Umfang:
Online Ressource (x, 310 pages)
,
illustrations
Ausgabe:
Online-Ausg.
ISBN:
9780520921016
,
0520921011
,
0585263949
,
9780585263946
Inhalt:
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas
Anmerkung:
Includes bibliographical references and index. - Description based on print version record
,
Painting at a Dead EndReady-Mades: (Non) sense and (Non) art -- Reproductions: Limited Editions, Ready-Made Origins -- Art and Economics: From the Urinal to the Bank -- Rendez-vous with Marcel Duchamp: "Given" -- Postscript: Duchamp's Postmodern Returns.
Weitere Ausg.:
ISBN 0520213769
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Unpacking Duchamp
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Judovitz, Dalia Unpacking Duchamp Berkeley, Calif. [u.a.] : University of California Press, 1995 ISBN 0520088093
Sprache:
Englisch
Fachgebiete:
Kunstgeschichte
Schlagwort(e):
Duchamp, Marcel 1887-1968
;
Electronic books
URL:
Volltext
(lizenzpflichtig)
Mehr zum Autor:
Duchamp, Marcel 1887-1968
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