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  • 1
    UID:
    almafu_BV040117624
    Format: 260 S. : , Ill. ; , 225 mm x 148 mm.
    ISBN: 978-3-8376-2026-9 , 3-8376-2026-3
    Series Statement: Image 36
    Note: Zugl.: Zürich, Univ., Diss., 2011
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Kunst ; Technologie ; Nanotechnologie ; Rezeption ; Kunst ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift ; Hochschulschrift
    Author information: Schlachetzki, Sarah M. 1982-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV045063353
    Format: 1 Online-Ressource
    ISBN: 9783839420263
    Series Statement: Image 36
    Content: Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-2026-9
    Language: German
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Nanotechnologie ; Rezeption ; Kunst ; Japan ; Kunst ; Technologie ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    UID:
    almafu_9959245826702883
    Format: 1 online resource (263 p.)
    Edition: 1st ed.
    ISBN: 3-8394-2026-1
    Series Statement: Image 36
    Content: Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future.
    Note: Description based upon print version of record. , 1 Content 5 Introduction 7 Thanks 19 I. Art and Technology in Japan - Some Intersections 21 II. From Disenchantment to Re-enchantment 87 III. Media Art and the Future 175 Epilog 231 Bibliography 237 Illustration Credits 259 261 , English
    Additional Edition: ISBN 3-8376-2026-3
    Additional Edition: ISBN 1-306-99925-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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