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  • 1
    UID:
    gbv_1752027485
    Umfang: 1 Online-Ressource (viii, 254 Seiten) , Illustrationen
    ISBN: 9780190083984
    Serie: Oxford scholarship online
    Inhalt: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Anmerkung: Includes bibliographical references and index , Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 27, 2020)
    Weitere Ausg.: ISBN 9780190083946
    Weitere Ausg.: ISBN 9780190083953
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780190083946
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    New York :Oxford University Press,
    UID:
    almahu_9948368018502882
    Umfang: 1 online resource (250 pages).
    ISBN: 9780190083984 (ebook) :
    Serie: Oxford scholarship online
    Inhalt: In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them - from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the transnational experiences of musicians, industry personnel, and audiences as they produce, circulate, and consume music in a post-colonial era of globalization.
    Anmerkung: Also issued in print: 2020.
    Weitere Ausg.: Print version : ISBN 9780190083946
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    UID:
    gbv_1685845282
    Umfang: viii, 254 Seiten , Illustrationen
    ISBN: 9780190083946 , 9780190083953
    Inhalt: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9780190083977
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Whitmore, Aleysia World music and the Black Atlantic New York : Oxford University Press, 2020
    Sprache: Englisch
    Fachgebiete: Ethnologie , Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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