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  • 1
    UID:
    almahu_BV020846944
    Format: VIII, 315 S. : , Ill.
    ISBN: 90-420-1995-6
    Series Statement: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 91
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: Englisch ; Postkoloniale Literatur ; Humor ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Stein, Mark U., 1966-
    Library Location Call Number Availability
    Stabi Berlin Potsdamer Straße1 A 572529available
    HU Berlin ZwB Asien-/Afrikawiss., Freihandbestand02/HP 1120 R351available
    FU Berlin Philologische Bibliothek, Ebene 1HP 1130 R351reference
    FU Berlin Philologische Bibliothek, Ebene 1HP 1130 R351+2reference
    UB Potsdam UB / BB Neues Palais, Haus 10HP 1120 REIavailable
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  • 2
    UID:
    gbv_1806483025
    Format: 1 Online-Ressource (VIII, 315 Seiten)
    ISBN: 9789401202930
    Series Statement: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 91
    Content: Humour is a key feature, laughter a central element, disrespect a vital textual strategy of postcolonial transcultural practice. Devices such as irony, parody, and subversion, can be subsumed under an interventionist stance and have accordingly received some critical attention. But literary and cultural postcolonial criticism has been marked by a restraint verging on the pious towards the wider significance and functions of laughter. This collection transcends such orthodoxies: laughter can constitute an intervention - but it can also function otherwise. The essays collected here take an interest in the strategic use of what can loosely be termed laughter - in all its manifestations. Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. For the first time, then, this collection gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of laughter, the comic and humour in a wide range of cultural texts. Contributors work on texts from Africa, Asia, Australia, North America, the Caribbean, and Britain, reading work by authors such as Zakes Mda, Timothy Mo, VS Naipaul, and Zadie Smith. This interdisciplinary collection is a contribution to both, postcolonial studies and humour theory
    Note: Includes bibliographical references and index , Susanne REICHL/Mark STEIN: Introduction -- I. Laughter's double vision - Humour and cultural ambiguity -- Ulrike ERICHSEN: Smiling in the face of adversity: How to use humour to defuse cultural conflict -- Anthony ILONA: 'Laughing through the tears': Mockery and self-representation in V.S. Naipaul's A House for Mr Biswas and Earl Lovelace's The Dragon Can't Dance -- Virginia RICHTER: Laughter and aggression: Desire and derision in a postcolonial context -- Helga RAMSEY-KURZ: Humouring the terrorists or the terrorised? Militant Muslims in Salman Rushdie, Zadie Smith, and Hanif Kureishi -- II. Traditions and transgressions - Writing back and forth -- Heinz ANTOR: Postcolonial laughter in Canada: Mordecai Richler's The Incomparable Atuk -- Susan LEVER: The colonizer's gift of cursing: Satire in David Foster's Moonlite -- Michael MEYER: Swift and Sterne revisited: Postcolonial parodies in Rushdie and Singh-Toor -- Detlef GOHRBANDT: After-laughter, or the comedy of decline: Ronald Searle's critique of postwar Englishness in The Rake's Progress -- III. Ethnic cabaret - A license to laugh? -- Mita BANERJEE: Queer laughter: Shyam Selvadurai's Funny Boy and the normative as comic -- Astrid FELLNER/Klaus HEISSENBERGER: 'I was born in East L.A.': Humour and the displacement of nationality and ethnicity -- Christiane SCHLOTE: 'The sketch's the thing wherein we'll catch the conscience of the audience': Strategies and pitfalls of ethnic TV comedies in Britain, the United States, and Germany -- IV. The language of humour - The humour of language -- Margit OZVALDA: Worlds apart: Schools in postcolonial Indian fiction -- Susanne PICHLER: Interculturality and humour in Timothy Mo's Sour Sweet -- Susanne MÜHLEISEN: What makes an accent funny, and why? Black British Englishes and humour televised -- V. Laughing it off - Does therapeutic humour work? -- Maggie Ann BOWERS: 'Ethnic glue': Humour in Native American literatures -- Annie GAGIANO: Using a comic vision to contend with tragedy: Three unusual African English novels -- Gisela FEURLE: Madam & Eve - Ten Wonderful Years: A cartoon strip and its role in post-apartheid South Africa -- Wendy WOODWARD: Laughing back at the kingfisher: Zakes Mda's The Heart of Redness and postcolonial humour -- Index -- Contributors.
    Additional Edition: ISBN 9789042019959
    Additional Edition: Erscheint auch als Druck-Ausgabe Cheeky fictions Amsterdam [u.a.] : Ed. Rodopi, 2005 ISBN 9789042019959
    Additional Edition: ISBN 9042019956
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Humor ; Postkoloniale Literatur ; Literatur ; Humor ; Postkolonialismus ; Aufsatzsammlung
    URL: DOI
    Author information: Stein, Mark U. 1966-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Amsterdam :Rodopi,
    UID:
    almahu_9948314548902882
    Format: viii, 315 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 91
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almahu_9949702736302882
    Format: 1 online resource.
    ISBN: 9789401202930 , 9789042019959
    Series Statement: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 91
    Content: Humour is a key feature, laughter a central element, disrespect a vital textual strategy of postcolonial transcultural practice. Devices such as irony, parody, and subversion, can be subsumed under an interventionist stance and have accordingly received some critical attention. But literary and cultural postcolonial criticism has been marked by a restraint verging on the pious towards the wider significance and functions of laughter. This collection transcends such orthodoxies: laughter can constitute an intervention - but it can also function otherwise. The essays collected here take an interest in the strategic use of what can loosely be termed laughter - in all its manifestations. Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. For the first time, then, this collection gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of laughter, the comic and humour in a wide range of cultural texts. Contributors work on texts from Africa, Asia, Australia, North America, the Caribbean, and Britain, reading work by authors such as Zakes Mda, Timothy Mo, VS Naipaul, and Zadie Smith. This interdisciplinary collection is a contribution to both, postcolonial studies and humour theory.
    Note: Susanne REICHL/Mark STEIN: Introduction -- I. Laughter's double vision - Humour and cultural ambiguity -- Ulrike ERICHSEN: Smiling in the face of adversity: How to use humour to defuse cultural conflict -- Anthony ILONA: 'Laughing through the tears': Mockery and self-representation in V.S. Naipaul's A House for Mr Biswas and Earl Lovelace's The Dragon Can't Dance -- Virginia RICHTER: Laughter and aggression: Desire and derision in a postcolonial context -- Helga RAMSEY-KURZ: Humouring the terrorists or the terrorised? Militant Muslims in Salman Rushdie, Zadie Smith, and Hanif Kureishi -- II. Traditions and transgressions - Writing back and forth -- Heinz ANTOR: Postcolonial laughter in Canada: Mordecai Richler's The Incomparable Atuk -- Susan LEVER: The colonizer's gift of cursing: Satire in David Foster's Moonlite -- Michael MEYER: Swift and Sterne revisited: Postcolonial parodies in Rushdie and Singh-Toor -- Detlef GOHRBANDT: After-laughter, or the comedy of decline: Ronald Searle's critique of postwar Englishness in The Rake's Progress -- III. Ethnic cabaret - A license to laugh? -- Mita BANERJEE: Queer laughter: Shyam Selvadurai's Funny Boy and the normative as comic -- Astrid FELLNER/Klaus HEISSENBERGER: 'I was born in East L.A.': Humour and the displacement of nationality and ethnicity -- Christiane SCHLOTE: 'The sketch's the thing wherein we'll catch the conscience of the audience': Strategies and pitfalls of ethnic TV comedies in Britain, the United States, and Germany -- IV. The language of humour - The humour of language -- Margit OZVALDA: Worlds apart: Schools in postcolonial Indian fiction -- Susanne PICHLER: Interculturality and humour in Timothy Mo's Sour Sweet -- Susanne MÜHLEISEN: What makes an accent funny, and why? Black British Englishes and humour televised -- V. Laughing it off - Does therapeutic humour work? -- Maggie Ann BOWERS: 'Ethnic glue': Humour in Native American literatures -- Annie GAGIANO: Using a comic vision to contend with tragedy: Three unusual African English novels -- Gisela FEURLE: Madam & Eve - Ten Wonderful Years: A cartoon strip and its role in post-apartheid South Africa -- Wendy WOODWARD: Laughing back at the kingfisher: Zakes Mda's The Heart of Redness and postcolonial humour -- Index -- Contributors.
    Additional Edition: Print version: Cheeky Fictions : Laughter and the Postcolonial. Leiden ; Boston : BRILL, 2005 ISBN 9789042019959
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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