Umfang:
1 Online-Ressource (129 pages)
,
illustrations
Ausgabe:
Online-Ausg. [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
ISBN:
0807892424
,
1469642735
,
844012063X
,
9780807892428
,
9781469642734
,
9788440120632
Serie:
North Carolina studies in the Romance languages and literatures no. 238
Inhalt:
Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order
Anmerkung:
Includes bibliographical references (pages 124-129)
,
Use copy Restrictions unspecified star MiAaHDL
,
Electronic reproduction
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Clark, Fred M Impermanent structures Chapel Hill : U.N.C. Dept. of Romance Languages : [Distributed by University of North Carolina Press], 1991
Sprache:
Englisch
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