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  • 1
    Online Resource
    Online Resource
    Bielefeld : transcript
    UID:
    b3kat_BV043265089
    Format: 1 Online-Ressource (220 Seiten) , Illustrationen
    ISBN: 9783839430064
    Series Statement: Image 76
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als ISBN 978-3-8376-3006-0
    Language: English
    Subjects: Ethnology , General works
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    Keywords: Fotografie ; Globalisierung ; Geschichte ; Fotografie ; Postkolonialismus ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Michels, Stefanie 1971-
    Author information: Helff, Sissy
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Bielefeld : transcript | Berlin : Knowledge Unlatched
    UID:
    gbv_896612813
    Format: 1 Online-Ressource (208 Seiten) , Illustrationen
    ISBN: 9783839430064
    Series Statement: Image volume 76
    Content: Long description: How is photography connected to global practices?This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post- )colonial photography and trace the manifold intertwinements between historical and contemporary photographs. Biographical note: Sissy Helff teaches at the Goethe-University Frankfurt/M. in the department of New English Literatures. Her most recent publications include her monograph〉〉Unreliable Truths: Transcultural Homeworlds in Indian Women' s Fiction of the Diaspora〈〈(2012) as well as several coedited volumes. She currently works on a book dealing with the image of the refugee in the British writing and a collection of essays dealing with Alice in Wonderland adaptations. Stefanie Michels is professor for history at the University of Düsseldorf. She has dealt with postcolonial readings of photographies about colonial Black German soldiers in a German-langugage monograph in 2009 (〉〉Schwarze deutsche Kolonialsoldaten. Mehrdeutige Repräsentationsräume und früher Kosmopolitismus〈〈, trancript) alongside a number of articles on photography and German colonialism
    Additional Edition: ISBN 9783837630060
    Additional Edition: Erscheint auch als Druck-Ausgabe Global photographies Bielefeld : transcript, 2018 ISBN 3837630064
    Additional Edition: ISBN 9783837630060
    Language: English
    Subjects: General works
    RVK:
    Keywords: Fotografie ; Globalisierung ; Geschichte ; Postkolonialismus ; Archivierung ; Aufsatzsammlung
    Author information: Michels, Stefanie 1971-
    Author information: Helff, Sissy
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  • 3
    Book
    Book
    Bielefeld :transcript Verlag,
    UID:
    almahu_BV042270638
    Format: 208 Seiten : , Illustrationen.
    ISBN: 978-3-8376-3006-0
    Series Statement: Image volume 76
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-8394-3006-4
    Language: English
    Subjects: Ethnology , General works
    RVK:
    RVK:
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    RVK:
    RVK:
    Keywords: Fotografie ; Globalisierung ; Geschichte ; Fotografie ; Postkolonialismus ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Helff, Sissy
    Author information: Michels, Stefanie, 1971-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1778578071
    Format: 1 Online-Ressource
    ISBN: 9783839430064
    Series Statement: Image
    Content: How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs
    Note: English
    Language: English
    Author information: Michels, Stefanie 1971-
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  • 5
    UID:
    almahu_9947986814602882
    Format: 1 online resource
    Edition: 1. Aufl.
    ISBN: 3-8394-3006-2
    Series Statement: Image ; 76
    Content: How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
    Note: Frontmatter -- , Table of Contents -- , Preface / , Re-framing Photography - Some Thoughts / , African Photography in the Atlantic Visualscape / , Elective Affinities? / , How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes / , Presentness, Memory and History: Thabiso Sekgala, "Homeland" / , On the Circulation of Colonial Pictures / , Portraits of Distant Worlds / , Reflexions on the Photographic Archive in the Humanities / , Re-imagining the Family Album through Literary Adaptation / , Public Rites/Private Memories / , Contributors , In English.
    Language: English
    Subjects: General works
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    b3kat_BV045063165
    Format: 1 Online-Ressource
    ISBN: 9783839430064
    Series Statement: Image 76
    Content: How is photography connected to global practices?This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography.The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-3006-0
    Language: German
    Subjects: Ethnology , General works
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    Keywords: Fotografie ; Globalisierung ; Geschichte ; Fotografie ; Postkolonialismus ; Aufsatzsammlung
    URL: Cover
    Author information: Michels, Stefanie 1971-
    Author information: Helff, Sissy
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  • 7
    UID:
    gbv_810576651
    Format: 208 Seiten , Illustrationen , 225 mm x 148 mm, 348 g
    ISBN: 3837630064 , 9783837630060
    Series Statement: Image volume 76
    Note: Literaturangaben
    Additional Edition: ISBN 9783839430064
    Additional Edition: Erscheint auch als Online-Ausgabe Global photographies Bielefeld : transcript, 2018 ISBN 9783839430064
    Additional Edition: Erscheint auch als Online-Ausgabe Global photographies Bielefeld : transcript, 2018 ISBN 9783839430064
    Additional Edition: Erscheint auch als Online-Ausgabe Global photographies Bielefeld : transcript, 2018 ISBN 9783839430064
    Language: English
    Subjects: History , Ethnology , General works
    RVK:
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    RVK:
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    Keywords: Fotografie ; Globalisierung ; Geschichte ; Fotografie ; Globalisierung ; Geschichte ; Fotografie ; Postkolonialismus ; Archivierung ; Aufsatzsammlung
    Author information: Michels, Stefanie 1971-
    Author information: Helff, Sissy
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  • 8
    UID:
    edocfu_9958939003402883
    Format: 1 online resource
    Edition: 1. Aufl.
    ISBN: 3-8394-3006-2
    Series Statement: Image ; 76
    Content: How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
    Note: Frontmatter -- , Table of Contents -- , Preface / , Re-framing Photography - Some Thoughts / , African Photography in the Atlantic Visualscape / , Elective Affinities? / , How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes / , Presentness, Memory and History: Thabiso Sekgala, "Homeland" / , On the Circulation of Colonial Pictures / , Portraits of Distant Worlds / , Reflexions on the Photographic Archive in the Humanities / , Re-imagining the Family Album through Literary Adaptation / , Public Rites/Private Memories / , Contributors , In English.
    Language: English
    Subjects: General works
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    UID:
    edoccha_9958939003402883
    Format: 1 online resource
    Edition: 1. Aufl.
    ISBN: 3-8394-3006-2
    Series Statement: Image ; 76
    Content: How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
    Note: Frontmatter -- , Table of Contents -- , Preface / , Re-framing Photography - Some Thoughts / , African Photography in the Atlantic Visualscape / , Elective Affinities? / , How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes / , Presentness, Memory and History: Thabiso Sekgala, "Homeland" / , On the Circulation of Colonial Pictures / , Portraits of Distant Worlds / , Reflexions on the Photographic Archive in the Humanities / , Re-imagining the Family Album through Literary Adaptation / , Public Rites/Private Memories / , Contributors , In English.
    Language: English
    Subjects: General works
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Bielefeld, Germany :transcript Verlag,
    UID:
    almahu_9949550323402882
    Format: 1 online resource (212 p.)
    ISBN: 9783839430064
    Content: How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs.
    Language: English
    Keywords: Electronic books.
    URL: Image  (Thumbnail cover image)
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