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  • 1
    Online-Ressource
    Online-Ressource
    New York, NY :Oxford University Press,
    UID:
    almahu_9949068997402882
    Umfang: 1 online resource (184 pages) : , illustrations (black and white).
    ISBN: 9780190070175 (ebook) :
    Serie: Oxford scholarship online
    Inhalt: 'The Logic of Filtering' offers a media archaeological perspective on sound and music that develops a new analysis of the noise that technologies add to recorded sound. It shows that this noise is not a disturbance but a central characteristic of recorded music that shapes how listeners relate to it.
    Anmerkung: "This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution - Non Commercial - No Derivatives 4.0 International licence (CC BY-NC-ND 4.0)"--Home page. , Also issued in print: 2021.
    Weitere Ausg.: Print version : ISBN 9780190070137
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    UID:
    gbv_1768121095
    Umfang: 1 online resource (184 pages) , illustrations (black and white).
    ISBN: 9780190070175
    Serie: Oxford scholarship online
    Inhalt: 'The Logic of Filtering' offers a media archaeological perspective on sound and music that develops a new analysis of the noise that technologies add to recorded sound. It shows that this noise is not a disturbance but a central characteristic of recorded music that shapes how listeners relate to it.
    Anmerkung: "This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution - Non Commercial - No Derivatives 4.0 International licence (CC BY-NC-ND 4.0)"--Home page. - Also issued in print: 2021. - Includes bibliographical references, discography and index. - Description based on online resource; title from home page (viewed on April 19, 2021)
    Weitere Ausg.: ISBN 9780190070137
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780190070137
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    New York, NY :Oxford University Press,
    UID:
    almahu_9949473795602882
    Umfang: 1 online resource (184 pages) : , illustrations (black and white).
    ISBN: 9780190070175 (ebook) :
    Serie: Oxford scholarship online
    Inhalt: 'The Logic of Filtering' offers a media archaeological perspective on sound and music that develops a new analysis of the noise that technologies add to recorded sound. It shows that this noise is not a disturbance but a central characteristic of recorded music that shapes how listeners relate to it.
    Anmerkung: "This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution - Non Commercial - No Derivatives 4.0 International licence (CC BY-NC-ND 4.0)"--Home page. , Also issued in print: 2021.
    Weitere Ausg.: Print version : ISBN 9780190070137
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Buch
    Buch
    New York, NY :Oxford University Press,
    UID:
    almahu_BV047318197
    Umfang: xi, 167 Seiten : , Illustrationen, Diagramme (schwarz-weiß).
    ISBN: 978-0-19-007014-4 , 978-0-19-007013-7
    Inhalt: "This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce noise and distortion, the argument accounts for the fact that technologically reproduced music is inherently shaped by the technologies that enable its reproduction. The media archaeological assessment of this noise of sound media developed in the book draws from a wide range of sources, both theoretical and historical, conceptual and technical. Together, they show that noise should not be understood as unwanted by-effect but instead plays a foundational role in shaping the sonic contours of technologically reproduced music. Over the course of five chapters, the book sketches a broad history of the problem of noise in sound recording, looks at specific analog and digital noise-related technologies, traces the ideal of sonic purity back to key developments in nineteenth century acoustics, and develops an analysis of the close interrelation between noise and the temporality of sound. This relation, it argues, is central to the way in which recorded sound and music resonate with listeners. Ultimately, this media specific analysis of the noise of sound media thereby greatly enriches our understanding of the way in which they changed and continue to change the sonorous qualities of music, thus offering a new perspective on the interaction between music, media and listeners"--
    Anmerkung: Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music'
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-19-007016-8
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Schallaufzeichnung ; Klang ; Geräusch ; History
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Buch
    Buch
    New York : Oxford University Press
    UID:
    gbv_1741659256
    Umfang: xi, 167 Seiten , Diagramme
    ISBN: 9780190070137 , 9780190070144
    Inhalt: Introduction. The Noise of Sound Media -- The Myth of Perfect Fidelity -- The Logic of Noise Reduction -- Ideal and Technical Filters -- Time and Transience -- The Logic of Filtering -- Conclusion. The 'Other Music'
    Inhalt: "This book traces the profound impact of technical media on the sound of music, asking: how do media technologies shape sound? How does this affect music? And how did it change what we listen for in music? Based on the information theoretical proposition that all transmission channels introduce noise and distortion, the argument accounts for the fact that technologically reproduced music is inherently shaped by the technologies that enable its reproduction. The media archaeological assessment of this noise of sound media developed in the book draws from a wide range of sources, both theoretical and historical, conceptual and technical. Together, they show that noise should not be understood as unwanted by-effect but instead plays a foundational role in shaping the sonic contours of technologically reproduced music. Over the course of five chapters, the book sketches a broad history of the problem of noise in sound recording, looks at specific analog and digital noise-related technologies, traces the ideal of sonic purity back to key developments in nineteenth century acoustics, and develops an analysis of the close interrelation between noise and the temporality of sound. This relation, it argues, is central to the way in which recorded sound and music resonate with listeners. Ultimately, this media specific analysis of the noise of sound media thereby greatly enriches our understanding of the way in which they changed and continue to change the sonorous qualities of music, thus offering a new perspective on the interaction between music, media and listeners"--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9780190070168
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Kromhout, Melle Jan Logic of filtering New York : Oxford University Press, 2021
    Sprache: Englisch
    Schlagwort(e): Schallaufzeichnung ; Rauschen ; Rauschunterdrückung ; Informationsfilterung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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