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  • 1
    Online Resource
    Online Resource
    Amsterdam University Press | Amsterdam :Amsterdam University Press,
    UID:
    almahu_9948127064902882
    Format: 1 online resource (329 pages) : , illustrations; digital file(s).
    Edition: 1st ed.
    ISBN: 9789048537433 , 9048537436
    Series Statement: Transmedia: Participatory Culture and Media Convergence ; 3
    Content: Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. 'Star Wars and the History of Transmedia Storytelling' offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, 'Star Wars and the History of Transmedia Storytelling' demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building.
    Note: "Thank the Maker!": George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise / , Han Leia Shot First: Transmedia Storytelling and the National Public Radio Dramatization of Star Wars / , From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency / , Another Canon, Another Time: The Novelizations of the Star Wars Films / , Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts / , "You must feel the Force around you!": Transmedia Play and the Death Star Trench Run in Star Wars Video Games / , Transmedia Character Building: Textual Crossovers in the Star Wars Universe / , The Digitizing Force of Decipher's Star Wars Customizable Card Game / , Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel / , How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space / , Adapting the Death Star into LEGO: The Case of LEGO Set #10188 / , Invoking the Holy Trilogy: Star Wars in the Askewniverse / , Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic / , From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space / , Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism / , Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine / , The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property / , Formatting Nostalgia: IMAX Expansions of the Star Wars Franchise / , Fandom Edits: Rogue One and the New Star Wars / , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9789462986213
    Additional Edition: ISBN 9462986215
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
    RVK:
    Keywords: Electronic books. ; Aufsatzsammlung ; Electronic books.
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV044565443
    Format: 1 Online-Ressource (328 Seiten) , Illustrationen
    ISBN: 9789048537433
    Series Statement: Transmedia
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-94-6298-621-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Star wars ; Intermedialität ; Erzählen ; Geschichte 1977- ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV048279182
    Format: 1 Online-Ressource (PDF, 329 Seiten) , illustrations
    ISBN: 9048537436 , 9462986215 , 9789048537433 , 9789462986213
    Series Statement: Transmedia 3
    Content: Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise
    Note: Frontmatter -- , Table of Contents -- , "I Am Fluent in over Six Million Forms of Communication" -- , Introduction: "What Is This Strange World We've Come to?" -- , Foreword: "I Have a Bad Feeling About This" , Part I "First Steps Into A Larger World": Establishing the Star Wars Storyworld -- , 1. "Thank the Maker!" , 2. Han Leia Shot First , 3. From Sequel to Quasi-Novelization , 4. Another Canon, Another Time , 5. Franchising Empire , 6. "You must feel the Force around you!" , Part II "Never Tell Me the Odds!": Expanding the Star Wars Universe -- , 7. Transmedia Character Building , 8. The Digitizing Force of Decipher's Star Wars Customizable Card Game , 9. Publishing the New Jedi Order , 10. How Star Wars Became Museological , 11. Adapting the Death Star into LEGO , 12. Invoking the Holy Trilogy , 13. Chasing Wild Space , Part III "More Powerful Than You Can Possibly Imagine": Consolidating the Star Wars Franchise -- , 14. From Transmedia Storytelling to Transmedia Experience , 15. Space Bitches, Witches, and Kick-Ass Princesses , 16. Some People Call Him a Space Cowboy , 17. The Kiss Goodnight from a Galaxy Far, Far Away , 18. Formatting Nostalgia , 19. Fandom Edits , Afterword: "You'll Find I'm Full of Surprises" , Bibliography -- , About the Contributors -- , Index , Undetermined
    Additional Edition: Erscheint auch als Druck-Ausgabe Star Wars and the history of transmedia storytelling Amsterdam : Amsterdam University Press, 2017 ISBN 9789462986213
    Additional Edition: ISBN 9462986215
    Language: English
    Keywords: Star wars ; Intermedialität ; Erzählen ; Geschichte 1977- ; Aufsatzsammlung ; Criticism, interpretation, etc.
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: Cover
    URL: Image  (Thumbnail cover image)
    URL: Image  (Thumbnail cover image)
    URL: Image
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    UID:
    gbv_1778586988
    Format: 1 Online-Ressource
    ISBN: 9789462986213
    Content: The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world’s most profitable transmedia franchise
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almahu_9949517846102882
    Format: 1 online resource (329 pages) : , illustrations.
    ISBN: 9789048537433 (e-book)
    Series Statement: Transmedia : participatory culture and media convergence
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Amsterdam University Press | Amsterdam :Amsterdam University Press,
    UID:
    edoccha_9958279237302883
    Format: 1 online resource (329 pages) : , illustrations; digital file(s).
    Edition: 1st ed.
    ISBN: 9789048537433 , 9048537436
    Series Statement: Transmedia: Participatory Culture and Media Convergence ; 3
    Content: Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. 'Star Wars and the History of Transmedia Storytelling' offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, 'Star Wars and the History of Transmedia Storytelling' demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building.
    Note: "Thank the Maker!": George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise / , Han Leia Shot First: Transmedia Storytelling and the National Public Radio Dramatization of Star Wars / , From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency / , Another Canon, Another Time: The Novelizations of the Star Wars Films / , Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts / , "You must feel the Force around you!": Transmedia Play and the Death Star Trench Run in Star Wars Video Games / , Transmedia Character Building: Textual Crossovers in the Star Wars Universe / , The Digitizing Force of Decipher's Star Wars Customizable Card Game / , Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel / , How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space / , Adapting the Death Star into LEGO: The Case of LEGO Set #10188 / , Invoking the Holy Trilogy: Star Wars in the Askewniverse / , Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic / , From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space / , Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism / , Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine / , The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property / , Formatting Nostalgia: IMAX Expansions of the Star Wars Franchise / , Fandom Edits: Rogue One and the New Star Wars / , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9789462986213
    Additional Edition: ISBN 9462986215
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Online Resource
    Online Resource
    Amsterdam University Press | Amsterdam :Amsterdam University Press,
    UID:
    edocfu_9958279237302883
    Format: 1 online resource (329 pages) : , illustrations; digital file(s).
    Edition: 1st ed.
    ISBN: 9789048537433 , 9048537436
    Series Statement: Transmedia: Participatory Culture and Media Convergence ; 3
    Content: Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. 'Star Wars and the History of Transmedia Storytelling' offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, 'Star Wars and the History of Transmedia Storytelling' demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building.
    Note: "Thank the Maker!": George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise / , Han Leia Shot First: Transmedia Storytelling and the National Public Radio Dramatization of Star Wars / , From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency / , Another Canon, Another Time: The Novelizations of the Star Wars Films / , Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts / , "You must feel the Force around you!": Transmedia Play and the Death Star Trench Run in Star Wars Video Games / , Transmedia Character Building: Textual Crossovers in the Star Wars Universe / , The Digitizing Force of Decipher's Star Wars Customizable Card Game / , Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel / , How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space / , Adapting the Death Star into LEGO: The Case of LEGO Set #10188 / , Invoking the Holy Trilogy: Star Wars in the Askewniverse / , Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic / , From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space / , Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism / , Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine / , The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property / , Formatting Nostalgia: IMAX Expansions of the Star Wars Franchise / , Fandom Edits: Rogue One and the New Star Wars / , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9789462986213
    Additional Edition: ISBN 9462986215
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    UID:
    gbv_1686947445
    Format: 1 Online-Ressource (PDF, 329 pages) , illustrations
    ISBN: 9789048537433 , 9048537436 , 9789462986213 , 9462986215
    Series Statement: Transmedia 3
    Content: Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise
    Additional Edition: ISBN 9789462986213
    Additional Edition: ISBN 9462986215
    Additional Edition: Erscheint auch als Druck-Ausgabe Star Wars and the history of transmedia storytelling Amsterdam : Amsterdam University Press, 2017 ISBN 9789462986213
    Additional Edition: ISBN 9462986215
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    UID:
    gbv_1000426394
    Format: 328 Seiten , Illustrationen
    ISBN: 9789462986213
    Series Statement: Transmedia: participatory culture and media convergence 3
    Additional Edition: ISBN 9789048537433
    Additional Edition: Erscheint auch als Online-Ausgabe Star wars and the history of transmedia storytelling Amsterdam : Amsterdam University Press, 2018 ISBN 9789048537433
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
    RVK:
    RVK:
    Keywords: Star wars ; Intermedialität ; Erzählen ; Geschichte 1977- ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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