Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource

ISBN: 9780190460198

Series Statement: Oxford handbooks online

Content: Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games

Note: Includes bibliographical references and index , Imagining Sound as the Absolute: The Case of Sarangadeva - Saam Trivedi -- - Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning - Petter Dyndahl -- - Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound - Ulrik Volgsten -- - Musical Preferences and the Imagined Self - Alexandra Lamont -- - Burmese Spirit Worship: Music as a Medium for the Transformation of Self - Judith Becker -- - Opera and the South African Political - Christopher Ballantine -- - Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage - Odd Are Berkaak -- - The Sonic Abject: Sound and Violence in the Legal Imagination - Veit Erlmann -- - Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves - Kai Tuuri, Henna-Riikka Peltola -- - Sonic Branding: From Brand Image to Brand Imagination - Clara Gustafsson -- , - Radio Imaginaries: Music, Space, and Broadcasting in the 1950s - Morten Michelsen -- - The Sensation of Sound and Imagination in a Historical Perspective - Sven Hroar Klempe -- - Audio Inside the Mind: The Poetics of Sound - Se an Street -- - The Acoustic Imaginations of East Asia - Kerim Yasar -- - Imagining Sonic Stories - Vincent Meelberg -- - Sound Quality, Language, and Cognitive Metaphors - Mads Walther-Hansen -- - Speech, Sound, Technology - Johannes Mulder, Theo van Leeuwen -- - Divergent Images of Early Sound Experience during Infancy and Early Childhood - Michael Forrester -- - The Aural Dimension in Comic Art - Marco Pellitteri -- - Sound, Museums, and the Modulation of the Imagination - William Whittington -- - Cinema as Social Knowledge: The Case of the Beatles in the Studio - Fran cois Ribac -- - Concerning the Iconic Signification of Music in Cinema - Michael Chanan -- - Imagining the Sounds Themselves - Malcolm Riddoch -- , - Embodied Listening: A Moving Dimension of Imagination - Martine Huvenne -- - The Listener's Choice: The Sounds of Music, Meanings, and Measurements - Ola Stockfelt -- - Imagining Acoustic Spaces through Listening and Acoustic Ecology - Barry Truax -- - Presence, Environment, and Sound and the Role of Imagination - Mark Grimshaw-Aagaard -- - Music Places: Imaginative Transports of Listening - Judy I. Lochhead -- - Beacons of Sound - Martin Knakkergaard -- - Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation - Zohar Eitan, Hila Tamir-Ostrover -- - Auditory Mirrors: About the Politics of Hearing - Sabine Sanio -- - What We Hear is Where We Are - Linda-Ruth Salter -- - Bridging the Other-Real: Video Game Sound and the Imagination - Tom A. Garner -- - Auditory Imagination: A Phenomenological Perspective - Daniel A. Schmicking -- - Introduction - Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard -- , - The Necessity of Vagueness and Ambiguity to the Imagining of Sound - Mark Grimshaw-Aagaard -- - Listening and/as Imagination - Marcel Cobussen -- - Imagination, Multimodality, and Sound - Joaquim Braga -- - Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery - Timothy L. Hubbard -- - Into the Sounds of War: Imagination, Media, and Experience - Michael Bull

In: Volume 1

Additional Edition: ISBN 9780190460167

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-19-046016-7

Language: English

DOI: 10.1093/oxfordhb/9780190460167.001.0001

URL: URL des Erstveröffentlichers

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (808 pages).

ISBN: 9780190460198 (ebook) :

Series Statement: Oxford handbooks online

Content: Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Note: Imagining Sound as the Absolute: The Case of Sarangadeva / , Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning / , Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound / , Musical Preferences and the Imagined Self / , Burmese Spirit Worship: Music as a Medium for the Transformation of Self / , Opera and the South African Political / , Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage / , The Sonic Abject: Sound and Violence in the Legal Imagination / , Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves / , Sonic Branding: From Brand Image to Brand Imagination / , Radio Imaginaries: Music, Space, and Broadcasting in the 1950s / , The Sensation of Sound and Imagination in a Historical Perspective / , Audio Inside the Mind: The Poetics of Sound / , The Acoustic Imaginations of East Asia / , Imagining Sonic Stories / , Sound Quality, Language, and Cognitive Metaphors / , Speech, Sound, Technology / , Divergent Images of Early Sound Experience during Infancy and Early Childhood / , The Aural Dimension in Comic Art / , Sound, Museums, and the Modulation of the Imagination / , Cinema as Social Knowledge: The Case of the Beatles in the Studio / , Concerning the Iconic Signification of Music in Cinema / , Imagining the Sounds Themselves / , Embodied Listening: A Moving Dimension of Imagination / , The Listener's Choice: The Sounds of Music, Meanings, and Measurements / , Imagining Acoustic Spaces through Listening and Acoustic Ecology / , Presence, Environment, and Sound and the Role of Imagination / , Music Places: Imaginative Transports of Listening / , Beacons of Sound / , Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation / , Auditory Mirrors: About the Politics of Hearing / , What We Hear is Where We Are / , Bridging the Other-Real: Video Game Sound and the Imagination / , Auditory Imagination: A Phenomenological Perspective / , Introduction / , The Necessity of Vagueness and Ambiguity to the Imagining of Sound / , Listening and/as Imagination / , Imagination, Multimodality, and Sound / , Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery / , Into the Sounds of War: Imagination, Media, and Experience /

Additional Edition: Print version : ISBN 9780190460167

Language: English

URL: Oxford handbooks online

URL: Oxford handbooks online

UID:

Format: xii, 862 Seiten , Illustrationen, Diagramme, Karte

ISBN: 9780190460167

Series Statement: Oxford handbooks

Content: Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Note: Literaturangaben

In: Volume 1

Language: English

Keywords: Musikerlebnis ; Musikhören ; Tonpsychologie ; Einbildungskraft ; Imagination ; Luftschall

URL: Inhaltsverzeichnis

UID:

Format: xii, 862 Seiten , Illustrationen

ISBN: 9780190460167

Series Statement: Oxford handbooks

In: 1

Additional Edition: Erscheint auch als Online-Ausgabe, Oxford Handbooks Online ISBN 978-0-19-046019-8

Language: English

Subjects: Musicology

UID:

Format: xii, 862 Seiten : , Illustrationen.

ISBN: 978-0-19-046016-7

In: The Oxford handbook of sound and imagination.

Additional Edition: Erscheint auch als Online-Ausgabe, Oxford Handbooks Online ISBN 978-0-19-046019-8

Language: English

Subjects: Musicology

UID:

Format: xii, 862 Seiten : , Illustrationen.

ISBN: 978-0-19-046016-7

Additional Edition: Erscheint auch als Online-Ausgabe, Oxford Handbooks Online ISBN 978-0-19-046019-8

Language: English

Subjects: Musicology