Format: VIII, 291 Seiten , Illustrationen , 24 cm, 579 g
    ISBN: 9783110610338 , 3110610337
    Series Statement: On Wittgenstein Volume 6
    Note: Erscheint auch als Online-Ausgabe 9783110612318 (ISBN) , Erscheint auch als Online-Ausgabe 9783110610567 (ISBN) , Erscheint auch als Online-Ausgabe 9783110612301 (ISBN) , Dissertation$cUniversität Fribourg$d2017
    Language: English
    Keywords: Wittgenstein, Ludwig ; Innerlichkeit ; Selbstbeobachtung ; Wahrnehmung ; Dostoevskij, Fëdor Michajlovič ; Sebald, W. G. ; Roman ; Innerlichkeit 〈Motiv〉 ; Selbstbeobachtung 〈Motiv〉 ; Wahrnehmung 〈Motiv〉 ; Hochschulschrift
    Author information: Lobo, Tea
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    edocfu_9960963604602883
    Format: 1 online resource (302 pages).
    ISBN: 3-11-061056-6 , 3-11-061230-5
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein's Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky's Novels -- , 3. The Visibility of Pain in W. G. Sebald's Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-061033-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    edocfu_9959063780902883
    Format: 1 online resource (302 p.)
    ISBN: 9783110612301
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein’s Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky’s Novels -- , 3. The Visibility of Pain in W. G. Sebald’s Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , In English.
    Additional Edition: ISBN 9783110610567
    Additional Edition: ISBN 9783110610338
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    almafu_9960963604602883
    Format: 1 online resource (302 pages).
    ISBN: 3-11-061056-6 , 3-11-061230-5
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein's Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky's Novels -- , 3. The Visibility of Pain in W. G. Sebald's Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-061033-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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