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  • 1
    Online Resource
    Online Resource
    A picture held us captive : on aisthesis and interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald (2019)
    Berlin : De Gruyter
    Details
    UID:
    gbv_1672161150
    Format: 1 Online-Ressource (VIII, 291 Seiten)
    ISBN: 9783110612301 , 9783110610567
    Series Statement: On Wittgenstein volume 6
    Content: While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought
    Content: Frontmatter -- Acknowledgments -- Contents -- Note on the Russian Transliteration -- Introduction -- 1. Aisthesis and Interiority in Ludwig Wittgenstein’s Writings -- 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky’s Novels -- 3. The Visibility of Pain in W. G. Sebald’s Novels -- Conclusion -- Bibliography -- Index of Names -- Index of Names
    Note: Dissertation Universität Fribourg 2017 , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9783110610338
    Additional Edition: Erscheint auch als EPUB ISBN 9783110610567
    Additional Edition: Erscheint auch als Druck-Ausgabe Lobo, Tea A picture held us captive Berlin : De Gruyter, 2019 ISBN 9783110610338
    Additional Edition: ISBN 3110610337
    Language: English
    Keywords: Wittgenstein, Ludwig 1889-1951 ; Innerlichkeit ; Selbstbeobachtung ; Wahrnehmung ; Dostoevskij, Fëdor Michajlovič 1821-1881 ; Sebald, W. G. 1944-2001 ; Roman ; Innerlichkeit ; Selbstbeobachtung ; Wahrnehmung ; Hochschulschrift
    DOI: 10.1515/9783110612301
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    Author information: Wittgenstein, Ludwig 1889-1951
    Author information: Lobo, Tea
    Author information: Sebald, W. G. 1944-2001
    Author information: Dostoevskij, Fëdor Michajlovič 1821-1881
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
    UB Potsdam
  • 2
    Book
    Book
    Reichsdeutsche Waffenbrüderliche Vereinigung : erste öffentliche Versammlung am 10. Dezember 1915 im Preußischen Abgeordnetenhause zu Berlin (1916)
    Berlin
    Details
    UID:
    gbv_311061230
    Format: 42 S. , 8°
    Note: Fraktur
    Language: German
    Keywords: Reichsdeutsche Waffenbrüderliche Vereinigung ; Deutschland ; Erster Weltkrieg
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Stabi Berlin get availability status
  • 3
    Online Resource
    Online Resource
    A picture held us captive : on aisthesis and interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald (2019)
    Berlin ; Boston : De Gruyter
    Details
    UID:
    b3kat_BV045947101
    Format: 1 Online-Ressource (VIII, 291 Seiten) , Illustrationen
    ISBN: 9783110612301 , 9783110610567
    Series Statement: On Wittgenstein volume 6
    Content: While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought
    Note: Dissertation Universität Fribourg 2017
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-061033-8
    Language: English
    Subjects: Philosophy
    RVK:
    CC 4400
    RVK:
    CI 5017
    Keywords: Dostoevskij, Fëdor Michajlovič 1821-1881 ; Wittgenstein, Ludwig 1889-1951 ; Sebald, W. G. 1944-2001 ; Innerlichkeit ; Selbstbeobachtung ; Wahrnehmung ; Dostoevskij, Fëdor Michajlovič 1821-1881 ; Sebald, W. G. 1944-2001 ; Roman ; Innerlichkeit ; Selbstbeobachtung ; Wahrnehmung ; Dostoevskij, Fëdor Michajlovič 1821-1881 ; Hochschulschrift
    DOI: 10.1515/9783110612301
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Lobo, Tea
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    EUV Frankfurt
  • 4
    Online Resource
    Online Resource
    A Picture Held Us Captive : On Aisthesis and Interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald (2019)
    Berlin ; : De Gruyter,
    Details
    UID:
    edocfu_9959063780902883
    Format: 1 online resource (302 p.)
    ISBN: 9783110612301
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein’s Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky’s Novels -- , 3. The Visibility of Pain in W. G. Sebald’s Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , In English.
    Additional Edition: ISBN 9783110610567
    Additional Edition: ISBN 9783110610338
    Language: English
    DOI: 10.1515/9783110612301
    URL: https://doi.org/10.1515/9783110612301
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    FU Berlin
  • 5
    Online Resource
    Online Resource
    A Picture Held Us Captive : On Aisthesis and Interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald (2019)
    Berlin ; : De Gruyter,
    Details
    UID:
    edocfu_9960963604602883
    Format: 1 online resource (302 pages).
    ISBN: 3-11-061056-6 , 3-11-061230-5
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein's Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky's Novels -- , 3. The Visibility of Pain in W. G. Sebald's Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-061033-7
    Language: English
    DOI: 10.1515/9783110612301
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 6
    Online Resource
    Online Resource
    A Picture Held Us Captive : On Aisthesis and Interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald (2019)
    Berlin ; : De Gruyter,
    Details
    UID:
    almahu_9948175635202882
    Format: 1 online resource (302 p.)
    ISBN: 9783110612301 , 9783110616859
    Series Statement: On Wittgenstein ; 6
    Content: While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.
    Note: Frontmatter -- , Acknowledgments -- , Contents -- , Note on the Russian Transliteration -- , Introduction -- , 1. Aisthesis and Interiority in Ludwig Wittgenstein's Writings -- , 2. Showing Intentions and Seeing Aspects in Fyodor M. Dostoevsky's Novels -- , 3. The Visibility of Pain in W. G. Sebald's Novels -- , Conclusion -- , Bibliography -- , Index of Names -- , Index of Names , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE DG 2019 English, De Gruyter, 9783110616859
    In: EBOOK PACKAGE COMPLETE 2019 English, De Gruyter, 9783110610765
    In: EBOOK PACKAGE COMPLETE 2019, De Gruyter, 9783110664232
    In: EBOOK PACKAGE Philosophy 2019 English, De Gruyter, 9783110610550
    In: EBOOK PACKAGE Philosophy 2019, De Gruyter, 9783110606423
    Additional Edition: ISBN 9783110610567
    Additional Edition: ISBN 9783110610338
    Language: English
    DOI: 10.1515/9783110612301
    URL: https://doi.org/10.1515/9783110612301
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HU Berlin
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