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  • 1
    Book
    Book
    Amsterdam u.a. : Benjamins
    Show associated volumes
    UID:
    b3kat_BV002430984
    Format: XV, 225 S.
    ISBN: 9027219435
    Series Statement: Semiotic crossroads 3
    In: 2
    Language: English
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  • 2
    UID:
    almafu_BV002430984
    Format: XV, 225 S.
    ISBN: 90-272-1943-5
    Series Statement: Semiotic crossroads 3
    In: Paris school semiotics.
    Language: English
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  • 3
    Book
    Book
    Amsterdam [u.a.] : Benjamins
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    UID:
    gbv_281450048
    Format: XV, 225 S , Ill
    ISBN: 9027219435 , 1556190417
    Series Statement: Semiotic crossroads 3
    In: 2
    Language: Undetermined
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  • 4
    Online Resource
    Online Resource
    Amsterdam :J. Benjamins Pub. Co.,
    UID:
    edocfu_9959243139302883
    Format: 1 online resource (241 p.)
    Edition: 1st ed.
    ISBN: 1-283-42457-6 , 9786613424570 , 90-272-7837-7
    Series Statement: Semiotic crossroads ; v. 3
    Content: It has often been claimed that the aim of semiotics is to establish a general theory of systems of signification. However, as Jean-Claude Coquet notes in a recent collection of essays, what distinguishes one school of semiotics from another is the initial definition given of sign. If, for certain semioticians, the sign is first of all an observable phenomenon, for the Paris School it is first of all a construct and this point of departure has crucial theoretical and practical consequences. The essays appearing in these two volumes are representative of recent work carried out by members of thi
    Note: Description based upon print version of record. , PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III.1. The Vegetable Soup; III.2. The Basil Sauce (Pistou); III.3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES , 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re-)contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The ""Roman charity"" scene in Poussin's La Manne; I. METHOD - OBJECT OF STUDY , I.1. Uttered enunciation - a point of access to the estheticI.2. ""Roman charity""; I.3. Philological digression; II. ADMIRATION; II.1. ""Admiration"" according to Descartes and Malebranche; II.2. A passion sequence: curiosity - ""admiration"" - consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. ""Admiration"" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity - divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel - the miracle - the mystery; III.6. Classical esthetics - Baroque esthetics , APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the ""News"" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I. A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. ""Public Opinion"" and ""Political Class""; II.2. The Public , II.3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III.1. A Polyvalent Operator; III.2. The Problematics of the Narrator; III.3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV.1. Following Public Opinion; IV.2. Defying Opinion; IV.3. Deceiving Public Opinion; IV.4. Facing Opinion; V. A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II.1. Global Segmentation , II.2. The Circulating Object , English
    Additional Edition: ISBN 1-55619-041-7
    Additional Edition: ISBN 90-272-1943-5
    Language: English
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  • 5
    Book
    Book
    Amsterdam u.a. : Benjamins
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    UID:
    b3kat_BV002430980
    ISBN: 9027219427 , 9027219435 , 1556190417
    Series Statement: Semiotic crossroads ...
    Note: Erschienen: 1 bis 2
    Language: Undetermined
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Semiotik ; Wissenschaftstheorie ; Paris ; Semiotik ; Frankreich ; Semiotik ; Geschichte ; Semiotik ; Aufsatzsammlung
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  • 6
    Book
    Book
    Amsterdam u.a. :Benjamins.
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    UID:
    almafu_BV002430980
    ISBN: 90-272-1942-7 , 90-272-1943-5 , 1-55619-041-7
    Series Statement: Semiotic crossroads ...
    Note: Erschienen: 1 bis 2
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Semiotik ; Wissenschaftstheorie ; Semiotik ; Semiotik ; Geschichte ; Semiotik ; Aufsatzsammlung
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