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  • 1
    Online Resource
    Online Resource
    Leiden ; Boston :Brill Rodopi,
    UID:
    almahu_BV044225638
    Format: 1 Online-Ressource (XVII, 242 Seiten) : , Illustrationen.
    ISBN: 978-90-04-33314-7
    Series Statement: Avant-garde critical studies volume 33
    Content: Marianne Werefkin and the Women Artists in Her Circle' traces the relationships between the modernist artists in Werefkin's circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schuler, Marta Liepina-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists' sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art.
    Note: Auf der Rückseite des Titelblattes: "This publication is an outcome of the international conference 'Crossing Borders: Marianne Werefkin and the Cosmopolitan Women Artists in her Circle', held at the Museen Böttcherstraße, Bremen in September 2014."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardback ISBN 978-90-04-32897-6
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1860-1938 Werefkin, Marianne von ; Freundeskreis ; Künstlerin ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (DOI)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Malycheva, Tanja 1979-
    Author information: Wünsche, Isabel 1965-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill
    UID:
    gbv_1778613373
    Format: 1 Online-Ressource (260 p.)
    ISBN: 9789004333147
    Series Statement: Avant-Garde Critical Studies
    Content: The volume traces the relationships between Marianne Werefkin and the women artists in her circle. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, it re-evaluates the contributions of these artists to the development of modern art. Readership: All interested in 20th-century art, European modernism and the avant-garde movements, specifically women artists. Relevant also for advanced undergraduate and graduate courses in art history, cultural history, German and Slavic studies, and gender studies as well as an international audience of scholars and museum experts
    Note: English
    Language: English
    Keywords: Werefkin, Marianne von 1860-1938 ; Umkreis ; Konferenzschrift ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_BV043998342
    Format: XVII, 242 Seiten : , Illustrationen.
    ISBN: 978-90-04-32897-6
    Series Statement: Avant-garde critical studies volume 33
    Content: Marianne Werefkin and the Women Artists in Her Circle' traces the relationships between the modernist artists in Werefkin's circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schuler, Marta Liepina-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists' sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art
    Note: "This publication is an outcome of the international conference Crossing Borders: Marianne Werefkin and the Cosmopolitan Women Artists in her Circle, held at the Museen Böttcherstraße, Bremen in September 2014"
    Additional Edition: Erscheint auch als Online-Ausgabe Marianne Werefkin and the women artists in her circle ISBN 9789004333147
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1860-1938 Werefkin, Marianne von ; Freundeskreis ; Künstlerin ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    Author information: Malycheva, Tanja, 1979-
    Author information: Wünsche, Isabel, 1965-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_9958134378502883
    Format: 1 online resource.
    Edition: 1st ed.
    ISBN: 90-04-33314-2
    Series Statement: Avant-garde critical studies ; v. 33
    Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche
    Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English
    Additional Edition: ISBN 90-04-32897-1
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_1014944724
    Format: 1 Online-Ressource
    ISBN: 9789004333147 , 9004333142 , 9789004328976
    Series Statement: Avant-garde critical studies volume 33
    Note: Includes index
    Additional Edition: ISBN 9789004328976
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Additional Edition: Print version Marianne Werefkin and the women artists in her circle Boston : Brill, 2016
    Language: English
    Keywords: Werefkin, Marianne von 1860-1938 ; Umkreis ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    Author information: Malycheva, Tanja 1979-
    Author information: Wünsche, Isabel 1965-
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    almahu_9949711364102882
    Format: 1 online resource.
    Edition: 1st ed.
    ISBN: 90-04-33314-2
    Series Statement: Avant-garde critical studies ; v. 33
    Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche
    Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English
    Additional Edition: ISBN 90-04-32897-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    edocfu_9958134378502883
    Format: 1 online resource.
    Edition: 1st ed.
    ISBN: 90-04-33314-2
    Series Statement: Avant-garde critical studies ; v. 33
    Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche
    Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English
    Additional Edition: ISBN 90-04-32897-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    edoccha_9958134378502883
    Format: 1 online resource.
    Edition: 1st ed.
    ISBN: 90-04-33314-2
    Series Statement: Avant-garde critical studies ; v. 33
    Content: Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche
    Note: Includes index. , Preliminary Material / , Introduction / , Marianne Werefkin: Clemens Weiler’s Legacy / , Marianne Werefkin—From the Blue Rider to the Great Bear: An Exhibition in Retrospect / , Marianne Werefkin in Prerow, 1911: The Periphery as Focus / , Exile, the Avant-Garde, and Dada: Women Artists Active in Switzerland during the First World War / , The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought / , Women Artists of Marianne Werefkin’s Circle: Sisters or Rivals? The Case of Vera Abegg-Verevkine / , Performing the Wo/man: The “Interplay” between Marianne Werefkin and Else Lasker-Schüler / , “Between us sleeps our child—art”: Creativity, Identity, and the Maternal in the Works of Marianne von Werefkin and Her Contemporaries / , Transcending Gender: Cross-Dressing as a Performative Practice of Women Artists of the Avant-garde / , Erma Bossi / , Maria Marc’s Letters / , Elisabeth Epstein: Moscow–Munich–Paris–Geneva, Waystations of a Painter and Mediator of the French-German Cultural Transfer / , The Artist Elena Luksch-Makowsky: Between St. Petersburg, Munich, Vienna, and Hamburg / , Natalia Goncharova: Artistic Innovator and Inspiring Muse / , Women as Catalysts for Innovation in Printmaking: Anna Ostroumova-Lebedeva and Elizaveta Kruglikova / , First Modernist Women Artists in Latvia and Their Paths into the International Art Scene / , Index / , English
    Additional Edition: ISBN 90-04-32897-1
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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