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  • 1
    UID:
    gbv_1694713199
    Format: 1 Online-Ressource (184 Seiten)
    ISBN: 9783830991304
    Series Statement: Münsteraner Schriften zur zeitgenössischen Musik 5
    Content: When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ (responsible for culture and therein music together with the Norwegian puppet regime’s department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
    Additional Edition: ISBN 9783830941309
    Additional Edition: Erscheint auch als Druckausgabe ISBN 9783830941309
    Language: German
    Keywords: Norwegen ; Zweiter Weltkrieg ; Besetzung ; Musik ; Geschichte 1940-1945
    Author information: Rupprecht, Ina
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_WAN142854
    Format: 184 Seiten , Illustrationen
    ISBN: 9783830941309 , 3830941307
    Series Statement: Münsteraner Schriften zur zeitgenössischen Musik Volume 5
    Language: English
    Keywords: Konferenzschrift ; Konferenzschrift
    Author information: Rupprecht, Ina
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV046929271
    Format: 184 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm x 17 cm, 361 g
    ISBN: 9783830941309
    Series Statement: Münsteraner Schriften zur zeitgenössischen Musik volume 5
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-3-8309-9130-4 10.31244/9783830991304
    Language: English
    Keywords: Reichskommissariat Norwegen ; Musik ; Musikpolitik ; Geschichte 1940-1945 ; Konferenzschrift ; Konferenzschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Rupprecht, Ina
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Waxmann Verlag
    UID:
    gbv_1778455972
    Format: 1 Online-Ressource (184 p.)
    ISBN: 9783830991304 , 9783830941309
    Content: When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ (responsible for culture and therein music together with the Norwegian puppet regime’s department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almahu_9948641580302882
    Format: 1 online resource (184 pages) : , illustrations; digital file(s).
    Edition: 1st, New ed.
    ISBN: 3-8309-9130-4
    Series Statement: Münsteraner Schriften zur zeitgenössischen Musik 5
    Content: When Germany invaded Norway on 9 April 1940, the long-lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
    Content: Die versammelten Aufsätze entfalten ein breites und facettenreiches Panorama, betreten mitunter genuines Forschungsneuland und eröffnen durch ihren Fallstudiencharakter zahlreiche Ansätze für künftige Untersuchungen, auch weit über die deutsch-norwegischen Musikbeziehungen hinaus. Zudem lenken sie den Blick auf die noch zu wenig aus vergleichender Perspektive betrachteten internationalen Musikbeziehungen im 20. Jahrhundert und insbesondere das Musikleben unter deutscher Besatzung, die erst allmählich größere Beachtung finden. Viele Beiträge zeichnen sich zudem durch intensive Arbeit mit teils unbekannten Archivquellen aus und sind durch faksimilierte Dokumente und Bildmaterial angereichert. - Tobias Reichard, in: H-Soz-Kult, 06.04.2021.
    Note: Contents. , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9783830941309
    Additional Edition: ISBN 3830941307
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    UID:
    edocfu_9959748901302883
    Format: 1 online resource (184 pages) : , illustrations; digital file(s).
    Edition: 1st, New ed.
    ISBN: 3-8309-9130-4
    Series Statement: Münsteraner Schriften zur zeitgenössischen Musik 5
    Content: When Germany invaded Norway on 9 April 1940, the long-lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
    Content: Die versammelten Aufsätze entfalten ein breites und facettenreiches Panorama, betreten mitunter genuines Forschungsneuland und eröffnen durch ihren Fallstudiencharakter zahlreiche Ansätze für künftige Untersuchungen, auch weit über die deutsch-norwegischen Musikbeziehungen hinaus. Zudem lenken sie den Blick auf die noch zu wenig aus vergleichender Perspektive betrachteten internationalen Musikbeziehungen im 20. Jahrhundert und insbesondere das Musikleben unter deutscher Besatzung, die erst allmählich größere Beachtung finden. Viele Beiträge zeichnen sich zudem durch intensive Arbeit mit teils unbekannten Archivquellen aus und sind durch faksimilierte Dokumente und Bildmaterial angereichert. - Tobias Reichard, in: H-Soz-Kult, 06.04.2021.
    Note: Contents. , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9783830941309
    Additional Edition: ISBN 3830941307
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    UID:
    edoccha_9959748901302883
    Format: 1 online resource (184 pages) : , illustrations; digital file(s).
    Edition: 1st, New ed.
    ISBN: 3-8309-9130-4
    Series Statement: Münsteraner Schriften zur zeitgenössischen Musik 5
    Content: When Germany invaded Norway on 9 April 1940, the long-lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines. The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation. Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
    Content: Die versammelten Aufsätze entfalten ein breites und facettenreiches Panorama, betreten mitunter genuines Forschungsneuland und eröffnen durch ihren Fallstudiencharakter zahlreiche Ansätze für künftige Untersuchungen, auch weit über die deutsch-norwegischen Musikbeziehungen hinaus. Zudem lenken sie den Blick auf die noch zu wenig aus vergleichender Perspektive betrachteten internationalen Musikbeziehungen im 20. Jahrhundert und insbesondere das Musikleben unter deutscher Besatzung, die erst allmählich größere Beachtung finden. Viele Beiträge zeichnen sich zudem durch intensive Arbeit mit teils unbekannten Archivquellen aus und sind durch faksimilierte Dokumente und Bildmaterial angereichert. - Tobias Reichard, in: H-Soz-Kult, 06.04.2021.
    Note: Contents. , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9783830941309
    Additional Edition: ISBN 3830941307
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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