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  • 1
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9947361953802882
    Format: 1 online resource
    ISBN: 9780190277574 (ebook) :
    Content: 'Roland Barthes' Cinema' re-examines and recontextualizes the competing critical and theoretical strands in Barthes's thinking, and reassesses the relevance of his work for a new generation of readers and filmgoers.
    Additional Edition: Print version : ISBN 9780190277543
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_837546273
    Format: xxviii, 185 Seiten , Illustrationen , 23 cm
    Edition: First edition
    ISBN: 9780190277543 , 9780190277550
    Content: Editor's preface -- Introduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair -- A Cold War cinema -- Demystification, 1957 "The face of Garbo" -- Rrefresh the perception of the world. "On cinemascope"; Barthes and the New Wave -- Barthes and Bazin. Lost continent; From ontology to rhetoric and back; Camera Lucida -- Another revolution. The fetishist; Eisenstein, 1970; Coda: From leftocracy to affect and intimacy -- Leaving the movie theater. The science of filmology; Apparatus theory; The aestheticization of the World; A long conversation with Christian Metz; Leaving theory -- The melodramatic imagination. The Brontë sisters; The New Wave's melodramatic turn -- Michel Foucault's melodramatic imagination; Barthes and Foucault -- Barthes and Truffaut: Melodramatic photography; Conclusion: From Barthes to Rancière -- Interview with Jacques Rancière -- Nine texts on the cinema by Roland Barthes: Angels of sin (Les anges du péché, 1943) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left -- On left wing criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre (Strangers of the Earth, Mario Ruspoli, 1961) -- Answer to a Question about James Bond -- Sade -- Pasolini -- Notes -- Bibliography -- Index
    Note: Literaturangaben, Bibliographie und Index: S. 141 - 185 , Editor's prefaceIntroduction -- A degraded spectacle. The interpreter and the sensualist -- Roman hair -- A Cold War cinema -- Demystification, 1957 -- The face of Garbo -- Rrefresh the perception of the world. On cinemascope -- Barthes and the New Wave -- Barthes and Bazin. Lost continent From ontology to rhetoric and back -- Camera Lucida -- Another revolution. The fetishist -- Eisenstein, 1970 -- From leftocracy to affect and intimacy -- Exiting the movie theater. The science of filmology -- Apparatus theory -- The aestheticization of the world -- A long conversation with Christian Metz -- Exiting theory -- The melodramatic imagination. The Brontë sisters -- The New Wave melodramatic turn -- Michel Foucault's melodramatic imagination -- Barthes and Foucault -- Barthes and Truffaut: Melodramatic photography -- Conclusion: From Barthes to Rancière -- Interview with Jacques Rancière -- Texts on the cinema by Roland Barthes: The angels of sin (on Bresson's Les anges du péché) -- On CinemaScope -- Versailles and its accounts -- Cinema, right and left (on Cabrol's Le beau serge) -- On leftist criticism -- Traumatic units in cinema: research principles -- Preface to Les inconnus de la terre -- James Bond -- Sade Pasolini (on Salò) -- Barthes and cinema: a bibliography.
    Additional Edition: Erscheint auch als Online-Ausgabe Watts, Philip, 1961 - 2013 Roland Barthes' cinema New York, NY : Oxford University Press, 2016 ISBN 9780190277574
    Language: English
    Subjects: Romance Studies
    RVK:
    Keywords: Barthes, Roland 1915-1980 ; Kino ; Film ; Aufsatzsammlung
    Author information: Barthes, Roland 1915-1980
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