Kooperativer Bibliotheksverbund

UID:

Format: XX, 414 S. , Ill., Notenbeisp.

ISBN: 9789004225817 , 9004225811

Series Statement: Brill's companions to the Christian tradition 33

Note: Includes bibliographical references and index. - Zitate teilw. in franz. Spr

Additional Edition: ISBN 9789004228191

Language: English

Subjects: Theology

Keywords: Guillaume de Machaut 1300-1377 ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Klappentext

Author information: Guillaume de Machaut 1300-1377

UID:

Format: 1 online resource (xx, 414 pages) : , illustrations, music.

ISBN: 9789004228191

Series Statement: Brill's companions to the Christian tradition, v. 33

Content: Offering the first comprehensive study of Guillaume de Machaut's vast corpus of text and music, the 18 essays in this collection explore the author's engagement with the ethical, political, and aesthetic concerns of his time. Building on interdisciplinary interest in Machaut, this collection broadens discussion of his work by exploring overlapping interests in his poetry and music; addressing lesser-studied writings; offering fresh perspectives on lyric, authorial voice, and performance; and engaging more critically with his reception by medieval bookmakers, modern editors, and the music industry. The result is a promising map for future research in the field that will be of interest to students and specialists alike.

Note: Preliminary Material -- , Introduction / , 1. The Poetic I / , 2. Guillaume de Machaut and the Forms of Pre-Humanism in Fourteenth-Century France / , 3. Poet as Musician / , 4. "Ma fin est mon commencement": The Essence of Poetry and Song in Guillaume de Machaut / , 5. '. . . et mon commencement ma fin': Genre and Machaut's Musical Language in His Secular Songs / , 6. Machaut and Debate Poetry / , 7. Moving across Media: Machaut's Lais and the Judgement Tradition / , 8. Machaut's Musical Heritage / , 9. Self-Citation and Compositional Process in Guillaume de Machaut's Lyrics with and without Music: The Case of "Dame, se vous n'avez aperceü" (Rondeau 13) / , 10. The Motets Read and Heard / , 11. Declamation as Expression in Machaut's Music / , 12. Guillaume de Machaut and the Classical Tradition: Individual Talent and (Un)Communal Tradition / , 13. 'Laissier le mal, le bien eslire': History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut / , 14. History's Fixers: Informants, Mediators, and Writers in the Prise d'Alexandre / , 15. Instrumental Comparisons: Machaut's Shorter Dits / , 16. Guillaume de Machaut's Lyric Poetry / , 17. Performing Machaut's Messe de Notre Dame: From Modernist Allegiances to the Postmodern Hinterland / , 18. Machaut and His Material Legacy / , Bibliography -- , Index.

Additional Edition: Print version: A Companion to Guillaume de Machaut Leiden, Boston : BRILL, 2012, ISBN 9789004225817

Language: English

URL: DOI:

UID:

Format: 1 Online-Ressource (xx, 414 pages) , illustrations, music

ISBN: 9789004228191

Series Statement: Brill's companions to the Christian tradition v. 33

Content: Preliminary Material -- Introduction /Deborah McGrady -- 1. The Poetic I /Helen J. Swift -- 2. Guillaume de Machaut and the Forms of Pre-Humanism in Fourteenth-Century France /Anne-Hélène Miller -- 3. Poet as Musician /Elizabeth Eva Leach -- 4. “Ma fin est mon commencement”: The Essence of Poetry and Song in Guillaume de Machaut /Jacqueline Cerquiglini-Toulet -- 5. ‘. . . et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs /Jennifer Bain -- 6. Machaut and Debate Poetry /Emma Cayley -- 7. Moving across Media: Machaut’s Lais and the Judgement Tradition /Benjamin Albritton -- 8. Machaut’s Musical Heritage /Mark Everist -- 9. Self-Citation and Compositional Process in Guillaume de Machaut’s Lyrics with and without Music: The Case of “Dame, se vous n’avez aperceü” (Rondeau 13) /Yolanda Plumley -- 10. The Motets Read and Heard /Alice V. Clark -- 11. Declamation as Expression in Machaut’s Music /Lawrence Earp -- 12. Guillaume de Machaut and the Classical Tradition: Individual Talent and (Un)Communal Tradition /R. Barton Palmer -- 13. ‘Laissier le mal, le bien eslire’: History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut /Daisy Delogu -- 14. History’s Fixers: Informants, Mediators, and Writers in the Prise d’Alexandre /Zrinka Stahuljak -- 15. Instrumental Comparisons: Machaut’s Shorter Dits /Julie Singer -- 16. Guillaume de Machaut’s Lyric Poetry /Barbara K. Altmann -- 17. Performing Machaut’s Messe de Notre Dame: From Modernist Allegiances to the Postmodern Hinterland /Kirsten Yri -- 18. Machaut and His Material Legacy /Deborah McGrady -- Bibliography -- Index.

Content: Offering the first comprehensive study of Guillaume de Machaut’s vast corpus of text and music, the 18 essays in this collection explore the author’s engagement with the ethical, political, and aesthetic concerns of his time. Building on interdisciplinary interest in Machaut, this collection broadens discussion of his work by exploring overlapping interests in his poetry and music; addressing lesser-studied writings; offering fresh perspectives on lyric, authorial voice, and performance; and engaging more critically with his reception by medieval bookmakers, modern editors, and the music industry. The result is a promising map for future research in the field that will be of interest to students and specialists alike

Note: Includes bibliographical references (p. [387]-405) and index

Additional Edition: ISBN 9789004225817

Additional Edition: Erscheint auch als Druck-Ausgabe A Companion to Guillaume de Machaut Leiden, Boston : BRILL, 2012 ISBN 9789004225817

Language: English

DOI: 10.1163/9789004228191

URL: DOI

UID:

Format: 1 online resource (434 p.)

ISBN: 1-283-60212-1 , 9786613914576 , 90-04-22819-5

Series Statement: Brill's companions to the Christian tradition ; 22

Content: Offering the first comprehensive study of Guillaume de Machaut’s vast corpus of text and music, the 18 essays in this collection explore the author’s engagement with the ethical, political, and aesthetic concerns of his time. Building on interdisciplinary interest in Machaut, this collection broadens discussion of his work by exploring overlapping interests in his poetry and music; addressing lesser-studied writings; offering fresh perspectives on lyric, authorial voice, and performance; and engaging more critically with his reception by medieval bookmakers, modern editors, and the music industry. The result is a promising map for future research in the field that will be of interest to students and specialists alike.

Note: Description based upon print version of record. , Preliminary Material -- , Introduction / , 1. The Poetic I / , 2. Guillaume de Machaut and the Forms of Pre-Humanism in Fourteenth-Century France / , 3. Poet as Musician / , 4. “Ma fin est mon commencement”: The Essence of Poetry and Song in Guillaume de Machaut / , 5. ‘. . . et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs / , 6. Machaut and Debate Poetry / , 7. Moving across Media: Machaut’s Lais and the Judgement Tradition / , 8. Machaut’s Musical Heritage / , 9. Self-Citation and Compositional Process in Guillaume de Machaut’s Lyrics with and without Music: The Case of “Dame, se vous n’avez aperceü” (Rondeau 13) / , 10. The Motets Read and Heard / , 11. Declamation as Expression in Machaut’s Music / , 12. Guillaume de Machaut and the Classical Tradition: Individual Talent and (Un)Communal Tradition / , 13. ‘Laissier le mal, le bien eslire’: History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut / , 14. History’s Fixers: Informants, Mediators, and Writers in the Prise d’Alexandre / , 15. Instrumental Comparisons: Machaut’s Shorter Dits / , 16. Guillaume de Machaut’s Lyric Poetry / , 17. Performing Machaut’s Messe de Notre Dame: From Modernist Allegiances to the Postmodern Hinterland / , 18. Machaut and His Material Legacy / , Bibliography -- , Index. , English

Additional Edition: ISBN 90-04-22581-1

Language: English