UID:
almafu_9958355474402883
Format:
1 online resource(xiv,498p.) :
,
illustrations.
Edition:
Electronic reproduction. Berlin/Boston : De Gruyter, 2004. Mode of access: World Wide Web.
Edition:
System requirements: Web browser.
Edition:
Access may be restricted to users at subscribing institutions.
ISBN:
9783110940343
Series Statement:
Frühe Neuzeit; 100
Content:
The composers setting the poetry of Martin Opitz to music pitted the southern European tradition against his orientation to the west. For them Italy was more important than France. This cultural dichotomy was a source of danger to the incipient cooperation between poets and composers. Attempts to reflect the pulse of the verse in music accorded ill with the stile concertato and emotional outbursts. As the through-composition of stanzas was only possible in exceptional cases, the 17th century German lied is marked by considerable differences in form and style.
Note:
Frontmatter --
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Vorwort --
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Inhalt --
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Spezielle Abkürzungen --
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TEIL 1. Grundsatzfragen --
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TEIL 2. Im Zeichen von Opitz --
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TEIL 3. Neue Impulse --
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TEIL 4. Spätgeschichte --
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TEIL 5. Zur Systematik --
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Anhang.
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Also available in print edition.
,
In German.
Additional Edition:
ISBN 9783484366008
Additional Edition:
ISBN 9783111826394
Language:
German
Subjects:
Musicology
DOI:
10.1515/9783110940343
URL:
https://doi.org/10.1515/9783110940343
URL:
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