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  • 1
    Book
    Book
    The Second World War in the twenty-first-century museum : from narrative, memory, and experience to experientiality (2020)
    Berlin ; Boston : De Gruyter
    Details
    UID:
    b3kat_BV046278538
    Format: XIV, 354 Seiten , Illustrationen
    ISBN: 9783110661064
    Series Statement: Media and cultural memory volume 26
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-11-066441-6 10.1515/9783110664416
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-3-11-066133-0 10.1515/9783110664416
    Language: English
    Subjects: History , General works
    RVK:
    AK 84100
    RVK:
    AK 85700
    RVK:
    AK 85900
    RVK:
    NB 3400
    Keywords: Zweiter Weltkrieg ; Historische Ausstellung ; Historisches Museum ; Museumspädagogik ; Kollektives Gedächtnis ; Europa ; Nordamerika ; Historisches Museum ; Zweiter Weltkrieg ; Musealisierung ; Kollektives Gedächtnis ; Geschichtsbild
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension  (H-Soz-Kult)
    URL: http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110661064&searchTitles=true
    URL: https://d-nb.info/119902287X/04
    URL: https://d-nb.info/119902287X/04
    Author information: Jaeger, Stephan 1970-
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  • 2
    Online Resource
    Online Resource
    The Second World War in the Twenty-First-Century Museum : From Narrative, Memory, and Experience to Experientiality (2020)
    Berlin ; : De Gruyter,
    Details
    UID:
    kobvindex_HPB1149530576
    Format: 1 online resource (XIV, 354 p.).
    ISBN: 9783110664416 , 3110664410 , 9783110661064 , 3110661063 , 9783110661330 , 3110661330
    Series Statement: Media and Cultural Memory / Medien und kulturelle Erinnerung ; 26
    Content: The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America - including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans - in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Abbreviations -- , List of Illustrations -- , Prologue -- , Chapter 1: The Second World War in the Twenty-First-Century Museum -- , Chapter 2: The Medium of the Museum -- , Chapter 3: Restricted Experientiality -- , Chapter 4: Primary Experientiality -- , Chapter 5: Secondary Experientiality -- , Chapter 6: The Transnational -- , Chapter 7: The Holocaust and Perpetration in War Museums -- , Chapter 8: Total War, Air War, and Suffering -- , Chapter 9: Art in Second World War Museums -- , Conclusion -- , Bibliography -- , Index , In English.
    Additional Edition: 9783110661330
    Additional Edition: 9783110661064
    Language: English
    Subjects: History
    RVK:
    NB 3400
    Keywords: Electronic books.
    DOI: 10.1515/9783110664416
    URL: Open Access
    URL: Cover
    URL: Click here to view book
    URL: Full text available: 2020.
    URL: EBSCOhost
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HPol Brandenburg
  • 3
    Online Resource
    Online Resource
    The Second World War in the Twenty-First-Century Museum : From Narrative, Memory, and Experience to Experientiality (2020)
    Berlin/Boston : De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    edoccha_9959272684502883
    Format: 1 online resource (XIV, 354 p.)
    ISBN: 3-11-066133-0 , 3-11-066441-0
    Series Statement: Media and Cultural Memory / Medien und kulturelle Erinnerung ; 26
    Content: The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America - including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans - in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Abbreviations -- , List of Illustrations -- , Prologue -- , Chapter 1: The Second World War in the Twenty-First-Century Museum -- , Chapter 2: The Medium of the Museum -- , Chapter 3: Restricted Experientiality -- , Chapter 4: Primary Experientiality -- , Chapter 5: Secondary Experientiality -- , Chapter 6: The Transnational -- , Chapter 7: The Holocaust and Perpetration in War Museums -- , Chapter 8: Total War, Air War, and Suffering -- , Chapter 9: Art in Second World War Museums -- , Conclusion -- , Bibliography -- , Index , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-066106-3
    Language: English
    Subjects: History
    RVK:
    NB 3400
    DOI: 10.1515/9783110664416
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    Charité
  • 4
    Online Resource
    Online Resource
    The Second World War in the Twenty-First-Century Museum : From Narrative, Memory, and Experience to Experientiality (2020)
    Berlin/Boston : De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    almahu_9948269110902882
    Format: 1 online resource (XIV, 354 p.)
    ISBN: 3-11-066133-0 , 3-11-066441-0
    Series Statement: Media and Cultural Memory / Medien und kulturelle Erinnerung ; 26
    Content: The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America - including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans - in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Abbreviations -- , List of Illustrations -- , Prologue -- , Chapter 1: The Second World War in the Twenty-First-Century Museum -- , Chapter 2: The Medium of the Museum -- , Chapter 3: Restricted Experientiality -- , Chapter 4: Primary Experientiality -- , Chapter 5: Secondary Experientiality -- , Chapter 6: The Transnational -- , Chapter 7: The Holocaust and Perpetration in War Museums -- , Chapter 8: Total War, Air War, and Suffering -- , Chapter 9: Art in Second World War Museums -- , Conclusion -- , Bibliography -- , Index , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-066106-3
    Language: English
    Subjects: History
    RVK:
    NB 3400
    DOI: 10.1515/9783110664416
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    HU Berlin
  • 5
    Online Resource
    Online Resource
    The Second World War in the Twenty-First-Century Museum : From Narrative, Memory, and Experience to Experientiality (2020)
    Berlin/Boston : De Gruyter | Berlin ; : De Gruyter,
    Details
    UID:
    edocfu_9959272684502883
    Format: 1 online resource (XIV, 354 p.)
    ISBN: 3-11-066133-0 , 3-11-066441-0
    Series Statement: Media and Cultural Memory / Medien und kulturelle Erinnerung ; 26
    Content: The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America - including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans - in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Abbreviations -- , List of Illustrations -- , Prologue -- , Chapter 1: The Second World War in the Twenty-First-Century Museum -- , Chapter 2: The Medium of the Museum -- , Chapter 3: Restricted Experientiality -- , Chapter 4: Primary Experientiality -- , Chapter 5: Secondary Experientiality -- , Chapter 6: The Transnational -- , Chapter 7: The Holocaust and Perpetration in War Museums -- , Chapter 8: Total War, Air War, and Suffering -- , Chapter 9: Art in Second World War Museums -- , Conclusion -- , Bibliography -- , Index , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-066106-3
    Language: English
    Subjects: History
    RVK:
    NB 3400
    DOI: 10.1515/9783110664416
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
  • 6
    Online Resource
    Online Resource
    The Second World War in the twenty-first-century museum : from narrative, memory, and experience to experientiality (2020)
    Berlin ; Boston : De Gruyter
    Details
    UID:
    b3kat_BV046679208
    Format: 1 Online-Ressource (XIV, 354 Seiten) , Illustrationen
    ISBN: 9783110664416 , 9783110661330
    Series Statement: Media and cultural memory volume 26
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-066106-4
    Language: English
    Subjects: General works
    RVK:
    AK 84100
    RVK:
    AK 85700
    RVK:
    AK 85900
    Keywords: Zweiter Weltkrieg ; Historische Ausstellung ; Historisches Museum ; Museumspädagogik ; Kollektives Gedächtnis ; Europa ; Nordamerika ; Historisches Museum ; Zweiter Weltkrieg ; Musealisierung ; Kollektives Gedächtnis ; Geschichtsbild
    DOI: 10.1515/9783110664416
    URL: Volltext  (kostenfrei)
    Author information: Jaeger, Stephan 1970-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Fulltext
    Stiftung FVV
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