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  • 1
    UID:
    gbv_507699521
    Format: 356 S.
    ISBN: 9789042017191 , 9042017198
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur 156
    Note: Literaturverz. S. [329] - 349
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Deutsch ; Autobiografie ; Drittes Reich ; Deutschland ; Geschichte 1990-1999
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  • 2
    UID:
    almafu_BV021327958
    Format: 356 S.
    ISBN: 90-420-1719-8
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur 156
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Deutsch ; Autobiografische Literatur ; Totalitarismus
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  • 3
    UID:
    almahu_9949703804802882
    Format: 1 online resource.
    ISBN: 9789401201674 , 9789042017191
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur ; 156
    Content: Despite all the assertions towards the end of the twentieth century that the literary subject had expired along with the author, the wave of autobiographies published in German after the Wende was a clear indication that, on the contrary, life stories were very much alive. In this study, Owen Evans examines the work of eight authors - Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron - who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contrasting ways in which the authors handle the autobiographical project. They adopt varying textual strategies to render the self on the page, with some employing overt fiction, and yet in each case, the project was clearly motivated by the need to treat psychological wounds inflicted on the self by totalitarianism. In their mapping of the contours of oppression, the texts at the heart of this study combine to offer a powerful defence of literary autobiography, in Germany at least, as a valuable means of tackling the legacy of totalitarianism.
    Note: Acknowledgements -- Abbreviations -- Introduction -- 1 'Auch ich hatte die Finger im Spiel': Ludwig Harig, Weh dem, der aus der Reihe tanzt (1990) -- 2 'Das Ich liegt immer jenseits der Worte': Uwe Saeger, Die Nacht danach und der Morgen (1991) -- 3 'Für jeden war es einmalig': Ruth Klüger, weiter leben: Eine Jugend (1992) -- 4 'Taktieren mit der Macht': Günter de Bruyn, Zwischenbilanz: Eine Jugend in Berlin (1992) and Vierzig Jahre: Ein Lebensbericht (1996) -- 5 'Die Katalyse des Schreibens': Günter Kunert, Erwachsenenspiele: Erinnerungen (1997) -- 6 '"Man soll nie lügen. Oder nur, wenn es nicht anders geht"': Christoph Hein, Von allem Anfang an (1997) -- 7 'Es gab nur noch die eine Aufgabe: Gegen das Vergessen anzuschreiben': Grete Weil, Leb ich denn, wenn andere leben (1998) -- 8 'Mutmaßungen über Pawel': Monika Maron, Pawels Briefe: Eine Familiengeschichte (1999) -- Conclusion -- Bibliography -- Index.
    Additional Edition: Print version: Mapping the Contours of Oppression : Subjectivity, Truth and Fiction in Recent German Autobiographical Treatments of Totalitarianism. Leiden ; Boston : BRILL, 2006 ISBN 9789042017191
    Language: English
    URL: DOI:
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  • 4
    UID:
    gbv_1806476967
    Format: 1 Online-Ressource
    ISBN: 9789401201674 , 9789042017191
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur 156
    Content: Despite all the assertions towards the end of the twentieth century that the literary subject had expired along with the author, the wave of autobiographies published in German after the Wende was a clear indication that, on the contrary, life stories were very much alive. In this study, Owen Evans examines the work of eight authors - Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron - who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contrasting ways in which the authors handle the autobiographical project. They adopt varying textual strategies to render the self on the page, with some employing overt fiction, and yet in each case, the project was clearly motivated by the need to treat psychological wounds inflicted on the self by totalitarianism. In their mapping of the contours of oppression, the texts at the heart of this study combine to offer a powerful defence of literary autobiography, in Germany at least, as a valuable means of tackling the legacy of totalitarianism
    Note: Includes bibliographical references and index , Acknowledgements -- Abbreviations -- Introduction -- 1 'Auch ich hatte die Finger im Spiel': Ludwig Harig, Weh dem, der aus der Reihe tanzt (1990) -- 2 'Das Ich liegt immer jenseits der Worte': Uwe Saeger, Die Nacht danach und der Morgen (1991) -- 3 'Für jeden war es einmalig': Ruth Klüger, weiter leben: Eine Jugend (1992) -- 4 'Taktieren mit der Macht': Günter de Bruyn, Zwischenbilanz: Eine Jugend in Berlin (1992) and Vierzig Jahre: Ein Lebensbericht (1996) -- 5 'Die Katalyse des Schreibens': Günter Kunert, Erwachsenenspiele: Erinnerungen (1997) -- 6 '"Man soll nie lügen. Oder nur, wenn es nicht anders geht"': Christoph Hein, Von allem Anfang an (1997) -- 7 'Es gab nur noch die eine Aufgabe: Gegen das Vergessen anzuschreiben': Grete Weil, Leb ich denn, wenn andere leben (1998) -- 8 'Mutmaßungen über Pawel': Monika Maron, Pawels Briefe: Eine Familiengeschichte (1999) -- Conclusion -- Bibliography -- Index.
    Additional Edition: Erscheint auch als Druck-Ausgabe Mapping the Contours of Oppression : Subjectivity, Truth and Fiction in Recent German Autobiographical Treatments of Totalitarianism Leiden : BRILL, 2006 ISBN 9789042017191
    Language: English
    URL: DOI
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_1696523230
    Format: 1 online resource (369 pages)
    ISBN: 9789401201674
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur, 156 v.v. 156
    Content: Despite all the assertions towards the end of the twentieth century that the literary subject had expired along with the author, the wave of autobiographies published in German after the Wende was a clear indication that, on the contrary, life stories were very much alive. In this study, Owen Evans examines the work of eight authors - Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron - who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contrasting ways in which the authors handle the autobiographical project. They adopt varying textual strategies to render the self on the page, with some employing overt fiction, and yet in each case, the project was clearly motivated by the need to treat psychological wounds inflicted on the self by totalitarianism. In their mapping of the contours of oppression, the texts at the heart of this study combine to offer a powerful defence of literary autobiography, in Germany at least, as a valuable means of tackling the legacy of totalitarianism.
    Content: Intro -- Contents -- Acknowledgements -- Abbreviations -- Introduction -- 1 'Auch ich hatte die Finger im Spiel': Ludwig Harig, Weh dem, der aus der Reihe tanzt (1990) -- 2 'Das Ich liegt immer jenseits der Worte': Uwe Saeger, Die Nacht danach und der Morgen (1991) -- 3 'Für jeden war es einmalig': Ruth Klüger, weiter leben: Eine Jugend (1992) -- 4 'Taktieren mit der Macht': Günter de Bruyn, Zwischenbilanz: Eine Jugend in Berlin (1992) and Vierzig Jahre: Ein Lebensbericht (1996) -- 5 'Die Katalyse des Schreibens': Günter Kunert, Erwachsenenspiele: Erinnerungen (1997) -- 6 '"Man soll nie lügen. Oder nur, wenn es nicht anders geht"': Christoph Hein, Von allem Anfang an (1997) -- 7 ' Es gab nur noch die eine Aufgabe: Gegen das Vergessen anzuschreiben': Grete Weil, Leb ich denn, wenn andere leben (1998) -- 8 'Mutmaßungen über Pawel': Monika Maron, Pawels Briefe: Eine Familiengeschichte (1999) -- Conclusion -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9789042017191
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9789042017191
    Language: English
    Subjects: German Studies
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    edocfu_9959233977102883
    Format: 1 online resource (369 p.)
    Edition: 1st ed.
    ISBN: 94-012-0167-6 , 1-4237-8597-5
    Series Statement: Amsterdamer Publikationen zur Sprache und Literatur, 156
    Content: Despite all the assertions towards the end of the twentieth century that the literary subject had expired along with the author, the wave of autobiographies published in German after the Wende was a clear indication that, on the contrary, life stories were very much alive. In this study, Owen Evans examines the work of eight authors - Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron - who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contrasting ways in which the authors handle the autobiographical project. They adopt varying textual strategies to render the self on the page, with some employing overt fiction, and yet in each case, the project was clearly motivated by the need to treat psychological wounds inflicted on the self by totalitarianism. In their mapping of the contours of oppression, the texts at the heart of this study combine to offer a powerful defence of literary autobiography, in Germany at least, as a valuable means of tackling the legacy of totalitarianism.
    Note: Description based upon print version of record. , Acknowledgements -- Abbreviations -- Introduction -- 1 'Auch ich hatte die Finger im Spiel': Ludwig Harig, Weh dem, der aus der Reihe tanzt (1990) -- 2 'Das Ich liegt immer jenseits der Worte': Uwe Saeger, Die Nacht danach und der Morgen (1991) -- 3 'Für jeden war es einmalig': Ruth Klüger, weiter leben: Eine Jugend (1992) -- 4 'Taktieren mit der Macht': Günter de Bruyn, Zwischenbilanz: Eine Jugend in Berlin (1992) and Vierzig Jahre: Ein Lebensbericht (1996) -- 5 'Die Katalyse des Schreibens': Günter Kunert, Erwachsenenspiele: Erinnerungen (1997) -- 6 '"Man soll nie lügen. Oder nur, wenn es nicht anders geht"': Christoph Hein, Von allem Anfang an (1997) -- 7 'Es gab nur noch die eine Aufgabe: Gegen das Vergessen anzuschreiben': Grete Weil, Leb ich denn, wenn andere leben (1998) -- 8 'Mutmaßungen über Pawel': Monika Maron, Pawels Briefe: Eine Familiengeschichte (1999) -- Conclusion -- Bibliography -- Index. , English
    Additional Edition: ISBN 90-420-1719-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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