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  • 1
    UID:
    gbv_1694713539
    Umfang: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    ISBN: 9783839452431
    Serie: Music and sound culture volume 47
    Originaltitel: Curating festivals for contemporary music
    Inhalt: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
    Anmerkung: This work is an adaptation of the dissertation “Curating festivals for contemporary music” - Titelrückseite , Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
    Weitere Ausg.: ISBN 9783837652437
    Weitere Ausg.: Erscheint auch als Druckausgabe Farnsworth, Brandon, 1991 - Curating contemporary music festivals Bielefeld : transcript, 2020 ISBN 9783837652437
    Weitere Ausg.: ISBN 3837652432
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Musikfestspiel ; Kulturmanagement ; Hochschulschrift ; Hochschulschrift
    URL: Cover
    URL: Cover
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  • 2
    UID:
    b3kat_BV046877299
    Umfang: 323 Seiten , Illustrationen, Diagramme , 24 cm x 15.5 cm, 607 g
    ISBN: 9783837652437
    Serie: Musik und Klangkultur volume 47
    Originaltitel: Curating festivals for contemporary music
    Anmerkung: Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-3-8394-5243-1
    Sprache: Englisch
    Schlagwort(e): Musikfestspiel ; Musiktheater ; Neue Musik ; Kulturmanagement ; Geschichte 1988-2018 ; Münchener Biennale ; MaerzMusik ; Kulturmanagement ; Geschichte 1988-2018 ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    gbv_1744482012
    Umfang: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    Serie: Music and sound culture Volume 47
    Anmerkung: "This work is an adaptation of the dissertation "Curating festivals for contemporary music" submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Hochschule für Musik Carl Maria von Weber Dresden." , Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    Weitere Ausg.: ISBN 9783837652437
    Weitere Ausg.: ISBN 3837652432
    Weitere Ausg.: ISBN 9783839452431
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Farnsworth, Brandon, 1991 - Curating contemporary music festivals Bielefeld : transcript, 2020 ISBN 9783837652437
    Weitere Ausg.: ISBN 3837652432
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Musikfestspiel ; Kulturmanagement ; Festival ; Musikleben ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    UID:
    kobvindex_HPB1198930963
    Umfang: 1 online resource (326 p.).
    ISBN: 9783839452431 , 3839452430 , 9783837652437 , 3837652432
    Serie: Music and sound culture ; v. 47
    Inhalt: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
    Anmerkung: Frontmatter -- , Contents -- , Image and Figure Rights -- , 1.1 Establishing the Field -- , 1.2 The State of the Art -- , 1.3 Scope and Overview -- , 2.1 Introduction -- , 2.2 The Anatomy of Festivals and Biennales -- , 2.3 Curating Biennales -- , 2.4 Curatorial Discourse -- , 2.5 Conclusion -- , 3.1 Introduction -- , 3.2 Reading Shannon Jackson -- , 3.3 Curating Dance / Dance Curating -- , 3.4 Curating Theatre / Theatre Curating -- , 3.5 Conclusion -- , 4.1 Introduction -- , 4.2 Hans Werner Henze -- , 4.3 Music Theatre? -- , 4.4 Peter Ruzicka -- , 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- , 4.6 The 2016 and 2018 Biennale Editions -- , 4.7 Compositional and Curatorial Practices -- , 4.8 The Munich Biennale in Numbers. -- , 4.9 Conclusion -- , 5.1 Introduction -- , 5.2 A Brief Prehistory to the Maerzmusik Festival -- , 5.3 Maerzmusik 2002-2014 -- , 5.4 Berno Odo Polzer -- , 5.5 2017 Opening Concert: Julius Eastman -- , 5.6 Storytelling for Earthly Survival -- , 5.7 Curating and the Maerzmusik Festival -- , 5.8 Decolonizing Time -- , 5.9 Conclusion/Coda/Konzertemacher -- , 6. Conclusion/Curating Music -- , Bibliography -- , Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 , In English.
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books.
    URL: Cover
    URL: Image  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    edoccha_9959649217302883
    Umfang: 1 online resource (326 pages) : , illustrations; digital file(s).
    Ausgabe: 1st ed.
    ISBN: 3-8394-5243-0
    Serie: Musik und Klangkultur 47
    Inhalt: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
    Anmerkung: Doctoral Thesis Hochschule für Musik Carl Maria von Weber Dresden 2020 , Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 , Also available in print form. , In English.
    Weitere Ausg.: Print version: ISBN 9783837652437
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    UID:
    almahu_9948578609102882
    Umfang: 1 online resource (326 pages) : , illustrations; digital file(s).
    Ausgabe: 1st ed.
    ISBN: 3-8394-5243-0
    Serie: Musik und Klangkultur 47
    Inhalt: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
    Anmerkung: Doctoral Thesis Hochschule für Musik Carl Maria von Weber Dresden 2020 , Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 , Also available in print form. , In English.
    Weitere Ausg.: Print version: ISBN 9783837652437
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    UID:
    edocfu_9959649217302883
    Umfang: 1 online resource (326 pages) : , illustrations; digital file(s).
    Ausgabe: 1st ed.
    ISBN: 3-8394-5243-0
    Serie: Musik und Klangkultur 47
    Inhalt: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
    Anmerkung: Doctoral Thesis Hochschule für Musik Carl Maria von Weber Dresden 2020 , Frontmatter 1 Contents 5 Image and Figure Rights 9 1.1 Establishing the Field 11 1.2 The State of the Art 15 1.3 Scope and Overview 23 2.1 Introduction 29 2.2 The Anatomy of Festivals and Biennales 40 2.3 Curating Biennales 61 2.4 Curatorial Discourse 80 2.5 Conclusion 94 3.1 Introduction 97 3.2 Reading Shannon Jackson 98 3.3 Curating Dance / Dance Curating 111 3.4 Curating Theatre / Theatre Curating 124 3.5 Conclusion 136 4.1 Introduction 139 4.2 Hans Werner Henze 141 4.3 Music Theatre? 145 4.4 Peter Ruzicka 148 4.5 Daniel Ott and Manos Tsangaris (DOMTS) 162 4.6 The 2016 and 2018 Biennale Editions 169 4.7 Compositional and Curatorial Practices 180 4.8 The Munich Biennale in Numbers. 203 4.9 Conclusion 216 5.1 Introduction 219 5.2 A Brief Prehistory to the Maerzmusik Festival 222 5.3 Maerzmusik 2002-2014 228 5.4 Berno Odo Polzer 230 5.5 2017 Opening Concert: Julius Eastman 247 5.6 Storytelling for Earthly Survival 258 5.7 Curating and the Maerzmusik Festival 268 5.8 Decolonizing Time 273 5.9 Conclusion/Coda/Konzertemacher 277 6. Conclusion/Curating Music 281 Bibliography 289 Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018 311 , Also available in print form. , In English.
    Weitere Ausg.: Print version: ISBN 9783837652437
    Sprache: Englisch
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  • 8
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript Verlag
    UID:
    almahu_9948308305202882
    Ausgabe: 1. Aufl.
    ISBN: 9783837652437 , 9783839452431
    Serie: Musik und Klangkultur
    Inhalt: Long description: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
    Inhalt: Biographical note: Brandon Farnsworth, born in 1991, works as an independent music curator, and as a research associate at the Zurich University of the Arts, where he also studied classical music performance and transdisciplinary studies. He pursued his doctoral degree in historical musicology at the University of Music Carl Maria von Weber Dresden, and was an affiliated researcher with the joint »Epistemologies of Aesthetic Practice« doctoral program at the Collegium Helveticum. His research focuses on the intersection of performance and curatorial studies, and strives for a global perspective.
    Anmerkung: PublicationDate: 20200501
    Weitere Ausg.: ISBN 9783839452431
    Sprache: Englisch
    URL: Cover
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  • 9
    Online-Ressource
    Online-Ressource
    Bielefeld : Transcript Verlag
    UID:
    gbv_1785435507
    Umfang: 1 online resource (349 pages)
    ISBN: 9783839452431
    Serie: Musik und Klangkultur Ser. v.47
    Anmerkung: Description based on publisher supplied metadata and other sources
    Weitere Ausg.: ISBN 9783837652437
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9783837652437
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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