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  • 1
    UID:
    gbv_1755561229
    Format: 1 Online-Ressource (296 pages) , illustrations (color)
    ISBN: 9789004211261
    Series Statement: Japanese visual culture volume 2
    Content: Preliminary Material -- Introduction: State of the Field -- 1: Hideyoshi Restores Glory to the Palace -- 2: Go-Yōzei’s Imperial Imperative as Cultural Arbiter -- 3: Tokugawa Shoguns and Patronage for the Throne -- 4: Go-Mizunoo’s Ritual and Cultural Agenda -- 5: Art and Architecture for Empress Tōfukumon’in -- 6: Paintings of the Imperial Excursion to Nijō Castle -- 7: Emperor and Empress as Patrons of Kyoto Culture -- 8: Visual Documents of the Emperor-Warlord Relationship -- 9: Closing Comments -- Endnotes -- Appendix 1: Emperors and Reigning Empresses -- Appendix 2: Members of the Imperial Family -- Appendix 3: Imperial Palace Documents, Buildings, and Panel Paintings -- Appendix 4: List of Chinese Characters -- Bibliography -- Illustrations and Photo Credits -- Index.
    Content: During the first century of Japan’s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yōzei and Go-Mizunoo relied on financial support from ruling warlords—Toyotomi Hideyoshi and the Tokugawa shoguns—just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yōzei and Go-Mizunoo (and to an unprecedented exent his empress, Tōfukumon’in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya Sōtatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court’s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume
    Note: Includes bibliographical references (pages 267-284) and index
    Additional Edition: ISBN 9789004206120
    Additional Edition: Erscheint auch als Druck-Ausgabe Lillehoj, Elizabeth Art and palace politics in early modern Japan 1580s - 1680s Leiden [u.a.] : Brill, 2011 ISBN 9789004206120
    Additional Edition: ISBN 9004206124
    Language: English
    Keywords: Japan ; Höfische Kunst ; Kunst ; Mäzenatentum ; Tenno ; Politik
    URL: DOI
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almafu_BV039661510
    Format: 296 S. : , zahlr. Ill., kt.
    ISBN: 978-90-04-20612-0
    Series Statement: Japanese visual culture 2
    Note: Literaturverz. S. 267 - 284
    Language: English
    Keywords: Höfische Kunst ; Kunst ; Mäzenatentum ; Politik
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    E-Resource
    E-Resource
    Leiden ; : Brill,
    UID:
    almahu_9949701232002882
    Format: 1 online resource (296 pages) : , color illustrations.
    ISBN: 9789004211261
    Series Statement: Japanese visual culture ; v. 2
    Content: During the first century of Japan's early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yōzei and Go-Mizunoo relied on financial support from ruling warlords-Toyotomi Hideyoshi and the Tokugawa shoguns-just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yōzei and Go-Mizunoo (and to an unprecedented exent his empress, Tōfukumon'in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya Sōtatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court's fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.
    Note: Preliminary Material -- Introduction: State of the Field -- 1: Hideyoshi Restores Glory to the Palace -- 2: Go-Yōzei's Imperial Imperative as Cultural Arbiter -- 3: Tokugawa Shoguns and Patronage for the Throne -- 4: Go-Mizunoo's Ritual and Cultural Agenda -- 5: Art and Architecture for Empress Tōfukumon'in -- 6: Paintings of the Imperial Excursion to Nijō Castle -- 7: Emperor and Empress as Patrons of Kyoto Culture -- 8: Visual Documents of the Emperor-Warlord Relationship -- 9: Closing Comments -- Endnotes -- Appendix 1: Emperors and Reigning Empresses -- Appendix 2: Members of the Imperial Family -- Appendix 3: Imperial Palace Documents, Buildings, and Panel Paintings -- Appendix 4: List of Chinese Characters -- Bibliography -- Illustrations and Photo Credits -- Index.
    Additional Edition: Print version: Lillehoj, Elizabeth. Art and palace politics in early modern Japan, 1580s-1680s ISBN 9789004206120
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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