Format:
227 Seiten
,
Diagramme, Notenbeispiele
,
21 cm x 14.8 cm
ISBN:
9783631676455
,
363167645X
Series Statement:
Sources and studies in music history from antiquity to the present volume 48
Content:
he book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Bâela Bartâok can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers
Note:
Includes bibliographical references and index
Additional Edition:
ISBN 9783653070361
Language:
English
Subjects:
Musicology
Keywords:
Bartók, Béla 1881-1945
;
Chen, Yi 1953-
;
Crumb, George 1929-2022
;
Klaviermusik
;
Musikalische Analyse
;
Bartók, Béla 1881-1945
;
Klaviermusik
;
Musikalische Analyse
;
Chen, Yi 1953-
;
Klaviermusik
;
Musikalische Analyse
;
Crumb, George 1929-2022
;
Klaviermusik
;
Musikalische Analyse
;
Hochschulschrift
Author information:
Kang, Monica 1985-
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