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  • 1
    UID:
    almahu_9949207284802882
    Format: 1 online resource (280 pages) : , illustrations (black and white).
    ISBN: 9780197513651 (ebook) :
    Series Statement: Oxford scholarship online
    Content: In 'Brain, Beauty, and Art', leading scholars in this nascent field reflect on the promise of neuroaesthetics to enrich our understanding of this universal yet diverse facet of human experience. The volume consists of essays from foundational researchers whose empirical work launched the field.
    Note: Also issued in print: 2021.
    Additional Edition: Print version : ISBN 9780197513620
    Language: English
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  • 2
    UID:
    gbv_1800504403
    Format: 1 Online-Ressource (xxii, 257 Seiten) , Illustrationen
    ISBN: 9780197513644 , 9780197513651 , 9780197513637
    Content: In Brain, Beauty, and Art, leading scholars in this nascent field reflect on the promise of neuroaesthetics to enrich our understanding of this universal yet diverse facet of human experience. The volume consists of essays from foundational researchers whose empirical work launched the field.
    Content: Cover -- Brain, Beauty, & -- Art -- Copyright -- Contents -- Prologue Where Have We Been, and Where Are We Now? -- Contributors -- Section I Frameworks -- 1. An Early Framework for a Cognitive Neuroscience of Visual Aesthetics -- 2. Bringing It All Together: Neurological and Neuroimaging Evidence of the Neural Underpinnings of Visual Aesthetics -- 3. But, What Actually Happens When We Engage with "Art"? -- 4. Naturalizing Aesthetics -- 5. Moving Toward Emotions in the Aesthetic Experience -- 6. The Aesthetic Triad -- 7. How Neuroimaging Is Transforming Our Understanding of Aesthetic Taste -- 8. The Cognitive Neuroscience of Aesthetic Experience -- Section II Beauty -- 9. Facial Beauty and the Medial Orbitofrontal Cortex -- 10. Beautiful People in the Brain of the Beholder -- 11. The Mark of Villainy: The Connection Between Appearance and Perceived Morality -- 12. A Quest for Beauty -- 13. Scene Preferences, Aesthetic Appeal, and Curiosity: Revisiting the Neurobiology of the Infovore -- 14. Kinds of Beauty and the Prefrontal Cortex -- 15. Expertise and Aesthetic Liking -- 16. Social Meaning Brings Beauty: Neural Response to the Beauty of Abstract Chinese Characters -- Section III Art -- 17. The Contributions of Emotion and Reward to Aesthetic Judgment of Visual Art -- 18. Embodiment and the Aesthetic Experience of Images -- 19. The Role of Left Dorsolateral Prefrontal Cortices in Aesthetic Valuation -- 20. Noninvasive Brain Stimulation of the Dorsolateral Prefrontal Cortex During Aesthetic Appreciation -- 21. Is Artistic Composition in Abstract Art Detected Automatically? -- 22. The Contribution of Visual Area V5 to the Perception of Implied Motion in Art and Its Appreciation -- 23. Art Is Its Own Reward -- 24. Imaging the Subjective -- 25. Cultural Neuroaesthetics of Delicate Sadness Induced by Noh Masks.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780197513620
    Additional Edition: Erscheint auch als Druck-Ausgabe Brain, beauty, & art New York, NY : Oxford University Press, 2022 ISBN 9780197513620
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Ästhetik ; Kunst ; Psychologie ; Neurowissenschaften
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1767216300
    Format: xxi, 257 Seiten , Illustrationen, Diagramme
    ISBN: 9780197513620
    Content: "When I first started to think about the neural basis of aesthetic experiences in the late 1990s, little was written on the topic. Unlike other domains of psychology, such as attention, or perception, or memory, aesthetics had not gained purchase in cognitive neuroscience. In fact, aesthetics was barely visible in psychology itself despite being rooted in Fechner's writings over a hundred years earlier. In 1999, papers by Zeki (1999) and Ramachandran and Hirstein (1999) were initial forays into scientific aesthetics by established neuroscientists. While undeniably important as initial markers for the field, their papers were but a first step. They were speculative and did not offer a framework for a systematic research program. Scholars in the humanities latched on to these initial papers, in ways that were detrimental to the field. For the most part, they ignored subsequent careful experimental work done by neuroscientists, as if neuroaesthetics began and ended in 1999 (Chatterjee, 2011). Missing in early discussions was a basic question: what would a framework that could guide experimental progress in the neuroscience of aesthetics entail?"--
    Note: Literaturangaben
    Additional Edition: ISBN 9780197513644
    Additional Edition: ISBN 9780197513651
    Additional Edition: Erscheint auch als Online-Ausgabe Brain, beauty, and art New York, NY : Oxford University Press, [2022]
    Additional Edition: Erscheint auch als Online-Ausgabe Brain, beauty, & art New York, NY : Oxford University Press USA - OSO, 2022 ISBN 9780197513644
    Additional Edition: ISBN 9780197513651
    Additional Edition: ISBN 9780197513637
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Ästhetik ; Kunst ; Psychologie ; Neurowissenschaften ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York, NY, United States of America :Oxford University Press,
    UID:
    almafu_BV047835392
    Format: 1 Online-Ressource (xxi, 257 Seiten) : , Illustrationen, Diagramme.
    ISBN: 978-0-19-751365-1 , 978-0-19-751364-4 , 978-0-19-751363-7
    Content: "When I first started to think about the neural basis of aesthetic experiences in the late 1990s, little was written on the topic. Unlike other domains of psychology, such as attention, or perception, or memory, aesthetics had not gained purchase in cognitive neuroscience. In fact, aesthetics was barely visible in psychology itself despite being rooted in Fechner's writings over a hundred years earlier. In 1999, papers by Zeki (1999) and Ramachandran and Hirstein (1999) were initial forays into scientific aesthetics by established neuroscientists. While undeniably important as initial markers for the field, their papers were but a first step. They were speculative and did not offer a framework for a systematic research program. Scholars in the humanities latched on to these initial papers, in ways that were detrimental to the field. For the most part, they ignored subsequent careful experimental work done by neuroscientists, as if neuroaesthetics began and ended in 1999 (Chatterjee, 2011). Missing in early discussions was a basic question: what would a framework that could guide experimental progress in the neuroscience of aesthetics entail?"--
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-19-751362-0
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Philosophy
    RVK:
    RVK:
    Keywords: Neuroästhetik ; Ästhetik ; Kunst ; Psychologie ; Neurowissenschaften ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    UID:
    gbv_1896079407
    ISBN: 9780197513620
    In: Brain, beauty, & art, New York, NY : Oxford University Press, 2022, (2022), Seite 56-60, 9780197513620
    In: year:2022
    In: pages:56-60
    Language: English
    Author information: Jacobsen, Thomas
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