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  • 1
    Online-Ressource
    Online-Ressource
    New York :Oxford University Press,
    UID:
    almahu_9948206586902882
    Umfang: 1 online resource : , illustrations (black and white), music.
    ISBN: 9780190205348 (ebook) :
    Serie: The Oxford music/media series
    Inhalt: American director Robert Altman first came to national attention with the surprise blockbuster M*A*S*H (1970) and directed more than thirty feature films in subsequent decades until his death in 2006. In addition to his feature films, Altman worked in the emerging field of cable television, as well as in theatre, including opera. 'Robert Altman's Soundtracks' considers Altman's celebrated, often innovative uses of music and sound in several of his most acclaimed and lesser-known works.
    Weitere Ausg.: Print version : ISBN 9780199915965
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    UID:
    almafu_BV042383182
    Umfang: XIII, 296 Seiten : , Illustrationen.
    ISBN: 978-0-19-991596-5
    Serie: THe Oxford music / media series
    Inhalt: American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster M*A*S*H (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including Nashville (1975), Popeye (1980), Short Cuts (1993), Kansas City (1996), The Company (2003) and A Prairie Home Companion (2006), his final film. Even such non-musicals as McCabe and Mrs. Miller (1971) have been described as, in fellow director and protege Paul Thomas Anderson's evocative phrase, as "musicals without people singing." Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book will consider the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration. - Gayle Sherwood Magee is Associate Professor of Musicology at the School of Music, University. (Klappentext)
    Anmerkung: Includes bibliographical references and index , List of Figures ; Acknowledgements ; Introduction: Listening to Robert Altman ; Chapter 1: The Sweet Music of Kansas City ; Chapter 2: New Hollywood Song Tracks ; Chapter 3: Nostalgia Trips ; Chapter 4: A New Hollywood Musical ; Chapter 5: Battling the Empire ; Chapter 6: The Wilderness ; Chapter 7: Indiewood and Improvisation ; Chapter 8: The Perfect Servant ; Chapter 9: Midwestern Musicals ; Conclusion: Altman Today ; Notes ; Bibliography ; Index
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-19-020534-8
    Sprache: Englisch
    Fachgebiete: Allgemeines , Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): 1925-2006 Altman, Robert ; Filmmusik ; Biografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    New York :Oxford University Press,
    UID:
    edocfu_9959245748602883
    Umfang: 1 online resource (313 p.)
    ISBN: 0-19-020533-4 , 0-19-020534-2 , 0-19-991597-0
    Serie: Oxford Music/Media Series
    Inhalt: American director Robert Altman first came to national attention with the surprise blockbuster M*A*S*H (1970) and directed more than thirty feature films in subsequent decades until his death in 2006. In addition to his feature films, Altman worked in the emerging field of cable television, as well as in theatre, including opera. 'Robert Altman's Soundtracks' considers Altman's celebrated, often innovative uses of music and sound in several of his most acclaimed and lesser-known works.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , Introduction: Listening to Robert Altman -- The sweet music of Kansas City -- New Hollywood song tracks -- Nostalgia trips -- A new Hollywood musical -- Battling the empire -- The wilderness -- Indiewood and improvisation -- The perfect servant -- Midwestern musicals -- Conclusion: Altman today. , English
    Weitere Ausg.: ISBN 1-322-08961-2
    Weitere Ausg.: ISBN 0-19-991596-2
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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